This was inspired by a recent walk that many in these northern climes might recognise. I like the way forms grow and dissolve in the gloom and a patch of light grabs attention.
I was hoping for smoother transitions in the sky but found the very necessary break of light made that difficult. Now, having had a go I can see another way of approaching the subject so that could mean version two – I apologise in advance .
Anyway, a merry xmzzz to all my reader. Have a great time.
I liked the dark background behind the sunlit fields and path and the way the light was reflecting off the tops of the trees. I tried a block approach, using square brushes, but in hindsight should have primed the paper with a strong undertone. I might then have got a bit of vivacity with the primer showing through, complementing the rough approach.
I was thinking of getting my oils out for this one but decided that first I might just sketch it out in pastels, and here is the result. I certainly like the lost and found edges lending an air of mystery to the piece and the way the land dissolves into the atmosphere.
I took it from a couple of photos combing the best bits although I am a little unsure of the darkness that pervades the bulk of the image even though, as I keep telling myself, this is necessary to state the highlights.
When I was abroad I received a commission to paint a cottage in Cartmel which is in the English Lake District in Cumbria. It will be for a present. The cottage seems to be an old mill, set beside the village stream. On drawing it I realised that there was no symmetry in this building. The photo I received is rather flat and taken in winter, so I have added some colour and put the leaves back on the trees.
Being away on the run-up to Christmas has caused me to miss some of the exhibitions around here. I managed to get my framer, Glynn, to hold his window for me so at least I got some paintings out before Christmas ( but only just). I have restricted it to landscapes of the area around us and called it ‘ Behind the Dunes’ as we have a very sandy beach around here. I forgot my camera when I set it up but here is an image from last year – apologies for the quality and my bike getting into the frame.
Thanks to Glynn at Ges Bur Studios, Southport for the space.
I suppose I wanted to slop some paint around and do a simple landscape and the brooding layers of hills around Borrowdale seemed a good candidate. I had some photos taken from afar so there might be some topographical errors here, but I hope I’m not too far out and anyway the paint had a mind of its own as you know. I had envisioned a more brooding skyscape and it seemed ok when it was wet… . Same old story.
The scene does seem to pose a threat but walking along the banks of the Derwent, in decent weather, as it flows through Borrowdale for me is a calming and serene experience. Well worth the drive up the M6.
This is a view of Derwentwater, in the English Lake District, looking over to Castle Crag and Borrowdale. I wanted to play around with texture so included the rocks in the foreground. I love the range of hills which loom up behind Derwentwater with their ever changing colours and tones as the sun marches around the sky.
I had an image of a lake but I wanted to add something in the foreground which would complement the mood. A fellow blogger Richard Baker on wordpress.bakercake35.com had some great shots of Wastwater and there was one with some rocks in the water. I realised that I could use a similar motif. With some rocks leading the eye into the water, they could also echo the shapes of the hillside and I could maintain the colour balance.