Having spent the last couple of weeks completing four commissions, I needed to let off some steam. I had some images of jazz players and thought about combining them into a painting. I intend to do the final version in acrylics, using liquid acrylics to get the effect of the watercolours – but watercolours allowed some easy explorations. The theme is still developing and I’m considering putting in further additions, so these are first steps. My initial one is below, then I decided to add a bassist.
Knowing me I will end up with a full orchestra for the final piece.
I suppose this could be worked on a little more, but I took a photo of it to see how it was looking and decided to post it. Apposite as they are opening up shops and other non essential outlets tomorrow in our neck of the woods. However, cafes and pubs can only serve customers outside – so those inside on this painting are mere reflections., and with our weather, those on the outside will soon be wrapping their coats around them – but for now it’s sunny – it could be France – but it’s Parbold.
Well, summer seems to be peeping around the corner around here, so why not paint another beach scene. This is a subject I tackled a long time ago, but the figures were just part of a bigger beachscape. I love this grouping and thought that it might be worth focussing in on the four of them walking along the wet sand in the morning.
And whilst I am the subject of repeats, here is another version of a painting I did post a few weeks ago. Breakout, though in that version not all the figures were breaking out – one seemed to be very occupied with their phone.
So I got rid of the texting man and added a running female. I also pushed her and the dog closer to the smaller boy and reduced the size of the painting from 52x35cm to 35x25cm and in doing so, got closer to the action. Hopefully I’ve got more of the exuberance of a summer’s day than I first had – days to come.
I posted a version of this before, but on further reflection, felt I had pulled back too far from the subject and allowed other distractions into the first version. This time I have focussed on the figure – getting him to fill the frame and even truncating the legs to fully take in the twisting of the upper body. I like the movement of the pose and the sense of optimism it suggests – which for this glass half empty person is a feat in itself.
Coupled with the English announcement of the start of the lifting of Covid restrictions then this may have a further resonance – though as every kite flyer knows, a change of wind and the kite is soon back down around your feet – leopards and spots…
I did this a couple of weeks ago, but it got forgotten in the pile. I was after the smoky blues you get in the still early mornings and did resort to a glaze of blue tinted gouache. Perhaps more foliage detail in the foreground might add to the depth, but there is an understated calm about it which is what I was after.
For us in northern climes, a taste of what`s to come – that is, if they let us out the house .or we stage a breakout.
At this moment we should be cruising down the Nile – a holiday booked well over a year ago and I have been looking forward to seeing the sights of ancient Egypt that seem to be constantly on the television here. I was also eager for some time on deck, in the sun, painting the passing countryside as we cruised down river. So hopefully next year.
With this painting I liked the movement of the front child in the water and the gambolling dog. It looked a bit unconnected so I introduced a second child and pulled the dog into the man, who appears to be texting or reading his emails. In that format I have created a diagonal that hopefully reinforces the energy of waves and bathers.
Just for figurative practice I took some newspaper images and played around with my pastels, imagining that I was back in the life room and trying to work at pace – as if I had the time limit of a session. I liked the way this figure gripped their cane, with his bottom hand facing upwards, presumably, around the bulb of the cane.
On this, the melancholic gaze of the subject looking down drew my attention. This pose is accentuated by the top of the eyelid and the underside of the eye socket being illuminated from an elevated light from their left. The right side of her face is completely black in the photo, but I hinted at her eye and the edge of her nose and also put a bit more colour in, to lift the mood perhaps.
Another figurative piece, this time Michael Palin, once part of the Monty Python Team. In the UK he seems to be a permanent fixture of the TV schedules as, after Python, he started making travel documentaries which are being constantly repeated. The number of times I’ve switched on to see him still trying to find Timbuktu – surely it cant be that hard or perhaps the Tuarags have cottoned on to the expenses to be made by leading a TV crew in ever decreasing circles.
Casting around for more figurative practice pieces, I was taken by the good lighting and the way Palin used his hands whilst describing old journeys. So I took some shots of him reminiscing, for once grateful for the repackaging of archive footage – a trick that our programme makers are prone to do to eke out some cheap TV.
As I worked I was taken by the length of his face in relation to its width. It unnerved me that much I had to recheck the measurements.
It came to me in a dream, Your Honour. Not the green man of yore: helpfully nurturing the fresh shoots of spring and kicking off an abundant harvest. No, this was someone who sowed unease, albeit with a smile that in hindsight you might consider a sneer. Perhaps the devil’s work though in a different shade.
I havent done any life drawing of late, so I thought why not have a play when this idea occurred. I had intended an even more contorted head, but I started the work with just a palette knife and getting tied up with the technicalities of that, I drifted towards the natural – though fortunately not too natural.
Hopefully I got something a little unsettling in some beguiling colours.