I had a great photo of my wife in Simons Town on our hotel balcony looking out over the bay but I lost the memory card and many other photos along with it. I thought I might have a go at recreating the image but sadly failed with this wooden affair. The point was the light falling on the subject, lighting up the figure against the blue of the sea, sky and hills. Still, it was a bit of practice.
In the end I plumped for something upbeat to start the new year with; the summer days to come – well at least for us poor northerners. This was taken from a place where everyone is currently luxuriating in hot summer holiday days.
It was either this painting or one of a hyena. I might keep that for the Chinese new year, well it is the year of the dog.
I did like the way the primary colours of the sunshade blaze out against the dark sea and the shaded figures contrast against the dry, hot sand.
With not having much time to paint of late and my studio reverting to its original use as a bedroom I don’t have much on offer, but here is a second one from my giraffe period that I managed to complete whilst the house was a slumber.
Well, I did warn you in the last blog… . Some of the animals I saw in my recent trip did seem to project a personality, that doesn’t require caricature to define. Here, a giraffe, with it’s turn of the head amused me.
A rather rich confection on this post as I show you some of the poured acrylics I’ve done. I bought some Floetrol and silicone oil and started pouring rather than the spreading I did with ‘Drop in the Ocean’ I posted on 30th October. Despite the Floetrol I am struggling with getting the paints to flow in the way I feel they should, but I think I now know the answer.
The two above are small, 6 inches square and I tried a bigger one about 20×14 inches, see below, but it was when I was struggling with the flowing issue, so I ended up holding the canvas and spun it sharply in the air to get the paint to cover the surface. I suppose in the same vein as one of Damien Hirst’s pizza paintings – though he got someone to do his on a turntable and, unfortunately, it wont command the same price.
Having just watched a programme on the making of the Sergeant Pepper album this has that rich psychedelic feel of the sixties era. I was wondering about putting a face on it – maybe for later.
Talking of later, I put out a post called the Archaeology of Paint in October. Since then I have added to it, so here is the latest version. I think it is more satisfying, but is it the finished article?
Anyway, I wont be adding to it anytime soon as am off to Namibia and then on to Cape Town and the southern coast. Hopefully I’ll get some time to paint and post some images.
I went to Chester the other week primarily to see a contemporary watercolour exhibition, but the person I was with wanted to visit a sculpture exhibition in the cathedral which contained a work by the brother of someone we paint with in a life group. In fact they were dismantling the exhibition when we arrived – I didnt even know it was running – but there were still a good number of exhibits on show by many world class sculptors. Some of the work was displayed in the cathedral grounds and as we were walking through in the sunshine, there were people sitting in the sun, surrounded by the great pillars and walls of the building, taking a lunchtime break. I thought I might paint something from a couple of the pictures I took.
The watercolour painting was also quite interesting, featuring some local artists, two of whom I knew – and the day was glorious for a walk around Chester.
I have seen a number of poured acrylics recently and decided to have a go myself. I have always liked the effects of poured paint and experimented with it around ten years ago with oil based gloss paint and below is one of my more successful ventures, Marrakech, which, because of the lightfastness of the gloss paint, now hangs in my conservatory.
I did not think you could get the same filigree effects with acrylics that you could get with the more viscous oil paint and so mainly used the liquid acrylics in a more dilute way such as in Dancing the Blues Away, which I posted some time ago, in 2015, on this blog.
So my prejudice has been exposed and I realise it might be worth experimenting with the liquid acrylics in a more concentrated form. I must admit my first attempt included as much manipulation as pouring as I played around with the paint with a palette knife, but the strands and swirls gave a satisfying result and looking at some of the work other people have produced, further variations can be had with the addition of silicone oil. I will be having a few more goes.