The organiser was away for this session so I got the model to strike a more compact pose. It also helped that the session was not as full, so I was able to move into a better position. Normally at this session you can get there half an hour before the start and you are still having to squeeze yourself into the little space that is left.
The figure above was sparsely done, using the paper as a tone, but I did like the cushion she rested her arms on.
I did this in about 50 minutes in an evening session where they spend most of the time doing quick poses. I dont normally take my pastels to this session, because of the lack of time. Here I just banged in some primary colours and I was quite pleased with the result.
I normally do these charcoal studies at the evening sessions. You have enough time to make a measured drawing, consider your marks and develop tone. I also find the constant rushing of quick poses leaves me skittish and hyper, like I’ve just consumed five cups of coffee. So before I start these longer 50 minute poses I need to pause, slow down and consider, before I start a measured piece.
And sometimes you wonder why you bothered. Well I tried.
Another spell of sunny weather has made me get up early and take the paintbrushes for some exercise. Normally by now our summer has crashed into an indifferent greyness. I suppose this could be the upside of global warming. So back to the Leeds Liverpool Canal for this one by Heaton Bridge. I liked the interplay of light and shade and I could make more of it if I did it in the studio.
Another one by Heaton Bridge on the canal. I even painted my own car in the background. I had to duck in and out of the shade on this one, as I needed the sun to dry the washes before moving on.
And finally one from this morning. I took the bike and cycled around the lanes north of Crosby. Here is one of the many farms. Swallows gathered on the power cables in the dewy morning, but had disappeared by the time I had finished and lapwings made noisy overtures to any encroachers. Apart from that, well away from the road, all I could hear was the occasionally barking dog in the early stillness.
A troll has landed on my site like some bird-droppings on my shoulder. Making oblique, sarcastic comments, they clearly dont like my paintings and repetitively parrot this distaste. It seems that they particularly dislike canals and narrowboats – or barges, as they put it. So I thought I’d post another one – just for them.
I dont like some of the stuff either and the last one they commented on had a glaring error which seems to have gone right over their head whilst they focused on their superior taste – yeah they seem to have some hierarchy reverberating in their empty head at which they naturally place themselves at the top and me squarely at the bottom. Its sad to hear the poor onanist on full sneer, unable to discern between objectivity and subjectivity. They may grow out of it, though I doubt it.
I dont know whether any other bloggers have the tedium of these style fascists, but you wonder about their mentality and why, when they see something they dislike, they dont just move on. I mean, I dont mind criticism, and deserve it, but haranguing someone because they dont match your tastes is bewildering at the least.
Anyway enough of this. If you like what you see I have a website of paintings for sale on grahammcquadefineart.com, though you’ll have to form an orderly queue behind the style fascist who will be placing an extensive order.
I sat and painted here the other week, though this view is an amalgam of a number of photos. There is a hill behind this village and I was drawn to the smokey early morning light against the fresh early summer greens.
These sketches of the Leeds Liverpool Canal were done a few days ago as the weather has now taken a turn for the worse, or returned to the norm, depending on your level of pessimism.
The sketches are of each side of the bridge, by the Ship Inn at Haskayne, although on the first one the bridge is just out of view on the left. It was when I was well into this second sketch that I realised something was missing. Here is a painting of the same site which I sold a few years ago.
Admittedly the second one was painted in the evening light whilst my top sketch is done in the morning, but I must say that the willow and the ivy on the bridge do add some character and interest to the image, not quite balanced by the reeds now growing on the canal bank.
One morning, a couple of weeks ago, I was sitting on the canal edge painting when this entourage drifted by. They came up from behind me and I had to drop the painting, brushes and palette and scramble around in my bag for the camera, all without upsetting the group. I crept along the bank taking a number of shots from which
I compiled this painting.
I felt I needed some more flower paintings and in came spring and the apple blossom burst out on my trees. Now with the warm weather there looks like there’s going to be a lot of fruit.
Last year I planted a few allium bulbs in the garden. I was hoping for some cerulean blue flowers but got a purpler version. I need to go and search for some of the bluer kind, but even so, the evening light on the flowers made them look like they were exploding.