Just a bit of fun with this one. I saw some of this as I came out of life drawing in Liverpool and added more bits to it to supply a narrative and add to the pun. I had a bit of a battle with the loose style and all the detail and the detail seems to have won out.
I posted a very similar painting a few months back. It was one I did mainly for my own amusement, but I included it in a group of paintings I submitted to someone who wanted to commission a view of Durham Cathedral. To my surprise they picked the earlier, portrait, version of this but wanted it in a landscape format – to fit the available space. As the lane winding up to the Cathedral is narrow and the towers hang over and dominate the scene it rather fits a portrait format, but anyway…. I managed to fill the space by including more of the Cathedral tower, a scattering of people and expanding the buildings on the left and right – thank goodness for Google. It might be a bit of a confection, but they seem happy with it, although there are a few things I might touch up before framing and dispatching.
Not being of hardy stock I only venture outside to paint when the sun starts to shine and the temperature rises. I have spent too long in the past waiting for washes to dry in cold bleakness or battled to warm up frozen mixes on my palette. Not any more.
So with some sunshine forecast we went over to Yorkshire and into Wharfedale to do some walking and along the way I was able to sit in the spring sunshine and do a bit of painting.
Starting out from Burnsall we climbed above the River Wharfe and amongst the hill farms I saw this scene, above, of broken down walls, isolated buildings and patchwork fields populated by grazing sheep.
Later, after lunch at a pub, we walked along the river and this was one of the derelict farmhouses alongside of the Wharfe in the shadow of the hill, crisscrossed with the drystone walls and peppered with a helping of the ubiquitous sheep.
A great day in the early spring sunshine which sparkled off the rippling river waters.
Returning to the station from a life painting session I was struck by the reflections on the pavement and took a few photos. The street has some interesting buildings, but the light never seems to be in the right position to bring out their beauty. So I guess this as near as I get to something I find satisfying.
I also had another go at the pastel I posted a week or ago, entitled ‘Crossing the Strand’ – another snapshot of Liverpool. I agreed with a reader’s criticism that the figures seemed to form a queue across the picture, so have bunched them up a bit and spread the rest out. I did it on a lighter paper which meant I had to fight to get the feel of the early evening gloom.
I was doing another painting of our local beach but things got out of control and I washed off what I had done with the intention of starting again, but when I got the paper dry again my heart had gone out of the project and as it was a piece of reclaimed paper I thought that I would try out an idea I had been carrying around in my head.
I am quite happy with the result and though a few of the panels could be improved I think that there is scope for further development and I might even be able to create a small series on the idea. Anyway, I’ll post any further work here.
This is a modified painting which I posted some time ago. When I first posted it I had some reservations about certain aspects. Then, the other day as I was searching through some old paintings, I came across it again and took a moment to reconsidered it and realised that my issues could be addressed. One problem was the central tree which I modified and then I enhanced the main field and strengthened the top field. It may have moved away from the original scene, but it was a bit of a combination of views in the first place, broadly based on the Wear Valley in Durham City.
I was walking down Mathew Street in Liverpool the day after St Patrick’s day. A feeling of quiet reflection in the air. I liked the breaks of light and dark down the street where the Cavern Club, a place the Beatles used to play, was ( there still is a Cavern Club on the site of the old one)
This was done in my favourite three colours a warm red, yellow and blue and allowed wet colour mixing on the paper to get a myriad of subtle shades before picking out some recognisable shapes and forms.
Originally I had an image of a mountain river I took in New Hampshire one fall, but I felt the background was too dark. Recently I saw a woodland scene on the TV and it gave me an idea for a more interesting background. Both were contra jour so fitted well together and seemed to add up to more than the sum of the parts.
I wanted to try some more townscapes and get a little more rawness into the image. This is one of Liverpool with the Liver Building silhouetted in the background. I have done this view before and put it on the blog, but getting figures in this time and making them prominent gives the image more depth and vitality.