AFTERNOON AT FORMBY POINT – PASTEL PAINTING

This was the last of a series I recently painted of our local coastline. They have familiar themes to others I have painted. In this one I liked the shadows cast by the nearest clump of marram grass and the distant beach as it drifts away into infinity. It is an expansive area of sand where, in some areas, you barely see a soul as you walk beneath the towering dunes.

This set of paintings gives me some choice when I come to select paintings for the exhibitions which are fast approaching.

Other seaside and beach paintings are available for sale on my website: grahammcquadefineart.com

BACK TO THE BEACH – PASTEL PAINTING

With this painting I’m staying with the pastels and riffing on a familiar theme in preparation for upcoming exhibitions. I was pleased with the colours I got into this familiar view of the beach at Formby – simple pleasures, but I’m a simple man. I had to include some old fencing as I was demonstrating a similar painting at a club in Blackpool on Thursday, so the practice helped. Tomorrow I will be running a pastel workshop. Hopefully, after that, things will quieten down and I’ll try to explore some other themes and media, though I do want to do a larger version of the mixed media offering of breaking waves I posted a week or so ago.

Today I am off to a life session run by an old mate of mine. He told me that he has got a great model, someone I havent seen since before covid. I just hope we can get some good lighting as well.

Other seaside paintings are available for sale on my website: grahammcquadefineart.com

AT FORMBY POINT – PASTEL PAINTINGS

Another reworked image, this time of the beach at Formby, and the reason for this is that I am also preparing for a pastel workshop, along with some demos.

A lady, from a local art club had seen a beach pastel on my website and asked whether I could do that as a demo. Despite never having demonstrated pastel before, I accepted the booking. I wouldnt even call myself a pastelist. I just started using them in life sessions. I found you get form and colour down very quickly with pastels. From there I used them in my landscapes.

However, I use a different style with life work than with landscapes and seascapes. With the latter I blend a lot, probably because I am working flatter, rather than on an easel in a life session.

After that surprise booking, I received two more requests for pastel demos and one for a pastel workshop. I dont know if there has been some culling of the pastel fraternity around here, leading to a lack of choice and then on to me, or maybe people just talk amongst themselves.

So I have been investigating possible subjects. I have settled for the one above. I did try a couple of others, one of them is below:

This is another old subject, done before in watercolours. I feel, though, that with watercolours, I got a much subtler finish and this was a reason why I am selecting the first one for the demos and workshop. The first demo is in October.

Also, by doing these trial pieces, I get a painting that I can put in to one of my upcoming exhibitions. A little icing on the cake.

Other beach scenes and seascapes are avilable for sale on my website: grahammcquadefineart.com

MERSEY MORNING – ACRYLIC PAINTING

Sitting atop of a sand dune just south of Formby, I had a good view of the mouth of the Mersey. Reflective objects sang bright in the morning sun and I painted this view in watercolour, disturbed only by distant cries of gulls and lapwings. Not a bad way to start the day.

When I got home and looked at my endeavours I thought that pastel or acrylic would be a better medium for this painting. Eventually I plumped for acrylic because of the fiddly nature of the wind turbine and ship, though other aspects would have been easier in pastel.

I did debate about putting wind turbines in at all – there are quite a few more off to the right. In the end you got a token wind turbine and anyway, it adds a bit of balance to the piece.

Other views of the Mersey are available for sale on my website: grahammcquadefineart.com

DAYBREAK ALONG THE COASTAL PATH – PASTEL PAINTING

Another sunrise painting, this time in pastel.

Last week I was out on the coastal path that runs from Southport, where I live, down to Liverpool and took some photos. I thought that the scene would look good in pastel. I dont normally go outside with pastels as my hands get messy when I use them and then the painting gets contaminated. For this reason I wash my hands regularly when I am doing a painting like this. As there arent any washbasins on the walk I sketched something in watercolour.

This sketch, below, was painted feet from where the pastel looks out, but in a slightly different direction. It doesnt have the same punch as the pastel, but I thought I’d show it anyway.

For this I sat just off the path and watched as the joggers shambled by, oblivious to my presence.

Other landscapes are available for sale on my website: grahammcquadefineart.com

CLIMBING TO THE TOP OF THE DUNE – PASTEL PAINTING

Undeterred by the sand flowing away from under your feet, you struggle on, brushing past the coarse marram grass and then glimpse sight of the sea. Now, you realise you’ve reached your objective.

This is the last of the short series of beach pastels I have been doing of late. All used the technique of underpainting with gouache and then overworking with pastel. I was trying to get a feeling of intimacy with this one, compared to the others which had a more panoramic detachment.

Other beach paintings are available for sale on my website: grahammcquadefineart.com

FORMBY POINT – PASTEL PAINTING

Another view of the local beach at Formby, quickly done, with it’s wide expanses of sand and retreating sand dunes. It recalls summer days by the seaside and time squandered in the warm sunshine.

Summer’s on its way, though we may have to wait a while longer.

Other seaside and beach paintings are available on my website: grahammcquadefineart.com

THE VIEW FROM THE FORMBY DUNES – ACRYLIC PAINTING

I managed to sell a few paintings at an exhibition I held at my framers after Christmas. All of them were beach scenes. So, I just completed another view of the Formby beach from my visit last summer.

I like the remnants of the fences that stand forlornly in the shifting sands. I often wonder what purpose they served as they pop up in all sorts of strange places.

Other beach scenes are available for sale on my website: grahammcquadefineart.com

BACK TO THE BEACH – PASTEL PAINTING

This morning I am taking some paintings into the pop-up gallery for my first collaborative exhibition in the run up to Christmas. This one will run for a month and I will have to do one day a week manning the shop and hoping for some healthy sales.

So now on to the second exhibition, in November. I have already sent in my list for the catalogue, but not all the paintings had been completed. This one above is the last of the eight I will be submitting. I felt I needed a local beach scene: similar to the one I am putting in today. I must admit I prefer that one, but what one person likes, another doesnt. Again it is of Formby beach, a popular destination in this area.

Other beach scenes are available for sale on my website: grahammcquadefineart.com

LAST MEN STANDING – ACRYLIC PAINTING

I did this painting just before I departed for Portugal at the end of September. It came from my visit to Formby Beach when I was collecting material for a commission and seeing what else was about.

I loved the wind-sculpted shapes of the trees, though they are in peril. The sea is encroaching and pushing the coast back and this small cluster of trees will soon be no longer. You can see the next line of the pine forest in the background.

I think there is mileage in making the trees starker and I was going to introduce some reds and other colours into the trunks and foliage, but for now exploring the shapes of the trees and their relationship to the landscape is enough.

Other landscapes and seascapes are available on my website: grahammcquadefineart.com