The life session at the weekend brought back the memories of poor lighting and stiff poses though I was glad of the practise.
I should actively seek other venues, but working in confined spaces for long periods with lots of people doesnt fill me with a great deal of joy at present. Our model was Eve who last time I saw her did a more interesting set of poses. The quick sketch of one of them, below, I converted into a pastel study during lockdown, though I think the pastel lost a bit of vitality in translation. Maybe one to try again as it has some interesting angles.
On Saturday a friend of mine organised a life session and I took the opportunity to get back into the life room. It must be 15 or 16 months since I’ve done a live session with a model and despite the stolid poses it was good to get back. There is something about working under a time pressure – trying to get finished before the session moves on.
You can see the yellow throw served a number of purposes.
In the lockdown I have tried to develop drawings from sketchbooks, but I find that quick sketches lack information that a more developed painting requires, so I did try to focus on key shadow forms in some of my pencil sketches on the day so that I could take them further in the future.
I must see if other local groups have started up as despite all the angst I suffer with poor poses and indifferent lighting the sessions help to speed you up and get an image down quickly and the human form is a great measure of drawing accuracy.
Another figurative piece, this time Michael Palin, once part of the Monty Python Team. In the UK he seems to be a permanent fixture of the TV schedules as, after Python, he started making travel documentaries which are being constantly repeated. The number of times I’ve switched on to see him still trying to find Timbuktu – surely it cant be that hard or perhaps the Tuarags have cottoned on to the expenses to be made by leading a TV crew in ever decreasing circles.
Casting around for more figurative practice pieces, I was taken by the good lighting and the way Palin used his hands whilst describing old journeys. So I took some shots of him reminiscing, for once grateful for the repackaging of archive footage – a trick that our programme makers are prone to do to eke out some cheap TV.
As I worked I was taken by the length of his face in relation to its width. It unnerved me that much I had to recheck the measurements.
Last weekend in the UK we had a mini TV Bowie Fest , it being five years since his death and, presumably, a nod to his Ziggy classic. I sat on the sofa with a sketch book idly doodling during one of the programmes. This wasnt one of the doodlings, I`m not that fast. After the lead on my pencil had worn down I got the camera out and, later, worked a few shots up in pastel just to do a portrait – I`m not doing much figurative/portraits these days and I thought that it was a good opportunity.
Five years, that`s all he got – well there was some remission for good behaviour.
Influenced by some bloggers resuming their life sessions I have resorted to flicking through my sketchbooks and playing around with the old drawings. This painting is derived from one such sketchbook page – see below. It looks like these were a set of 3 or 5 minute sketches. I show 2 of the 3 sketches below, along with an image by Crawfurd Adamson, on my sketchbook page. These sketches were done fast without any measurement so don’t stand up to too close inspection when you come to enlarging and combining as I have done here.
However, I do like the main pose and I must have been sitting on the floor to get this angle.
A change of pace here. With not much life drawing going on, I had to make do with the materials I had at my disposal. Apologies to any startled horses.
Though here in the UK, the BBC presented a life session last week – a few hours of models posing on live TV, though drawing time was curtailed by presenters adding their bit and analysis of studio participants work – including the mandatory celebrity. I suppose it was trying to get people to take up life drawing, rather than pander to my needs, but it was also hindered by the small images they presented – panning back from the model to take in the surrounds. On my TV it looked like the model was in another room, which is another barrier to success. At least they tried and I got a few loose sketches.
Over the last couple of weeks I have been doing a bit of life drawing with pastels. This is of Eve. She liked the painting and at the end of the session wanted to photograph it. I said she could have it if she sent me an back an image.
Arthur, a model in his sixties still runs, though he has stopped the marathons
An interesting angle, though I think I could have made more of this and the highlighting is a bit harsh.
Though dozing off with your mouth open just brings out the worst in me. Again I could have made more of this as the shapes were quite interesting.
I was asked to paint the portrait of a lady, who loves reading, as a birthday present. As she is someone I`ve never met good photos are very important. Fortunately one image had some decent lighting on it. The other was flat and featureless. One issue is that the lady had changed hair styles between photos and I subsequently found out she had lost some weight. All making life interesting.
We are getting there, but slowly, as other members of the family are viewing the image and adding their imput.
My painting has been disrupted by moving all my stuff to accommodate Christmas guests. I am in the process of moving back, but taking the opportunity to clear stuff out. So painting is a bit slow and this isnt helped by trying to update my website at the same time.
In the process of sorting and binning, I came across these sketches done at various life sessions during last year, so I thought I might post a few.
As you can see most are people sat in chairs – the favoured pose in these parts. Looking through the work has made me resolving to do more pen and ink. Once the mark is down theres no going back, so you paint by the seat of your pants, whereas charcoal can be corrected.
I havent been doing much life drawing of late, but last week I turned up to a session taking my acrylics and square brushes.
These sketches were done fairly rapidly. I was after a loose blocky style.
I am still uncertain as to how I proceed with life drawing. As you can see here the poses are very stilted and the subjects flooded with light from all angles.
I do like the pressure and demands these sessions provide, though they give little time for consideration and development. There’s too much focus on speed and I wonder the effect it has on some of the attendees including myself.