Category Archives: halsall moss

EARLY MORNING ACROSS THE MOSS – WATERCOLOUR PAINTING

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One from the archives – it’s been a busy week.

This is the view I used to see as I cycled to work across the fields behind our town. The sun rising and a mistiness still clinging to the low reclaimed marshland. Occasionally you’d spot the ghostly form of a barn owl swooping above the ditches and reed beds.

The painting now resides in my neighbour’s house. They used to take the same trip – but in a car, not on a bike.

Other landscapes are available for sale on my website: grahammcquadefineart.com

PLEX MOSS LANE – WATERCOLOUR PAINTING

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Here are a couple of old paintings I reworked recently. This one, of the local reclaimed farmlands behind our town and the roller-coaster lane that runs across it, was washed with water and almost half of the painting removed or reduced in tone. I then repainted the foreground. Hopefully it now has a softer feel. more appropriate to an early morning scene.

And another painting given a similar treatment. This one, of Rivington Pike, which you can see across the moss from Southport, where I live. A similar approach was done to this, washing off the lower half to increase the impression of morning light and then reworking the fore ground.

Both were long format paintings which I am presently short of, ready for any upcoming exhibitions.

At present I am working on some big commission pieces with one almost finished, allowing me to start on the second one. I have posted sketches of them earlier and hopefully will have something to show soon.

Other landscape paintings are available for sale on my website: grahammcquadefineart.com

AT THE END OF SEGARS LANE – WATERCOLOUR PAINTING

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Another reworked painting from around this area. This one, a view I’ve painted before, is of a lane which cuts east/west across the reclaimed farmland in the glow of the morning light. The last of the mist that blankets the low fields slipping stealthily away as the crows swoop in to reclaim their land.

It’s a place I often visit on my morning cycle rides, but I’m ashamed to say I havent been out this year and May, my favourite month, is almost over. But there is still time and the weather might improve, though I have missed some good mornings already for one thing or another.

Other local scenes are available on my website: grahammcquadefineart.com

CHRISTMAS WALK PART 2 – PASTEL PAINTING

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In my last post I showed a painting taken from our post Christmas walk. Here is another one from earlier in that same walk. It shows the route of a long defunct railway track called the Cheshire Lines which served Manchester, Liverpool, Chester and this line ran out to Southport, where I live.

Now it’s a walking and cycling path which crosses the moss from Southport to Maghull, north Liverpool.

I thought it might be worth doing in pastel. The greens were vivid in the low winter sun and the passing rainclouds in the background heightened this effect – and, of course, there are some puddles.

Now I have the pastels out I have started a couple more from the same walk, so there will be a small series from the same day – I give you fair warning.

I like this area and have done quite a few plein air paintings and studio paintings from around this path. Here are some of the watercolours I have posted in the past of scenes from the Cheshire Lines:

Other landscapes are available for sale on my website: grahammcquadefineart.com

THE BRIDGE ON PLEX MOSS LANE – WATERCOLOUR PAINTING

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Another painting for the upcoming exhibition and one worked up from a sketch made on site, along with photographs. This scene is from further down the same lane that I showed in my previous post, but it wasnt done on the same day. The day here was much brighter and showed off the emerging leaves in their spring colour. I loved the reflections and shadows in the ditch water, and the winter skeletons of the trees before they get clothed in dense summer greenery.

Also, there was a good place to sit off the lane. The road is only wide enough for one car and sitting painting on the verge risks you having to move all your gear when a tractor comes bouncing along, normally pulling an even wider trailer.

It maybe isnt the kind of thing for many people, but it was something I enjoyed doing.

Other landscapes are available for sale on my website: grahammcquadefineart.com

SPRING ON PLEX MOSS LANE – WATERCOLOUR PAINTING

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Another painting worked up from my sketchbook and photos in readiness for an exhibition at my framer’s shop. I posted the sketch earlier in the year after doing it. This lane is so typical of the roads which crisscross the moss behind Southport where I live. Rich agricultural land is divided up between deep ditches. I’ve seen a few cars in them, due to driver inattention or intoxication. You dont get out without a crane – always assuming you survive.

The roads – one of which you see here – tend to sink over the years resulting in roller-coaster ride as you drive along them. As I worked on the original sketch a couple of fellows came along on their bikes, past the houses you see, and up towards me. They were also taking advantage of the first good day of spring we had this year. They paused to see what I was up to and I showed them what I was working on. Apparently they had spotted me earlier on a similar lane, as I was painting another view. Now they were now on their way home when our paths crossed again.

Other landscapes are available for sale on my website: grahammcquadefineart.com

PASSING PLACES 2 – ACRYLIC PAINTING

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I posted a version of this painting in early January. At the time someone commented on the bottom portion of the painting; that it needed reducing. I had to agree with this useful suggestion and decide to extend and expand the narrative of the passing places down the canvas.

In the end I reworked two thirds of it, making it look like a collection of snapshots along this single track lane close to where I live – a record of a journey perhaps. The passing places, emblematic of how we have to compromise and defer on our journey through life – well, most of us anyway.

I certainly like the idea behind this painting and how the greys characterise the place and the vibrancy generated by this colour against the oranges and yellows in the sky and fields.

Other landscapes are available for sale on my website: grahammcquadefineart.com

PASSING PLACES – ACRYLIC PAINTING

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I have struggled with this painting and have decided to stop and have a rest. Publishing it will allow me to create some distance and ponder. I need the space: of late I have found my painting getting slower and slower and decisions taking longer and longer to make.

This painting comes from an old photo of a country lane near to where I live. I love the incongruous angles of the posts. The photo is below along with marks and water stains made by me.

I wanted to break the image up and decided to do this in a landscape format, like the photo. I did some thumbnail sketches.

And off I popped on a 75x50cm canvas. Before too long doubts crept in and out crept the gesso. Well the gesso came out after I had completed a new acrylic sketch over an old painting, which retained a lot of its original colours.

I thought that this format might be better so then the gesso did come out and I completed the painting at the top of the page. I thought that the notion of the painting being in three parts, with each part slipping past the other, echoed cars on this track having to negotiate past one another. I was reminded of that piece of performance art – Imponderabilia” Marina Abramovic where visitors had to squeeze between the naked artists stood at the only entrance to the exhibition. I apologise that this piece isnt as unnerving or erotic – but then that’s what you get on a Monday morning.

Other landscapes are available for sale on my website: grahammcquadefineart.com

MOSS TRACK 2 – ACRYLIC PAINTING

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You may have picked up a certain dissatisfaction with my previous post and I did manage to find the gesso – so here is another version. I wanted colour and it is needed on this, our shortest day. A blast of summer.

The flattening of the perspective gets the viewer closer to the action of the switchback road that can even make the sedate cyclist queasy. It also clears space for a rush of colour for the sheer sake of it. Even if it isnt the finished article, I am closing in.

Other landscapes are available for sale on my website: grahammcquadefineart.com