A late entry to my upcoming solo exhibition of flower paintings. I have assembled 16 paintings to show at my framers next week. So I am spending time getting things ready, at the expense of painting.
I must admit to getting a bit down after putting work in a couple of mixed exhibitions of late and selling nothing, but last week I entered another and went to collect my work to find that I had sold three. One of life’s small victories which puts a spring back in your step. So I’m entering this one a bit more optimistically – but only a little bit.
Lord Street is the main street in Southport. Once a thriving shopping venue with covered walkways, today it is blighted with shop closures and lack of footfall.
In the winter, the low sun casts deep shadows and lights up reflective surfaces and makes for a great painting. The other afternoon I thought conditions were right for these perfect images. However, when I got down to the town centre, the sun was still too high to get the impact I was after – I need to wait a little later in the year – but still the contra jour effect of the setting sun gave an arresting image – particularly the lady dodging the traffic.
In the last blog I posted – the painting of Southport Beach- the principal reason why I went down there was to get some driftwood to complete a mobile. I liked the notion that the distressing of the wood is a product of the sea as are the fishes.
I started out by carving rough, archetypical fish forms out of the driftwood but gradually, as I proceeded with the project, I left it to the wood to convey the form – though on a couple I cut them in half and repositioned the ends to make better sense- well you do, dont you?
I am wondering whether to get another one and have 3 hangings a 2, 3 and 2 to better intermingle the forms – but now the wife is looking sceptically at them, so they might be reconsigned to the sea.
Sculptures and other artworks are available for sale on my website: grahammcquadefineart.com
The joke is that the sea goes so far out here, it always seems like low-tide.
I went down to the beach the other fine day to get some driftwood for a mobile I am making, which hopefully I will post shortly. There were some great cloud formations and whilst I was searching for suitable pieces I managed to find time to snap a few photos and later used them to give you a flavour of the beach here at Southport UK.
I have worked on this piece for a long time, playing around with preparatory sketches – then putting them aside. I was looking through my sketchbooks recently and decided it was time to reach for a conclusion and set about pulling them all together. The blocks are only 6″ square (15cm) so it wasnt a massive undertaking, but I had been uncertain as to the interaction of the parts.
So here it is – the conclusion – at least for now.
I saw this dog by the roadside whilst walking in the Yorkshire Dales this summer. Normally I would tackle such a subject in pastel but what made me paint it was the notion of exploring what kind of textures I could get with watercolour. So it was more of an exercise in techniques than anything else.
Well it’s actually a Drive where I live – but Alan Lerner apparently lived on a street- so you do what you have to, to make the title work.
I was putting the bins out the other day and looked up the Drive to see the autumn sun piercing the remaining leaves on the sycamore trees and patterning the pavement. I thought that it would make a good painting.
I added the dog walker as a focal point. There are plenty of them about as evidence on the pavement abounds.