This image is from the same walk I alluded to in my previous post. The light catching surfaces and the figure were too good to miss. It was a pity that the woman was in the shade. I debated moving her to the other seat, but I liked the way she was sat with her shoes just catching the light. Might be worth another version.
My last post – a canal scene – caused troll to ouze out from under its stone and lob another tired jibe at my handiwork. Narrowboats, in their opinion are contemptuous and, so naturally, troll’s self bestowed and illogical concept of good art – whatever that means – was affronted and it needed to act.
The upshot of this latest beef is that: I AM DOING ANOTHER CANAL SCENE. So my advice to troll is to slide further beneath the slab as another similar scene may follow this.
I sold a couple of canal scenes recently so stocks are low. This painting shows the gastro pub – the Saracen’s Head – on the Leeds and Liverpool Canal where, these days, more and more narrowboats seem to moor up. It is just a few yards from my last canal-side painting in my preious blog.
I had been working on another version of Shasta daisies I published in May, but things went from bad to worse to unprintable. So last night I started sketching this and it seemed to tumble out. I posted a version of this done on site at the end of May, but the lighting wasnt what I wanted. To get this view – and with it the light – you need to get further back down the canal, so far that the subjects became just dots. So the telephoto lense came in handy here.
So spurred on by their encouragement here is another canal-side offering which could feature in my upcoming exhibition. I have done this scene before, but wasnt satisfied with the result. This time I washed in three primary colours onto wet paper and mixed them with water from a spray. You get some lovely misty colour mixes. When dry, I worked specific areas in a similar fashion but without the spray, gradually building up the colours by mixing them on the paper and also increasing the detail.
In the past I stuck to just 3 primary colours, mainly to get cohesion. I was a bit dissatisfied with the results. This time I added other colours in the later stages and I am much happier with the result.
I really like the ethereal early morning quality I have achieved here and may be putting this up next week.
I opened up the local paper today and there was a big spread put out by the venue advertising my exhibition. So just a little pressure.
The exhibition looms and I was unhappy with some of my canal scenes and decided to add a few more and make a decision from a wider field. This is another version of one I did plein air last May/June and posted. I really liked the light on the tarpaulin and the weeds growing around the boat.
More paintings for the exhibition. I thought one of the canal might be worth a punt, so I need to chose between these two.
Though I may do a series of canal scenes for later in the year so I could always use the one left over, but – and here’s the good news – I will need a few more to make up a series. That’ll cheer the troll up if nothing else.
I wanted to continue with my local paintings but had nothing ready and being out of sorts with a persistent cough, I thought I’d take a break, have an easy time, and try this scene. I find these vertical extended paintings sell well. Perhaps they fill awkward spaces and this view, with a bit of juggling, seemed to fit a long format well. It also helps me in adding to the selection of canal scenes I am also working on for an exhibition later in the year. I liked the different layers of interest in this with the background landscape, the canal and narrowboats and then the dogwalker – who came in from another couple of photos.