Yesterday I decided to join a painting club on one of their summer site visits. I had just joined this club, mainly for the exhibition possibilities, and they sent me their summer schedule which contained some places I had not been before in the area. Marsh Farm was one, and as it was a nice day I thought I would get out and give it a go.
Apart from my old wooden stool falling apart from under me as I painted, it was a good day. Above is the group painting the farm, whilst I sat on a bank by the track – one of the few comfortable places left with the demise of my stool.
This morning I was roused from my slumbers at 5-30 and the sun was shining, so I went out to do some painting. It’s still cold here, but I took some tea to drink whilst the washes were drying and all was well with the world.
This was the second sketch of the day. I crossed the canal and ventured towards Clieves’ Hills – an area I paint a lot.
Here are some earlier sketches I did when we had a warm spell in April. They are up on the Cumbrian Coast in the Lake District. It took us an age to get there and on the way back the car started to do some very strange things. We limped home but it wasnt a happy day.
This is a view of the area as we climbed the hills behind Ravenglass.
This was a view over the River Esk as it comes to the sea at Ravenglass. The gorse was in full flower with bright burst of yellow all over the hillside – though from the sketch above you might think that they were daffodils.
The plan on this one altered as I progressed and the changes may have had a negative impact on the outcome. I wanted a blue/yellow theme going on, cooling and losing some of the petals as well as the foliage, with the distant flowerheads merging into a yellow/green background.
Halfway though I jumped ship, scraped some of the colour off the background flowers and made them brighter and more pronounced. I also brought more flowerheads into focus – having started with just three and hinting at the rest.
Now is a period of reflection – though I do like having something in my hand to ponder over rather than an image in my head. You may not have seen the last of this one.
Another of the street food series. I liked the oranges against the blues. I couldnt quite decipher what the stall was selling but the poses of the stall holder and customers was interesting. I’m still exploring the subject at the moment and even deciding what medium to use, though with pastel I seem to be getting a dynamic effect.
I decided to get a collection of flower paintings together for a future exhibition and also as a couple of painting groups have asked for flower demos later in the year. But things are going badly. This was one of lillies (above) will be destined for scrap paper – but at least it’s good practice.
I did manage to get my Camellias into better shape- after posting them earlier and having reservations about them – I had another go – I think this was the third attempt, below. I am happier with this one – but progress is slow.
I had planned to look at developing a more forceful and abstract style to my life paintings. I wanted to experiment with the many sketches that I have and explore possibilities and new approaches away from the constraints and distractions a life session imposes, such as finding a viewpoint, contending with poor lighting or being herded into quick sketches – things that drive you into resorting to the same old approach in order to get something down in the time that’s left.
As you can see so far I havent had that time to make such leap and have drifted back into life groups after my holiday. Here are a couple of recent studies. Hopefully I will make some progress in the weeks ahead – well I have a plan anyway.
In Bangkok, as in every town and city, in south east Asia there are stalls offering fresh food and drink along the roadsides and in night markets. I thought I might explore some of the images I collected along the way. I like the spotlit figures surrounded by an almost abstract background. For me, there is a theatricality about them which adds to their draw.
This picture is developed from a number I took in Sathorn, a district in Bangkok, where we had just had a meal sat out on the pavement.