I wasnt going to post, but this morning I worked up a sketch from a walk we went on yesterday. We explored Beacon Hill country park in the hills above Skelmersdale and in the distance, over to the Wirrel, the steam coming out of the cooling towers of Fiddlers Ferry power station caught the afternoon sun and attracted my attention.
The power station is coal fired and is due for decommission, so this sight will soon be a thing of the past.
With a house filled with guests, I havent done any painting over the past few days.When I was clearing space in my studio, I picked up a sketch book and spotted something I had done whilst on the beach in August – and here it is – squabbling gulls on the waterline: perhaps apposite in the circumstances.
This was inspired by a recent walk that many in these northern climes might recognise. I like the way forms grow and dissolve in the gloom and a patch of light grabs attention.
I was hoping for smoother transitions in the sky but found the very necessary break of light made that difficult. Now, having had a go I can see another way of approaching the subject so that could mean version two – I apologise in advance .
Anyway, a merry xmzzz to all my reader. Have a great time.
Our walk along the Leeds Liverpool canal the other day took us past the swing bridge near the small town of Burscough. I love the line of old cottages in the left background, and have painted them in the past from the other side. I wondered whether the long lead in of the tow path, delineated by the shadows from the bright winter sun was worth a go, particularly as I wanted a long format painting to test on my new website that I am getting built.
And if nothing else, the sight of a canal painting always ignites the bigoted troll – and it can get cold hiding under a stone at this time of year.
I havent been doing much life drawing of late, but last week I turned up to a session taking my acrylics and square brushes.
These sketches were done fairly rapidly. I was after a loose blocky style.
I am still uncertain as to how I proceed with life drawing. As you can see here the poses are very stilted and the subjects flooded with light from all angles.
I do like the pressure and demands these sessions provide, though they give little time for consideration and development. There’s too much focus on speed and I wonder the effect it has on some of the attendees including myself.
I have mentioned a pile of problem paintings I have in my studio – paintings I like, but have a few issues with. This one directly above was an example. Mixing images and subjects resulted in the figure being too small for the railings and the colourings on the Bexhill Pavilion and the promenade being too dark and light respectively. So I had another go and produced the one at the top. I also took the opportunity to rearrange the figures.
I had similar issues with the painting looking the opposite way in the afternoon ( as opposed to the morning in the one above)
This one below was the first attempt;
The painting was odd in that I wanted to get the full width of the background buildings which consequently made for quite an expanse of foreground which was left a bit empty.
I hope this time the foreground has more presence and the figures aren’t as stiff. I also wanted to get more detail into the background to imply the jumble of structures there.
Lastly, there was the case of leaning Lord Street that I put out a few days ago. I thought that as I was on the topic of buildings I might as well round them all up. The one below was the original post.
So I set about it again and also tried to be a bit more subtle with the washes.