I started again with the painting I posted on my last blog and here is the result. It is a little rough around the edges but it now has the feeling of a mad hatter’s tea party – not that I’m calling my step-brother mad for one instant – he could be reading this. I thought that the first version was too static and it needed something, so along came a bit of humour and action. I did consider just altering the last offering but changing the poses and adding the bottle and hands blocked out bits I wanted to keep – so it was start again.
I will allow time for reflection and then perhaps refine a few bits, but I feel John will appreciate this version a little more or dislike it a little less.
Other paintings for sale are available on my website: grahammcquadefineart.com
This is John, my step brother. He gave up running a shopping mall and, with his wife, opened up an Indonesian/English Cafe. She is Indonesian and her son, DJ, is in the background, though he is soon off to a job in Japan.
When I was on my painting course, last week, we popped in for lunch and I thought I might do John a painting – though I think it needs to be livelier and more quirky than this.
I do like his pork-pie hat which seems to be fixed permanently to his head and the cafe counter is covered in paper and paraphernalia, so this may be another project I will be doing again. The second goes are piling up.
Anyone got a spare lifetime that they can let me have?
I started a version of this last week whilst on duty again at the exhibition I was part of. I don’t think it is as successful an image as the painting I did of the dog walkers on my last stint at the gallery, but I do love the impatient anxiety of the woman trying to catch the waiter’s eye and the nonchalance of her husband, given charge of the lapdog.
In the gallery I followed my sketches and did a version of this but by the middle of the afternoon I realised I had the scale wrong. So the painting displayed above was one I did at home. The half completed first attempt is below. As you can see I beefed up the figures and pulled in the scene.
As for the exhibition. In the end I sold 3 paintings which was a good result as far as I am concerned. Today I entered 4 paintings for a juried exhibition, so I wait to hear the decision of the panel’s deliberations,
This was a painting I almost completed whilst I did my stint at an exhibition of works by a small group of painters I recently joined. So far I’ve done ok selling four, five if you include the one I donated for the hospice that they are collecting for.
This was from an amalgam of an advert I saw and some of my own photos. I did like the light on the glasses and subjects, but I am not too excited by the end result.
I wanted a break from the landscapes I am painting for an upcoming exhibition and had some images of when I went back to my home town of Hastings a couple of weeks ago. We stopped off in the old-town and had some lunch at a small café and there was this couple seated across the café, next to the window, which I thought might make a good subject.
Other acrylic paintings of café scenes are available for sale on my website: grahammcquadefineart.com
This is another in my café/France series I started a few months back. I put some of those paintings in a small exhibition at a local Bistro, though nothing sold. They were in the blocked style I have been experimenting in which may not be to everyone’s or anyone’s taste, but undeterred I thought I’d do another one.
This was at a café in the south of France where we were eating and three musicians came by and started to play. Within seconds a couple jumped up and started to jive. It brightened up a dull day.
I published the first version of this on 29th June and although I was happy with the style I felt I had included too many extraneous bits in the image. I wanted to concentrate on the three people enjoying their drinks in the sunshine and some other figures to provide the context. I also wanted to cut down some of the foliage, if you can excuse the pun, as well. Really, in the end it was just about making the central figures larger and focussing on what really matters.