In the last blog I posted – the painting of Southport Beach- the principal reason why I went down there was to get some driftwood to complete a mobile. I liked the notion that the distressing of the wood is a product of the sea as are the fishes.
I started out by carving rough, archetypical fish forms out of the driftwood but gradually, as I proceeded with the project, I left it to the wood to convey the form – though on a couple I cut them in half and repositioned the ends to make better sense- well you do, dont you?
I am wondering whether to get another one and have 3 hangings a 2, 3 and 2 to better intermingle the forms – but now the wife is looking sceptically at them, so they might be reconsigned to the sea.
Sculptures and other artworks are available for sale on my website: grahammcquadefineart.com
This is a piece I have just carved which is made up of a trunk which was cut into two and then joined together to increase the width. I wanted the feel of water being thrown aside by a sudden force , like a rock hitting the surface.
One of the problems carving tree trunks means that the subjects tend to be long and thin which can be a bit repetitive. This was an attempt to get greater scope. The actual join was not entirely satisfactory as the trunk was too big for my circular saw, but I managed to fill the gaps.
Not sure about the impact of the piece, but you can only try.
A change of pace and medium. I get given small trunks of trees and the sizes rather restrict the possibilities, but I was pleased with the outcome of this one. Carving through the outer wood and into the heartwood gives some interesting tonal changes. The strip of wood has the feeling of fabric in freefall.
A change of pace and materials. My old pear tree succumbed to honey fungus and I got myself a new one and decided to make something out of the trunk. As it wasn’t very big I was a bit limited to subject and thought about carving a backbone. In the end I opted for the easy option.