Regular readers may sense groundhog day, but this is a more finished version of an offering I produced a few weeks ago as part of a set of woodland scenes. As I scratch around for suitable work for a couple of upcoming exhibitions, there may be more of that set coming – so those of an unforgiving disposition should switch off now…
Another calming painting – well that’s the intention. I did this quickly just to see how it would work out. It comes from a couple of photos taken on an earlier outing when I did some watercolour paintings on a quiet summer’s morning. Hopefully there will be a few more to come, but not this week if the forecast is to be believed.
I posted this painting, An Autumn Morning in Ainsdale Woods, in 2014 and it was around this time that I sold the original. A week ago a gentleman from Stockholm in Sweden wanted an electronic copy for a wall image in an office complex that they were rennovating. So for a small fee I am sending him a file of this image. I always keep a reasonable sized file of all my work as, in the past, I have had had people rejecting small files for publication and if you have sold the original there isnt much you can do to supply an image that meets their needs. I did think that the size of this file was too small for his purpose, but he was happy that the 5Mbyte file was large enough. He will send me an image of the layout when the project is complete. It will be interesting to see the work in another context.
There isnt much across the moss – drained marshland behind the coastal dunes. Even less when the lowland is blanketed with mist and all you can see is a ghostly tree and a row of staggering poles. This was done with loose washes and then a bit of drybrush in the foreground.
Another one in the series of paintings I’m not happy with since I first did them. In this version I hope I adequately captured the chill mist you get in autumn on the low lying reclaimed marshlands. The switchback road, the tilting poles and the scrubby verge which falls away into a deep ditch, all contribute to a feeling of other worldliness where some bring the ghosts in their heads and give them free rein.
In the late rush for replacement paintings to populate the exhibition, I reworked this image which I posted a few years ago. I tried to better meld the buildings with the landscape and simplify the foreground to enhance the feeling of stillness. Whether I did or not, who’s to say, but it’s up on the wall now and a feeling of calm has descended upon my studio allowing a tidy-up for the second time.