A GARDEN IN LUNT – WATERCOLOUR PAINTING

With house guests and other problems I havent much to show, so here is a painting I sold in 2006. I recall spotting this scene over a wall as I was out painting. I couldnt find anywhere to perch as there was a ditch in the way, so a few photos had to suffice and I completed it back home.

The old garden lit by the low sun and the view across the field of barley. It is a simple scene done simply, perhaps something I dont do these days. We were discussing it the other day, as we packed up one of our exhibitions. We didnt sell much, but some of the few that sold were simple landscapes – many of them anonymous. Certainly food for thought in the coming months, when hopefully I will be out on my bike painting our local countryside.

Other landscapes and floral paintings are available for sale on my website: grahammcquadefineart.com

THE GAMEKEEPER’S COTTAGES ON ALTCAR LANE -ACRYLIC PAINTING

Tomorrow I am back in the pop-up gallery to do my weekly stint. Last Friday, when I was there, I did this acrylic version of a watercolour I had previously painted on site. The gamekeepers cottages are over to the left, in case you were wondering. I remember sitting by the roadside, last year, absorbed in my painting when a lady from one of the nearby cottages came out and asked whether I wanted a cup of tea – very nice. Though, I always take some tea with me on these early morning painting trips. It helps me settle down and concentrate better.

I was hoping that the greater colour saturation of the acrylic would bring something to the party and I suppose it has, though the depiction of the cereal is a bit clunky and that was something I had hoped would have come out better with the acrylics.

Still, it productively passed the time. Now I have to find a suitable subject to paint tomorrow, particularly as it will be less busy than last Easter weekend.

Other landscapes are available for sale on my website: grahammcquadefineart.com

THE CLAYTON PLACE FRUIT STALL – ACRYLIC PAINTING

Another in the style of Colin Brown, the same style used in the painting I recently posted : Waiting to Cross the Strand. Except that it isnt in that style. It certainly started that way, but my good intentions were quickly usurped by my own usual methods and this is the outcome. I think it was the detail that forced me to get tighter.

Though it’s not to say I am unhappy with the result. I rather like it and it has some things going for it that please me.

The subject is, as you can see, the fruit stall. This comes into view when you exit the main entrance from Central Station in Liverpool. Central Station is the hub of the city’s rapid transport system, not he mainline station. The stall is in a bit of a down at heel alley that links to a new shopping precinct. When the sun shines on it, though, the stall seems to glow and this is what I have captured here.

It is also a welcome addition to my Liverpool Series.

Other Liverpool scenes are available on my website: grahammcquadefineart.com

WAITING TO CROSS THE STRAND 2 – ACRYLIC PAINTING

I read an article by the artist, Colin Brown, detailing his approach to cityscapes. I thought that it could help energise my own work. As with many such demonstrations, there were aspects that I didn’t like, but his starting point seemed interesting. I suppose I had unconsciously used a similar approach in my life painting, but Brown provided a coherent structure that I felt was worth investigating.

So here is my first attempt, applying some of his methodology. The subject is the Strand on the Liverpool waterfront. Here you need to cross this very busy road to get from the city centre to the old dock buildings which have now been converted to shops, restaurants, apartments, arenas, art galleries and museums.

I wanted to contrast the people waiting at the crossing to the heavy traffic and the business of the early evening activities going on around and of course reference part of the Liver Building.

I originally did a version in pastel and it got used in a book on Liverpool, published a few years ago.

But despite being published the painting never sold. So this time I changed the angle and featured the highrise, which is supposed to reflect an ocean liner, and also pushed more colour into the piece.

As I’ve said many times before – you can but try.

Other townscapes and paintings of Liverpool are available on my website: grahammcquadefineart.com

SUNDAY MORNING, LITTLE CROSBY – WATERCOLOUR PAINTING

As I said in my previous post, I am preparing for two watercolour demos and getting them to run smoothly has taken a bit longer than I thought – but we’re there now.

Unfortunately I am halfway through a new painting because of this delay, so I thought I’d show an old painting of mine of a small village on the outskirts of Liverpool. It was done a long time ago and it quickly sold. I have kept an image of it on the internet and it has bought many enquiries and quite a few commissions and sales. I was proud of it at the time, still am, and it surprised me that I hadnt shown it on this blog before.

Normally, in the morning this road is very busy, as it serves as a short-cut. Sunday morning allows you to stand in the middle of the road. Though, I didnt paint it plein-air, as even on a Sunday there would be a few objections from motorists if I tried that stunt.

Other townscapes are available for sale on my website: grahammcquadefineart.com

GLIMMERS ON WATER STREET – WATERCOLOUR PAINTING

A view of Liverpool city towards the Mersey with the tall commercial buildings blocking out the bright sunlight until the sun’s persistence starts to break through and tear open the gloom. On the right, towering above the street, is the Liver Building with its clock tower and the Liver Birds balanced on the cupolas above.

I think I had just come out of a life drawing session and crossed the road to spot this. The life drawing group had been forced to move here from a decrepit but lovely light building to one on the right, There wasnt much natural light on the model down at the bottom of this valley and added to that the room was smaller.

Other Liverpool paintings are available on my website: grahammcquadefineart,com

THE PUMP HOUSE, ALBERT DOCK – WATERCOLOUR PAINTING

This is part of the Albert Dock complex on the Liverpool waterfront with the Anglican Cathedral – a subject of an earlier blog – glowering in the background. The pumphouse is now a pub but was built to power the hydraulic cranes used for loading and unloading the ships. It may also have powered the refrigerated facilities at the dock.

The question was whether to include the chimney or not. Including it constrains the painting and reduces the detail. As it has a rather quirky shape I decided to include it all and pay the price. The images I used were into the sun and I tried to vary the colours, mixing on the paper, but as I built up the perspective tonally, the mixes homogenised.

Other Liverpool scenes are available for sale on my website: grahammcquadefineart.com

LIVERPOOL CORNER – WATERCOLOUR PAINTING

The tower of the Anglican Cathedral glowers over large parts of the city. Here on the edges of Toxteth it thoroughly dominates the surrounding buildings even though it is set back within its wooded grounds. It is most striking when a sandstone face glows in the sunlight whilst its shadow-side displays a thunderous purple- maybe some ecclesiastical message there for us, the great unwashed. Anyway, because of the dominance of the tower, I pushed the other architecture back. I also placed a taxi, blocking the pavement, at an angle to break the verticals. Perhaps it could do with a few figures?

Other Liverpool scenes are available for sale on my website: grahammcquadefineart.com

THE OLD BRIDGE – WATERCOLOUR PAINTING

I’m sure this bridge has a name, but it isnt marked on any map as it is now just part of a barely used footpath crossing the Leeds to Liverpool Canal at Lydiate, north Liverpool. When I’ve walked the path I recall a sign directing you to the named bridge.

I was taken by the layers of light and shade and the shadows on the bridge as I turned to look at it whilst walking along the edge of a field alongside the canal. I painted this a while ago, and it got put into the pile only to be rediscovered a few days ago when I was having a sort out for an exhibition.

Other canal scenes are available for sale on my website: grahammcquadefineart.com

SUNSHINE INVADES DALE STREET, LIVERPOOL – WATERCOLOUR PAINTING

Another view I have attempted in the past and have been slightly dissatisfied with the outcome, but recently walking down the street at just the right hour of the day I saw how the light strafed the architecture, picking out walls, towers, roofs and cupolas of the Victorian buildings whilst plunging the rest into shade.

This rhythm of light and shade seemed to energise the scene. When I started painting I was tempted to hit the right hand side in one frantic wash to capture the energy, but refrained, and built up washes slowly – mixing colours on the paper. Gradually I built up the tonal differences in specific areas to allow subtle hints of architecture to come through and create realism without getting too pedantic.

Hopefully it has worked. I was very pleased with the way the offset windows on the red Prudential Assurance building got picked out and the loose rendering of the left hand side buildings have the appearance of being hit by bright light.

Other paintings of Liverpool are available for sale on my website: grahammcquadefineart.com