The hotel we stayed in at Sucre, Bolivia, seemed to have been transported from Morocco. As the town was built by the Spanish it is not surprising to find a Moorish influence. The cool corridors interspersed with the light courtyards, painted blue exuded a solid permanence against which the human form seemed fleeting. I tried to dissolve the figure into the light and shade as she made her way across the courtyard.
Other paintings can be found on my website: grahammcquadefineart.com
I’ve been working for a while on this oil, waiting for the paint to dry has been the main cause of delay. It is the interior of my daughter’s flat in Gidea Park, which seems to be a posh end of Romford in Essex, but not that posh. I was taken by the range of greys which gave me a sense of calm and then these were complemented by the cabinet top and the light from the early morning sun coming through the window. The shadows create other forms which add to the dynamics. I didn’t make any arrangement of the ornaments, this was how they were. It had a life of its own.
Other paintings are on my website grahammcquadefineart.com
graham mcquade 