BACK TO LIFE – ACRYLIC AND PASTEL PAINTING

I still attend life sessions, though not as much now. This was done last Sunday.

It has a soft feel about it. The reason, I think, is that I mistakenly purchased a tube of light ultramarine blue with a misclick of the mouse and decided to use that, instead of my normal u/m blue for this session. Hence the softpastel feel. I might use it again. Some time ago I made a bigger mistake and got phthalo green blue shade instead of phthalo blue green shade. This was a pot, not a tube. But it makes an intense black with cadmium red. It proved a very useful mistake.

Some sessions I am forced to take pastel to a session as they seem to think that washing paint from brushes and palettes causes blocked sinks. I find the restriction irritating and the upshot is, I attend less often. This one, above, was done in pastel at a place that frowns on paint. I included a few of the model’s tattoos here, but trying to paint them can cause confusion – a bit of a problem, as models seem to be covered in more and more of them these days.

I like this model, Arthur. He is in his sixties but has a great physique with excellent muscle definition, and no tattoos – again this was done in pastels.

This is Arthur again, though I used acrylics on this one. I used a blocky style with square brushes. It isnt very apparent here, but on the first painting above, which was done only recently, that blockiness is much more pronounced and I like the painterly effect it produces.

Other life apaintings are available for sale on my website: grahammcquadefineart.com

SEEMS TO HAVE PASSED – WATERCOLOUR PAINTING

This is somewhere around where I live, but I cant recall the precise location. I liked the haphazard nature of the receding fence and decided to add a passing storm, then stirred in some resultant puddles, all to pile on some atmosphere. The emerging sun creates counterchange by casting a bit of light on the wet, reflective surfaces down the winding lane – and now the storm’s passed, you can continue on your way.

It’s the kind of weather we’ve been getting of late.

Other landscapes are available for sale on my website: grahammcquadefineart.com

WARTS AND ALL -ACRYLIC PAINTING

When my Hyenna painting found a new home (as described in an earlier blog), I had a look for other interesting animals, I had seen whilst in Namibia, as potential subjects. Here, above, is one of a pair of warthogs I sketched by the waterhole at our lodge. They were a young pair and this one was probably a female. I was struck by their incongruous appearance with a big head and body on thin legs. Not only that, but she appeared to me, to be tottering on stilettos as she made her way around the edge of the water.

So I had to have a go – a bit of fun to paint – here for your amusement.

Other animal paintings are available for sale on my website: grahammcquadefineart.com

MORNING AT AINSDALE WOODS – PASTEL PAINTING

I attempted this small painting three times until I was happy with it. This version was done on Pastelmat support and it gave me the saturation I was after. For the background sky I scraped different pastels onto the board and wet the scrapings with a brush to get an even transition of colours.

The first attempt was done on pastel paper. This is the one below. Here, I used gouache to get the background sky, not pastel, as I did above.

The pastel colours do not sing out and appear flat and dull to me. I also felt there was too much foreground. So I tried again:

This time I obtained the background sky, as I did with first painting – scraping various pastels and wetting the scrapings to get an even background on pastel paper. I also reduced the foreground. It had a better saturation of colour at the end, but some of the darker colours failed to sing out. So that was when I resorted to the pastelmat.

I have used Clairefontaine pastelmat in the past and have always been happy with the results. I did not use it much as I couldnt find any larger sheets of it. The top painting was done on a 30x40cm sheet. Recently, someone told me bigger sheets were available and now I can get 50x70cm sheets which allows me to tackle slightly bigger pieces.

The downside of the pastelmat is the price and the lack of even bigger sheets. However, I wont be using it for life painting, and it is here where I go even larger, but it will allow me to do my small and medium size paintings and get some great vivacity of colour.

Other landscapes are available for sale on my website: grahammcquadefineart.com

THE WHARF AT BURSCOUGH – WATERCOLOUR PAINTING

After some quite aggressive dental work earlier in the week, I have felt the need to take things a little slower and, at the same time, halt my consumption of nuts. Fortunately with painting, I have something to productively engage me in the meantime, something that isnt too physically demanding. With a couple of exhibitions looming, including one which monitors your previous entries and prohibits any returning, I thought I’d get myself a new selection of local topics. This is one of them – a venue I’ve painted before.

I did like the old wharf buildings before they were renovated, but I suppose without some renovation things would go into terminal decline. So I have excluded the more radical changes and focussed on the the less altered part of these old buildings. I also misted out the canal-side houses in the distance in this morning scene.

Other canals and narrowboat paintings are available for sale on my website: grahammcquadefineart.com

PEACE RETURNS TO FORMBY BEACH – WATERCOLOUR PAINTING

I am exploring a few subjects for a local, upcoming exhibition and wondered whether this beach scene might be worth an airing. I have done similar versions of it before but the open expanse of beach, as it melds into the sea and sky, is a difficult proposition to balance up. In the past I have filled the top part of the open expanse with cloud – this time I thought that the energy of agitated gulls might be a better resolution. I have over a week, so there is a bit of time to play around.

Other beach scenes are available for sale on my website: grahammcquadefineart.com

THE TOP OF CLIEVES’ HILLS – ACRYLIC PAINTING

I was talking to a fellow blogger about the perils of reworking a piece. At the time I was reworking two paintings, one of them was this, above. My fellow blogger explained the problems of reworking poems and stories. I felt there was more peril in changing paintings, as it can take a lot of work to correct bad decisions, particularly if you want to get back to where you started. With text, you could keep a copy and quietly lob the revision binward, ressurect the original and pretend nothing had happened ( well, that’s my blinkered view)

I was asked to submit a painting or two to an exhibition and was scraping around for something suitable. I did like the original of the painting above; there was an understated and almost abstract passage in the foreground, but despite a few showings it stayed in my possession. So I thought that I would shake it up ready for another outing.

I was reluctant to change as I was pleased with the original foreground, but having made the change I am equally happy with the outcome. It now looks very similar to the view I saw when I did a watercolour version one sunny summer’s morning, sitting on the hill amid the rough grassland and weeds, a few years ago.

Time will tell.

Other landscapes are available for sale on my website: grahammcquadefineart.com

SPIRIT OF THE FOREST – ACRYLIC PAINTING

I worked up this larger sized painting from one of the sketches I presented a week or so ago. Acrylic ink was run into the divisions to add depth and interest and further texture was built up by dragging and smearing. The overall impression I wanted was one of hopeful mystery with the yellows and greens evoking lichens that grow in dark, dank environments – but then, that’s what comes at looking at an image for too long.

Other abstracts are available for sale on my website: grahammcquadefineart.com

THE BUS ARRIVES ON LORD STREET – WATERCOLOUR PAINTING

Another in a long series of paintings of my town’s main street. There are a couple of exhibitions coming up that are held on this street, so it is useful to have something of local interest to display. Add that to the fact that I am a sucker for the winter sunsets here – a painting is inevitable. There may be another to come.

Other Lord Street paintings are available for sale on my website: grahammcquadefineart.com

FALLEN – ACRYLIC PAINTING

A week or so ago I showed some sketches for abstracts. Since then I have been working a couple up. I put this version on a 1.2 x 0.6 metre canvas. This may not be the completed piece, but it is getting close. On this version I focussed on brighter colours than I had in the sketch and have since then dulled a few down. That process may continue – I am a constant fiddler, particularly when I have the painting in front of me and paints to hand. There is another one on the go, but I also have a watercolour which I started before this and need to finish, so at least I’m keeping busy.

Other abstracts are available for sale on my website: grahammcquadefineart.com