I joined in a group exhibition in Southport where I live, and have been manning the gallery for a couple of days this week, as I am going on holiday the week after next. The shop is in a beautiful Victorian arcade, but unfortunately most of the shops are empty and footfall is low. To occupy my time between visitors, I painted this scene which is about 200 yards from the exhibition intending to put it in the exhibition. I have done quite a few of this street, called Lord Street, in the past and they have sold. The exhibition is on for six weeks and I have done quite well at this venue previously, though this time I am not holding my breath. I may try and get this painting in next week as there is still a bit of wall space available.
I put up a couple of Liverpool Street scenes, shown on the right, and the Southport street scene may fit in amongst them.
This is a scene I see almost daily on my walk. Well, that is, when I get up in time and the sun shines and… So sometimes, anyway. These early summer mornings with the colours of young leaves in sunshine lift the spirit. I also like the old cast-iron bollards that guard the alleyway and which seem isolated and redundant now. Not to mention the old street lamp, still in its old borough colours of cream and red.
Further on my morning route is the site of another painting I did – and posted here – a couple of years ago, at a similar time of the year with the bright morning sun shining through the new leaves.
This is the approach to a village close to where I live. I wanted to paint it in situ last summer but to get this view I had to stand on one leg with a hedge pressed into my back. So I took a few photos and looked for somewhere more comfortable to paint – perhaps it’s an age thing. The low morning sun coming in over the unkempt field and the row of half illuminated houses appealed to me. So many times have I found the best views are in the most inaccessible of places.
This is the third painting from a recent local walk. The two others I posted were watercolours, but I decided to do this in a stylised way with acrylics. I was taken by the illumination of the ivy on the tree trunks and thought that the potency of the saturation of the acrylic paint would better show this off and the bright reflections off the leaves had the feeling of a mosaic. The ivy clad trunks were in conflict with the bare winter branches which added more incongruity. So here it is – on our way back to the car.
The other two were the Boatyard at Banks and Afternoon Stroll. So in the end it proved a fruitful afternoon`s stroll.
Earlier this month I posted a painting from a recent walk. Here is another scene from that walk: the ramshackled boatyard on the banks of the River Douglas. This river flows into the River Ribble at its estuary, near Preston. Many of the boats in the yard are deposited alongside a footpath which runs at the side of the river. On the other side of the river are tall embankments and green fields. The site is rather incongruous in this rural setting and I have noticed that a growing number of people are living in boats or newly erected static caravans. No doubt there`ll be a shop and a village pub opening soon.
In the painting I wanted to show the cluttered boatyard against the open country, so the main boat occupies a space close to the centre of the painting. This design may upset some of the purists, but I wanted to present the two aspects of the site in a sort of split screen production, segregated by the tree. I placed a lead in of an upturned dinghy and cart, but hopefully I captured the flavour of the yard amid its surroundings.
We have been having some unseasonal weather of late in the UK with high pressure bringing plenty of sun and also sweeping up southerly air to warm us all. So on Sunday we went for a walk along the river in the bright warm sunshine. Returning to the car I noticed the hazy blueness of the trees and decided to set this off against oranges and yellows of the fields – exaggerating the colours and putting a toe into the surreal. It reminded me of a recent sketch I blogged of a puddle filled lane.
With great contrast coming from the strong, low sun other possibilities for paintings also offered themselves – so there may be more on the way.
This is a morning view from Churchtown -part of Southport, where I live, – across the flat Lancashire plain to Rivington Pike and the start of the Pennines. As I paused on my bike on a spring morning, I was taken by the lines of trees and buildings enveloped by the morning mist and the crisp purple line of the hills beyond.
I have also been doing a bit of meddling. I wasnt completely happy with this watercolour – Fall – I put on the blog a while ago. I thought that the tree looked constrained and unnatural so I added some more branches and messed up the lines of the foliage, whilst retaining the blue/orange contrast. It took some scrubbing and scraping of the sky area to get back to clean paper allowing me to achieve the transparency and vibrancy of the new leaves.
Hopefully it has retained the freshness of the original version.
Sitting outside the pub, I was taken by this view of Tarleton – a village to the north of Southport, where I live. We were enjoying some refreshment on a walk along the River Douglas and sat in the afternoon sunshine. It was soon after we spotted the errant geese I painted for the previous blog. Probably one of the last days of summer and now only a distant memory.
I had taken a few photos, so was able to cobble together a wide format painting with the lead-in of the red brick houses, cut with shadows, and the view past the trees to the local church. Pity about the car park on the right, but it was a challenge.
A few repeats here. Versions of these saplings in a sunny clearing in Ainsdale woods have been presented before. In this latest version I feel I have got the lightness of the birch leaves in the sun. I think the photograph flatters the painting, though it might look better in a mount.
This is of the grassy sand dunes close to the beach in the evening. This was a sketch, done on the back of a one of my many rejects. The glow works well, despite the yellow, and I used masking fluid to get the glistening tips of the foreground grass. I needn’t have bothered as I got far better results by scraping the damp paint with my scalpel. I’m not sure introducing the green in the foreground helps with the overall harmony. You may be seeing this one again.
And saving the worst to the last. I’ve presented this entrance to Ainsdale woods before . I thought that by introducing leafy branches across the path it might help to lift the image but these puny leaves look like an afterthought and trying to hint at forms in the dark areas remains elusive – oh well.
I think this is the beach at Birkdale, but it could be anywhere north of Liverpool from Crosby to Southport as the morning light catches the marram grasses and the birds glisten out on the sandbanks.
I would like to get down there and get another piece of driftwood to modify my fish mobile, as with time on my hands, I have been looking at the mobile I posted a while ago and decided that an adjustment is required, but with restrictions getting tighter that can wait.