I wanted to try a block approach for an upcoming demo and selected a subject of a couple sat in Green Park with Buckingham Palace and the crowds in the background. I set about transporting them over the hills and far away to somewhere more rustic. Call it a feel-good picture: a paean for the past summer. As I worked away at it it reminded me of those old railway posters they used to have. Maybe they could use it for HS2 if it ever restarts – I wouldnt charge them much…
Some more images from recent life sessions. I have cut down my attendance to these lately as I feel am getting into a bit of a rut- though the sessions always test your observational skills and the restricted timeline pushes your workrate.
I have intended to use a few of the sketches at home to develop some fresh approaches. Not much progress on this at the moment.
Though I did get my old sketch books out and had a look through the other day. Every journey starts with a single step…
We went out to a bar in Liverpool the other night with some friends and enjoyed a few drinks and a little music. I thought that I would paint the scene and here is the first go. I may yet make some of the background colour more definite as it looks like a yellow mist is descending as it did after the fourth bottle of wine.
I was in Green Park in London last Saturday. We had just come out of the Royal Academy after seeing the summer exhibition and were walking through the park to the Mall. Most people were sitting in the sun but this group had pulled their deck chairs into the shade and were in deep debate. I might have another go at the grass by the deck chair. As I look at it now, writing this, I feel it could do with a bit better finish, but I do like the overall feel to it.
I’ve been staying away from life drawing of late. It started after coming back from holiday and then through putting on my solo exhibition and just continued. I am certainly underwhelmed by the lack of thought applied by the people who run them. which results in stiff poses and poor lighting and demotivates me further. But this week I took a deep breath and launched myself into a couple of sessions. I’m not sure how long this will last.
The above model got so relaxed that she nodded off – so I started adding watery effects.
I mentioned a visit to Wells in my last blog and I was well impressed with the town. I also loved these two, sitting outside a cafe in the town centre like a pair of bookends, each watching the world go by.
I decided to tackle the scene in pastel. However, the amount of detail I included reduced the opportunities to dwell on facial expressions and despite opting for a tight colour range now feel I may have been a victim of it. I find small details with pastel quite tricky – but then, that’s the point, I suppose – the challenge.
I initially had a notion of this painting from a side view incorporating the steam from the soup against a dark background. Looking for suitable images to use I came across one of my dad, but a frontal view. Unfortunately he was wearing a hat and had no shirt which was a step too far for me, so I changed that, and added a book.
The real problem came in filling the 50x65cm sheet. I rescoped the head a couple of times, to try to ensure that sheet was filled, but despite all this I only managed 2/3 of the paper and with all the chopping and changing I lost the likeness – well, it’s a bit like him, but I’ve done better – perhaps a candidate for another attempt.
Compared to that the reworking of the Cambodian woman (an image I posted a couple of weeks ago as a smaller sketch) came out so much easier on this larger format – perhaps there was more to squeeze in so I was struggling to include rather than fill it out.
I might do a bit of tweaking to this yet, but in the main I am happy with it. Perhaps this larger format allows more detail and nuance giving it, for me, more authority.