THE EAST HILL, LOOKING WEST – WATERCOLOUR PAINTING

This is a view from the East Hill in Hastings, over the West Hill and town, and out towards Beachy Head in the distance. A view of my youth, and one I always try to see when I am in the area. As I walk over this sandstone butte, which marks the eastern end of the town, I have John Martyn’s song ‘Over the Hill’ ( from his Solid Air album which contains the song May You Never that Clapton later recorded) in my head. Martyn lived at the foot of this hill and he is referring to the walk over the West hill – seen with the houses in the middle distance, which he had to negotiate getting from the railway station to his home.

Martyn had a reputation for altercations with the local fishermen who frequented the many pubs at the foot of the hill in the Old Town of Hastings.

I recall an instance of him, in the mid seventies, taking over the local folk club to try out one of his albums – probably One World, before going out on the road with it. The club featured quite a lot of traditional A Capella, hand to the ear, singers and to walk in to see Martyn with his amplifiers and synthesisers was a pleasant surprise. I had an enjoyable evening at least.

Other landscapes are available for sale on my website: grahammcquadefineart.com

VIEW FROM THE TERRACE – ACRYLIC PAINTING

I liked the mystery of this image. The original photo was even darker and more mysterious. I decided to add figures and reveal them a bit more and do it in a blocked style.

The actual place is a cafe on Beachy Head; the same headland painted on my previous post.

Other landscapes and seascapes are available on my website: grahammcquadefineart.com

ACROSS THE BAY – WATERCOLOUR PAINTING

This was a painting of washes in three colours. One was the staining winsor blue, green shade, which sometimes has a mind of its own – so there was some trepidation as I applied the paint. I wanted the calm that a wash can, in my opinion, create.

Looking at this now I might give the man a bit more of his head, though he could have his collar up or be looking down and I did ponder footprints in the foreground but decided that the reflections might cover them up anyway, I think the calm lead-in is crucial.

Other seaside paintings are available on my website: grahammcquadefineart.com