For us in northern climes, a taste of what`s to come – that is, if they let us out the house .or we stage a breakout.
At this moment we should be cruising down the Nile – a holiday booked well over a year ago and I have been looking forward to seeing the sights of ancient Egypt that seem to be constantly on the television here. I was also eager for some time on deck, in the sun, painting the passing countryside as we cruised down river. So hopefully next year.
With this painting I liked the movement of the front child in the water and the gambolling dog. It looked a bit unconnected so I introduced a second child and pulled the dog into the man, who appears to be texting or reading his emails. In that format I have created a diagonal that hopefully reinforces the energy of waves and bathers.
Well for us in northern climes the corner has been turned and summer is on its way, though, no doubt, a rocky (and icy) road lies ahead. So here is a painting of what we’re aiming for. I did this as a pastel a long while ago and wondered whether it would make a watercolour. I love the shadows of the marram grass, the distressed fence, and the way the beach disappears into a hazy blueness. It makes a hopeful change from my recent winter beach scenes.
Maybe the season of repeats. Here is another version of a painting I posted a few weeks ago. I decided the cliffs of sand dunes needed simplifying and enlarging and I removed clutter from the foreground. I also simplified the cloud formation and made them compliment the dunes better. Its a simple scene, but its about the openness of the beach which seems to roll on forever.
Merry Christmas – as its a nice day we are heading off for a walk along the beach on the Wirral. Hopefully there will be a few potential paintings waiting for me there.
I did a version of this in an earlier post, but felt that it focussed on the figures rather than the sense of place. Hence the rework; taking on a lower angle and focussing on the sand and reflections and the openness of the space and pushing the figures and furniture back.
As you can see above I was able to put some paintings in my framer’s window this week ( apologies for the reflections in the glass). At least I have a small exhibition which can be viewed from the open air. I had hoped to be in another mixed exhibition in one of the town centre’s empty shops but the organiser decided to abandon it. I was looking forward to manning the gallery and doing some painting in the shop.
As soon as I got home from my framers I had an email from a guy who wanted to buy, off my website, one of the big paintings that is in the photo. For some reason my website didnt allow him to purchase them on line. The painting had been on the website for a couple of months, but he decided to purchase it after I had taken it along to my framers and set it up in the exhibition. I shouldnt moan. Anyway, as he’s local he said he will call into the shop and collect it – at least he gets a free frame which I dont supply on line.
So we’re off to a good start. I just have to find a replacement.
Other landscapes are available for sale on my website: grahammcquadefineart.com. Hurry they are running out fast – or should that be seeping slowly…
I have sold a number of beach scenes at Formby of late, so stocks of this subject were low and I wanted something not too taxing to paint as I worked on a more difficult painting.
It puzzles me why a local beach scene is such a popular subject but I suppose sunny days at the seaside are always uplifting and can hold happy memories – that is, until you have to paint masses of marram grass and footprints in the sand.
With the morning light on the dunes the marram grass glows and glistens and cajoled me into working up this view of the beach at Birkdale where I live. I had forgotten I had done a very similar piece before in April and it was only as I was storing this painting that I saw the earlier work. I had forgotten it, probably as I wasnt too taken with the regularly repeating rows of grass I had managed to get on that one. So I got the old painting out again and gave it a dose of reworking and here it is:
On the top painting I blocked in the dark areas with dark acrylic paint before applying the pastels and that saved a lot of time and layers of pastel in achieving the shadows and darker passages, In the lower painting darks were built up with pastel alone.
Staying with the beach theme started on my last post; another view of the Sefton coast, this time at Formby. I did this in acrylics and I am happier with the depictment of the vegetation compared to what I achieved with the pastels. I am tempted to repeat the previous post of the Alt Estuary in acrylics.
The painting comes from a watercolour sketch I did a few weeks back, one sunny morning when I visited the beach.
In the distance ( through the gap) on the acrylic painting are the impression of some seabirds which I thought I saw as I sat painting. When I blew up the images I saw that it was litter left by the previous day’s tourists – still, the white blobs are birds in my eye.
It’s a while since I last had the pastels out and I wanted to do some paintings of the Sefton Beach, so I thought that they might be just right for the marram grasses.
This is the view where the River Alt empties into the Mersey Estuary and in the distance the Wirral, across the estuary. On a good day you can see the Welsh hills. Just around the near headland is Gormley’s, Another Place, which has the figures looking out into the blue of the distance.