This was a painting of washes in three colours. One was the staining winsor blue, green shade, which sometimes has a mind of its own – so there was some trepidation as I applied the paint. I wanted the calm that a wash can, in my opinion, create.
Looking at this now I might give the man a bit more of his head, though he could have his collar up or be looking down and I did ponder footprints in the foreground but decided that the reflections might cover them up anyway, I think the calm lead-in is crucial.
The other side of the De la Warr Pavilion complex in Bexhill, East Sussex, at the opposite end of the day from my last post. The hot afternoon light coming in over the sailing club and the and the yacht masts adding to the visual commotion of chimney pots, lamp posts and flagpoles. On windier days you can hear ghostly ringing as rigging ropes slap against the hollow aluminium masts.
I did this scene plein air and posted it a few weeks back. The field of view was much wider on that one as I am a sucker for chimney pots and thought those buildings provided a good coda. This one is much tighter and focusses on the area which really got my interest. The light on the sea in the background also caught my eye when I was strolling along the prom on an earlier occasion. However, when I sat down to paint, the sea was dark, the lighting effect only came out later. Anyway, I included it on this one.
With family issues dominating of late I have had little time to paint. The day before yesterday we sat on Cooden Beach in Sussex and I sketched this scene with part of Beachy Head in the background – rather a sparse scene, I’m afraid, but time constraints pressed.
I also manage a couple of abstract pastel landscapes. I was just playing around with a loose idea, but when I reflected on the outcome, I was disappointed to see a woodland scene had evolved. Hopefully I can build on this – it certainly wasnt the vision I had in mind when I started. It never fails to amaze me how the mechanics of the process can take over and lead you away from where you wanted to be.
With so many distractions of late this painting was doomed. I debated long and hard about whether just to focus in on the party having afternoon tea, but the setting of the architecture also had appeal. In the end I regretted my decision as the pediments, columns and cornices just became a labour although I still like the contrast of the greys and whites against the corner of colour with the tea drinkers. Maybe its something to try again when things are a little less hectic. I might even have a go at the tea drinkers without the architecture.
I made this up from three photos. I loved the light coming in across the sea, illuminating the cracks in the groyne and making the wet pebbles sparkle. However the picture was a little dull without something else going on. I thought about putting some seagulls in, but decided upon the two guys who were fishing nearby who I had photographed, but with the sun. It meant I had to draw them the other way around and make up some shadow and highlights.