I am about to do a watercolour demonstration and this was the subject I was going to paint – or something like this at least. On my last post someone said they were interested in the steps of the work I showed so as I photographed each stage for my own planning purposes I thought that I could post them for anyone who is interested.
The first stage was do a drawing and cover the stamens with masking fluid. I then mixed up my colours, lemon yellow, cadmium yellow, a green mixed from Prussian blue and cadmium yellow, Prussian blue and purple made up from ultramarine blue and alizarin crimson. These were relatively strong mixes. I then wet the entire paper and added the colours, trying not to blend them completely and, see the image below.
When this was dry I cut out the shapes of the flower heads using the same colours, allowing the colours to blend together and into the background using a brush with clear water to feather the colours into the background. This gave the image below:
I then started painting the inside of the flowers to further define the heads and also some paint was added to create some form on the outside of the petals. Again the same colours were used, adding water from a clean brush to feather the colour in. See below:
I then removed the masking fluid from the stamens and added some colour to them. I then cut out the leaves using darker versions of the same colours, washing them away with a wet brush to get some lost edges:
Finally I added an extra leaf between the two groups of leaves by further darkening the background. I then added some glazes of lemon yellow and purple over the flowers and the purple over the leaves to give the final image.
There are other floral images done by this approach on my website grahammcquadefineart.com
So lovely. Thanks for sharing your process. Have a great weekend.
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Thanks, I appreciate your comments.
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Thanks so much for the step-by-step, very helpful for a less-skilled painter trying to improve!
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Thanks glad to be able to help.
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The layering is an interesting process and kind of like working in reverse – background first. Thank you.
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If you leave some of your initial washes in the background and main subject you provide a link between the two which helps give the image a sense of unity.
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I agree. That’s the beauty of this approach.
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