Having had to rebook a holiday for the second time this week I thought that I would recall one from a more carefree time. This is on the Italian Lake Garda, a little hamlet near Salo. It was out of the way and frequented, it seemed, by locals. I saw quite a few small gatherings passing away the evening around the quay and a small promenade, putting the world to rights and greeting friends. Some even brought their own chair and when done would fold it up and carry it back to their house.
Other seaside paintings are available for sale on my website: grahammcquadefineart.com
Earlier this month I posted a painting from a recent walk. Here is another scene from that walk: the ramshackled boatyard on the banks of the River Douglas. This river flows into the River Ribble at its estuary, near Preston. Many of the boats in the yard are deposited alongside a footpath which runs at the side of the river. On the other side of the river are tall embankments and green fields. The site is rather incongruous in this rural setting and I have noticed that a growing number of people are living in boats or newly erected static caravans. No doubt there`ll be a shop and a village pub opening soon.
In the painting I wanted to show the cluttered boatyard against the open country, so the main boat occupies a space close to the centre of the painting. This design may upset some of the purists, but I wanted to present the two aspects of the site in a sort of split screen production, segregated by the tree. I placed a lead in of an upturned dinghy and cart, but hopefully I captured the flavour of the yard amid its surroundings.
Back to the task of getting some paintings for the exhibition at Little Crosby. The Alt is a small tributary to the Mersey, opening out into its estuary, not far from Little Crosby. A number of boats moor up there. This one was done at sunset and is a subject I have painted before. I love the trail of buoys and markers down the watercourse and the reflections and patterns in the vast expanse of wet sand out to the Mersey and Irish sea. At present you can hear the sounds of migrating Canada geese as they feed way out in the distance on the sands. Looking the other way in the morning you get the view below.
The block of flats on the right is an eyesore and I blended it out in the morning sunlight. The houses dont do much either, so I kept them as simple as possible. Hopefully they will appeal to someone, as this is a well visited spot of wildness in a built up area at the north end of Liverpool.
I was thinking about entering the marine artists exhibition in London. I had a couple of suitable paintings but wanted something a little different so that I could judge what it is that they are looking for a bit better and worked up this idea. Now that it’s complete I’m a little underwhelmed by it. I have got tighter than I would have liked. I’ll prop it against the wall and have a look at it over the next week or so and make my mind up. I have used motifs that I have used as subjects before, in case you are wondering whether you’ve already seen it.