SPRING – ACRYLIC PAINTING

I didnt have a clue what I was doing when I started this except the notion of attempting a figurative piece. I had a photo of the top part of the figure and I liked the compact pose; the rest just sprung from there.

Playing with washes and colour, with a bit of drawing, and who knows where I have landed. Out of the proverbial and into the fire. Well, having said that, there are aspects I could take and use to better effect. You build up this thing intuitively and then you stand back and think that would be better there, and if only I had used a redder blue here, or lost that line there.

I do miss the life sessions I used to go to, as it was painting on the fly – no time to really think things through – just crash on, and this painting was similar in that respect. I do have sketchbooks full of figures that might be worth developing and applying some of these approaches to. We’ll see. I did have plans to do some life drawing at the start of this shutdown and apart from some sketches this is only the second figurative painting I have managed – I get sidetracked too easily.

Other life drawings are available for sale on my website: grahammcquadefineart.com

PEAK SKETCHING IN WATERCOLOURS

Not much painting over the last few days as we went away to the Peak District near Stockport to meet some of my wife’s friends who were up visiting. We gathered in the grounds of Lyme house – which among other things, was used as a backdrop in a BBC production of Pride and Prejudice.

As the troops gathered I sneaked away to sketch the view of the house from near the main driveway despite it starting to rain in the attempt. Fortunately there was an oak tree to shelter under.

We stayed in an inn on the outskirts of town, high on a hill and I thought that I would get up the next morning and paint for an hour or so, before we set off. When I woke up there was low cloud and drizzle so I stayed indoors and sketched the horses in the farm opposite when they grazed into view.

They didnt stay still for long and it was a good exercise trying to catch them in their poses – something I should do more often. When they disappeared from view I built up the farm which overlooked the valley.

Later we walked up towards Kinder Scout and this was a view of the reservoir I snatched as I waited for the others to catch up. I liked the green sloping field behind the house which jumped out in the sunshine – overworked but a reminder of the day.

Other landscapes are available for sale on my website: grahammcquadefineart.com

BIRKDALE BEACH – PASTEL PAINTING

With the morning light on the dunes the marram grass glows and glistens and cajoled me into working up this view of the beach at Birkdale where I live. I had forgotten I had done a very similar piece before in April and it was only as I was storing this painting that I saw the earlier work. I had forgotten it, probably as I wasnt too taken with the regularly repeating rows of grass I had managed to get on that one. So I got the old painting out again and gave it a dose of reworking and here it is:

On the top painting I blocked in the dark areas with dark acrylic paint before applying the pastels and that saved a lot of time and layers of pastel in achieving the shadows and darker passages, In the lower painting darks were built up with pastel alone.

Other seascapes and seaside paintings are available for sale on my website: grahammcquadefineart.com


GOING UP THE HILL – WATERCOLOUR SKETCHES

I looked at my watercolour sketchbook the other day and saw that I hadnt done any outdoor painting in July. The weather hasnt been very good – well not for outdoor painting, though my lawn has rejoiced in the warm damp weather.

So with a mini heatwave forecast and two days to go, I set off up Parbold Hill. I had noticed some footpaths off the road that go up the hill, but have never explored them. So on Thursday up I trudged with my painting gear. The first painting is on the way up.

Dodging the many dogs that yapped and barked around my feet I got to the top and walked about the exposed plateau, taking a winding footpath through a wheat field. I liked the trees in their lush summer finery and sat on the path looking out over the Lancashire plain. It was as I was working on this second sketch that I realised the tall streak in the distance could only be Blackpool Tower.

As I started back I saw a row of cottages on the high ground above me. They looked like Cotswold cottages. I also liked the gaps in the trees that surrounded them, so I decided to get the paints out again and make the most of my visit.

Other landscapes are available for sale on my website: grahammcquadefineart.com