I have been doing work in dry media recently after a notice appeared, from the landlord of one of the groups I attend, decreeing that paint should not go down the drain in the building. Despite my protestations that this was a ridiculous constraint for an art group nothing has changed. I even asked the secretary of the group to find out from the landlord what their concerns were and told the secretary how we might reduce blockage risks, but he seemed more concerned with defending the landlord than serving the club and its members – and he still hasn’t got back to me .
Now, after seeing members of the committee disposing of paint down the drain, I might restart my acrylic work. Anyway, before my blood pressure rises any more, here are the rest of my paintings:
I had a number of sketches in my book done as tonal work in various media. The first one is ink and wash. I use Quink ink which is permanent. As soon as its down it stays, so you need to think about mark making before you proceed. The next one is watercolour, with a drawing in pencil. I have loads of Paynes Gray which I now never use. So I thought this would be a suitable outlet. It doesn’t have the power of the ink, but you can correct and manipulate it more.
The third is charcoal which is a media I have never got to grips with despite many tries. The fourth is pastel on a slightly toned paper. The pastel allows me to use both back and white and I find the depth of tone you can achieve very exciting.
The final painting is back to the paynes grey watercolour.
All were done in under an hour in the life sessions I go to.