I’m not sure why I did this one. I came across the image from my trip to Thailand. And then I’m also not sure why I chose watercolour when pastel might have been better. I then sketched them out and I had them arranged like opposing apostrophes on a line. That left a lot of space at the top.
By arranging them on the diagonal I could make the dogs bigger and fill the space – more dog less mud. I also put some grass in at the top for visual relief.
Another challenge was the dappled shade on which I may have failed. Something to ponder during the long nights of winter.
I have been fighting with floral paintings recently and not getting very far. I need an image for an upcoming demo and fortunately I have a bit of time to come up with something. So, I just wanted a break – a different subject, to set the juices running – and following on from my last post ( which was itself a trial for another demo) I thought that I would return to feel good paintings – if nothing else but to make me feel good. This was a treat to paint this – mainly washes of luscious colours. First the sky, the sea and the beach then, when that was dry, the tree and bushes etc in one hit, mixing colours on the paper. Again, I let that dry before extending the dark area of shadows, people and paraphernalia dropping in bright colours into the shadow and leaving small gaps for the chinks of light. After that, all I needed to do was paint the two front figures and those in the distance, then add a bit of texture in the sand. It was done by lunchtime – my kind of painting – putting me in a happier frame of mind.
Incidently, the beach scene was from photos I took whilst painting the scene below which I posted in February. It was a beach in Thailand – great subjects where ever you looked. I then added the front figures from other sources.
I wanted to try a block approach for an upcoming demo and selected a subject of a couple sat in Green Park with Buckingham Palace and the crowds in the background. I set about transporting them over the hills and far away to somewhere more rustic. Call it a feel-good picture: a paean for the past summer. As I worked away at it it reminded me of those old railway posters they used to have. Maybe they could use it for HS2 if it ever restarts – I wouldnt charge them much…
I had a bit of time to play around with some forest scenes I had collected from recent visits to our local Ainsdale and Formby woods. On the top painting I did the colour mixing on the paper adding water to push colour away from the top right and then push and reinforce the dark mixtures on to the bottom right to get contrast and mystery.
This, above, was my first try. I like some of it, but feel that I need some colour contrasts to highlight the point of interest and break the monotony.
This got a bit obvious with streams of light, but has the area of interest I needed in the painting above. Again, with a few tweaks it could be worth another try. I think if I push the bottom area up into the `middle it might enliven it a little.
Some more images from recent life sessions. I have cut down my attendance to these lately as I feel am getting into a bit of a rut- though the sessions always test your observational skills and the restricted timeline pushes your workrate.
I have intended to use a few of the sketches at home to develop some fresh approaches. Not much progress on this at the moment.
Though I did get my old sketch books out and had a look through the other day. Every journey starts with a single step…
The other side of the De la Warr Pavilion complex in Bexhill, East Sussex, at the opposite end of the day from my last post. The hot afternoon light coming in over the sailing club and the and the yacht masts adding to the visual commotion of chimney pots, lamp posts and flagpoles. On windier days you can hear ghostly ringing as rigging ropes slap against the hollow aluminium masts.