Moving further south in Vietnam we arrived at Hoi An. There was quite a lot of charm about the place, but you still dont escape the crowds and hard sell. The town is situated on Bon river 4 Km from the coast. It is an old trading post with many influences and a number of old houses.
We walked through the very busy market, where fish and squid were being landed off boats and chickens were being taken away for the pot and walked along to the old French Quarter by the waterside. Here pleasure boats and fishing boats were moored and for once there were very few people. A great place to paint.
In the afternoon, after sitting in a cafe and watching a monk come in and scrounge some cornettos for him and his mates we crossed the river and I sat on a shaded bench and painted the waterfront. Mid way through an old woman came by. It was obvious I had taken her favourite siesta spot, but I wasnt moving, so she made do with an adjacent bench.
One of the limestone stacks just off the beach at Krabi, Thailand. This was painted from a beach in a national park where some of the rules on the sign as you entered were: no food and dont feed the monkeys. How could you feed the monkeys if you weren’t allowed food?
When we got to the beach there were some exclusive hotels – but you couldnt get anything to eat as they firmly said Guests Only. So I just sat on the beach and contemplated the view. It was pretty good and there there was even a long tailed boat in view.
On another day we went on an island hopping boat trip to some exclusive beaches – though they weren’t that exclusive as everyone else was doing the same. So we had small pockets of sand overrun with tourists like us, wondering why they had come. Outside our hotel there was a vast sandy beach with hardly anyone on at all – oh well… .
The second sketch was done whilst we jostled for space on Paradise island, named possibly as it was one of the few islands with a toilet.
Every time I look at this I end up adding a bit more, so it may move on a little before I exhibit it – but that’s enough for now. I wanted to get the feel of the wear and decay that I experienced when exploring the city. It uses images I have painted and posted before, as well as new ones.
I was thinking about entering the marine artists exhibition in London. I had a couple of suitable paintings but wanted something a little different so that I could judge what it is that they are looking for a bit better and worked up this idea. Now that it’s complete I’m a little underwhelmed by it. I have got tighter than I would have liked. I’ll prop it against the wall and have a look at it over the next week or so and make my mind up. I have used motifs that I have used as subjects before, in case you are wondering whether you’ve already seen it.
I was taken by the image of the three sunlit boats against the shade of the harbour wall, but despite mixing colours on the paper the harbour wall has come out rather dead and there is a lot of it. Well, I thought that it was a good idea at the time.
I had a number of photos of boats in the small harbour at La Val Andre in Brittany and wondered how they would look in an elongated format. I was taken by the two red boats (off different photos) against the grey green of the water.
The area here, to the north of Southport, is very flat and subjects can be hard to come by. Even so I went out on my bike one morning and did some on site painting and took a number of photos. This painting was from one of the photos. I need to get a collection of local paintings together for a couple of up-coming exhibitions, so all other projects have been put on hold.