Another of the street food series. I liked the oranges against the blues. I couldnt quite decipher what the stall was selling but the poses of the stall holder and customers was interesting. I’m still exploring the subject at the moment and even deciding what medium to use, though with pastel I seem to be getting a dynamic effect.
I decided to get a collection of flower paintings together for a future exhibition and also as a couple of painting groups have asked for flower demos later in the year. But things are going badly. This was one of lillies (above) will be destined for scrap paper – but at least it’s good practice.
I did manage to get my Camellias into better shape- after posting them earlier and having reservations about them – I had another go – I think this was the third attempt, below. I am happier with this one – but progress is slow.
I had planned to look at developing a more forceful and abstract style to my life paintings. I wanted to experiment with the many sketches that I have and explore possibilities and new approaches away from the constraints and distractions a life session imposes, such as finding a viewpoint, contending with poor lighting or being herded into quick sketches – things that drive you into resorting to the same old approach in order to get something down in the time that’s left.
As you can see so far I havent had that time to make such leap and have drifted back into life groups after my holiday. Here are a couple of recent studies. Hopefully I will make some progress in the weeks ahead – well I have a plan anyway.
In Bangkok, as in every town and city, in south east Asia there are stalls offering fresh food and drink along the roadsides and in night markets. I thought I might explore some of the images I collected along the way. I like the spotlit figures surrounded by an almost abstract background. For me, there is a theatricality about them which adds to their draw.
This picture is developed from a number I took in Sathorn, a district in Bangkok, where we had just had a meal sat out on the pavement.
A day at the seaside up in Cumbria: I spotted these rock poolers on their summer holidays and took a few photos. The lad quickly wandered off but I caught a pose as he stood by another pool and in this painting drew him in a position that gave some narrative.
My camellias are in full bloom at the moment, being in a shady position, they are always a little late. I must admit to taking many photos of them as they have a lush, richness of colour them that is as alluring as it is difficult to reproduce. It took a lot of glazes to get to this position and it could be that I am not finished yet. I have been fiddling around for too long and felt I needed a break to fully appraise this effort. Even looking at the painting on the screen as I write I can see areas that might have been tackled differently. Yeah, you are never quite finished.
There isnt much across the moss – drained marshland behind the coastal dunes. Even less when the lowland is blanketed with mist and all you can see is a ghostly tree and a row of staggering poles. This was done with loose washes and then a bit of drybrush in the foreground.