Before my hip operation I tried to get out and about and do some plein air painting whilst I still had my mobility, but the weather quickly deteriorated towards the end of May so here are my only offerings. Ironically just over the hill and trees in this painting is the hospital I had my operation in.
Actually when I came out here I thought that there were some better views, but as I walked about, what I thought could be subjects weren’t that good. This seems to be one of my problems with painting outdoors. Eventually I settled on this view, though I did enjoy painting in the late evening sun.
I walked over the bridge and came down onto the canal bank and saw this narrowboat that I thought was mooring for the night. The low sun on it against the dark background was very alluring, so I set up to paint it. I got my initial drawing done, catching the owner on the back of it. I hadn’t even finished the drawing when the guy opened up the throttle and my subject sailed away. So I had to make it up and in so doing I think I lost a lot of impact. If only I had taken my camera. Another of plein air painting’s perils.
In the dash to fill my long/thin frames for an upcoming exhibition I did one of the Leeds- Liverpool canal from the bridge. I did a similar view a few years ago, but this is from a recent photograph. The orientation really suits this format.
It is also three years to the day that I started this blog. I might buy myself a cake.
Another canal scene and in a place I’ve painted before on the Leeds to Liverpool Canal. The light coming in from over the fields and catching surfaces on the boats and vegetation caught my eye. To evoke the morning stillness I tried to reduce the range of colours, so that there was a calmness of hue.
I got messed around recently by someone who wanted some paintings of Venice . In the end it came to nothing, but I discovered this amongst my photos and I thought I’d use it to try a Nita Engle approach on architecture. Unfortunately I tightened up on the building details, but I do like the dark, dank canals opening up into the light. Might have another go and try and kill the detail.
I have liked this scene on the Leeds Liverpool Canal when I’ve been looking for somewhere to paint. There isn’t much, but the light reflecting off the rooftops and coming through the trees and the areas in shade make it appealing to me.
I mentioned it to someone who lives in the area and does a lot of painting and they told me that they had been cycling on the path here and had not been paying too much attention to what they were doing (looking at the scenery) and the cycle wheel got caught in a rut and they finished up in the canal. From what she told me the bike is still in the canal .
A couple of watercolours I did recently which I had high hopes for, but they fell a bit flat by the time I had finished. Both were contra-jour. The horses in the evening sun seemed to come out rather flat. The actual horses in the photo were in coats so I took some images of horses from other photos and arranged them in the field but perhaps I had the tones a bit wrong – being wary of overdarkening the horses. I felt the finished painting lacked a bit of punch.
The view from the canal seemed to finish up with a mass of reedbeds and rather little else going on.
As promised, or threatened, in my last post I said I would present another scene of the Leeds Liverpool Canal from where I was painting the other weekend. After the boats on the left and right had departed another boat came in under the bridge and I reached for my camera. It seemed like everyone was making the best of the good weather to get their narrowboat moored up for winter. I particularly liked the smoke coming from his exhaust or chimney – not sure which – which partially obscured the bridge.