One of the limestone stacks just off the beach at Krabi, Thailand. This was painted from a beach in a national park where some of the rules on the sign as you entered were: no food and dont feed the monkeys. How could you feed the monkeys if you weren’t allowed food?
When we got to the beach there were some exclusive hotels – but you couldnt get anything to eat as they firmly said Guests Only. So I just sat on the beach and contemplated the view. It was pretty good and there there was even a long tailed boat in view.
On another day we went on an island hopping boat trip to some exclusive beaches – though they weren’t that exclusive as everyone else was doing the same. So we had small pockets of sand overrun with tourists like us, wondering why they had come. Outside our hotel there was a vast sandy beach with hardly anyone on at all – oh well… .
The second sketch was done whilst we jostled for space on Paradise island, named possibly as it was one of the few islands with a toilet.
Every time I look at this I end up adding a bit more, so it may move on a little before I exhibit it – but that’s enough for now. I wanted to get the feel of the wear and decay that I experienced when exploring the city. It uses images I have painted and posted before, as well as new ones.
I was thinking about entering the marine artists exhibition in London. I had a couple of suitable paintings but wanted something a little different so that I could judge what it is that they are looking for a bit better and worked up this idea. Now that it’s complete I’m a little underwhelmed by it. I have got tighter than I would have liked. I’ll prop it against the wall and have a look at it over the next week or so and make my mind up. I have used motifs that I have used as subjects before, in case you are wondering whether you’ve already seen it.
I was taken by the image of the three sunlit boats against the shade of the harbour wall, but despite mixing colours on the paper the harbour wall has come out rather dead and there is a lot of it. Well, I thought that it was a good idea at the time.
I had a number of photos of boats in the small harbour at La Val Andre in Brittany and wondered how they would look in an elongated format. I was taken by the two red boats (off different photos) against the grey green of the water.
The area here, to the north of Southport, is very flat and subjects can be hard to come by. Even so I went out on my bike one morning and did some on site painting and took a number of photos. This painting was from one of the photos. I need to get a collection of local paintings together for a couple of up-coming exhibitions, so all other projects have been put on hold.
Last September I went out painting on one of the few bright evenings we had in late summer/autumn. I sat myself down near some old farm buildings surrounded by trees and started to draw and then paint. I hadn’t counted on the sun disappearing behind the trees so quickly ( very different to when I was out in June). The interesting assortment of buildings in light and shade quickly merged into a dark mass in deep shadow. So I packed up and, as the sun was still hovering over the horizon, decided to call in to the Mersey estuary where the local river, the Alt, merges into it. There are a many boats moored right along the estuary, all the way out to the Mersey. When I got there the tide was out and the sun cast everything in an orange glow. The river carves its way through the mudflats to the Mersey and the sun created intriguing patterns on the mud, reflecting off the wet mud and being absorbed by the drier areas. The scene was changing too fast to paint so I took a load of photos and painted it later on a half imperial sheet. I wasn’t happy with the result and had another go on a smaller quarter imperial sheet. I am happier with this. There isn’t much to the scene and probably too many darks, but I think I’ve got the feeling of the place as the sun disappears over the Atlantic.