ANOTHER DAY IN THE SUN – WATERCOLOUR SKETCHES

An early start on a warm summer’s morning, I happened upon this footpath which proved to be a very secluded spot and I was able to spread out and work undisturbed. Nothing too exciting, but I enjoyed myself.

By contrast, on this one I was perched by the side of the road, trying to ignore the passing traffic. I liked the cluster of cottages and the powerlines at the top of the slight incline.

Finally, I sat in front of those cottages in the previous painting, looking at the view they see from their front windows. As I painted, a guy stopped in his car. He owned the house you can just make out behind the trees on the left at the end of the ploughed field. It turned out he had seen a painting I had done of the area which I had previously sold. He said he was interested in getting a painting of his house which he is currently renovating. I gave him my card but so far he hasnt got back to me – but you can never tell.

Other landscapes are available for sale on my website: grahammcquadefineart.com

BACK ON CLIEVES’ HILLS – ACRYLIC PAINTING

I am in the middle of a few incomplete projects at the moment, so here is another acrylic painting. It is a return to an old subject, with an old painting – the view from Clieves’ Hills. I did it in 2012, before I started blogging. It looks from the low hill across a summery view of Halsall and the Moss, towards the coast and Southport where I live.

I like the richness of colour in the foreground that helps create the aerial perspective which is driven further with the smokey blue background. Somebody else obviously liked this and purchased it.

I still like this area for sources of subjects and hopefully will be heading out there again when the weather gets warmer.

Other landscapes – and paintings from Clieves’ Hills – are still available for sale on my website: grahammcquadefineart.com

A MISTY START ON CLIEVES’ HILLS – WATERCOLOUR PAINTING

I have an exhibition planned at my framers in December and so I have been going through my sketchbooks for scenes of local interest that I can show. Here is one I sketched back in the summer which I worked up into a painting. The colours were very muted given the mistiness that prevailed, and I have added more to the foreground to push the background back. I might darken the clouds slightly to bring out the sun breaking through the mirk. It certainly did that, as by the time I finished painting that morning, the sun was out and there wasnt a cloud in the sky.

Landscapes atre available for sale on my website: grahammcquadefineart.com

MORNING SKETCHES – WATERCOLOUR

We are having a spell of good weather, which for August in the UK is unusual. Unfortunately, with a few commitments, I havent been able to take advantage. One exception was last Wednesday when I dawn broke without a cloud and I was awake enough to get out. These scenes are from the village of Halsall, close to where I live. I have seen this view many times as I cycled to work, but I noticed a gate had been cut into a field which allowed me space to sit away from the road. This was the first view I painted and the dampness and coolness prevented the paint from drying quickly and there is a softness in the image which I quite like.

The next painting was done as the morning started to warm and the edges are much sharper due to the quicker drying. I only had to move a few feet from where I painted the first painting to get this view. I had just set up when two tractors and a wagon waited to go through the gate. The driver who unlocked the gate wanted me to paint him, though his enthusiasm seemed to drain when I told him he needed to take off his clothes.

With the rush hour over and the vehicles away and out of sight down the track you can see, I did this final painting – about 180 degrees from my first painting. Again the edges are much harsher and I can detect a tiredness creeping in.

It was a great way to spend the early morning, sitting contemplating the views, meditating and painting in the quietness of a still, sunny dawn ( well, apart from the brief disturbance of the tractors ) made better by the fact that I had only to move a few feet to get three good views. Then, as an added bonus, I saw a potential scene for another painting on my way home. Hopefully, some good weather will allow me to explore that one fairly soon..

Other landscapes are available for sale on my website: grahammcquadefinearts.com

MORNING ON CLIEVES’ HILLS – WATERCOLOUR SKETCHES.

It has been a busy weekend, a life session and the weather was good enough to get out painting. With the plein air painting, I had decided on the canal, but despite it being bright where I live by the sea, there was thick fog at the canal. So, I headed for the hills, but even up here the fog was clinging on. I was deciding to head back to the coast when I spotted this view and decided to stay on the hill and persevere. I loved the way the layers of background were being revealed as I painted. Maybe one to work up as a larger piece.

As you can see the mist cleared as I worked and was pretty much gone on this second piece. This is an old favourite subject – Aughton church – seen from a different angle as I explored a new path, down between some farmhouses.

Just turning on my stool from the last sketch I saw this intriguing view of a farmhouse obscured by foliage and barley. I was taken by the tonal interchange.

So despite the the shaky start chasing around, avoiding the fog, I got some pleasing sketches. I’ll show the life painting on my next post – bet you cant wait. Anyway, the fine weather’s set for a few days so I might get out some more.

Other landscapes are available for sale on my website: grahammcquadefineart.com

MORE SUNNY DAYS – WATERCOLOUR SKETCHES

I wasnt prepared for Thursday dawning without a cloud in the sky and by lunchtime it was still cloudless so I decided to get out and do some painting. Unfortunately I hadnt made any plans, so I headed off on a well worn route, hoping to spot something new of interest. This, above, was a view across to farms on the moss with the remains of last year`s bramble and undergrowth in the foreground.

I continued up Clieves`s Hills – the only bump in the Lancahire Plain around here and close to the top, I took the opportunity to get off the bike and sit down to paint this house. I liked theinterchange of light and shade on the walls and the tree just coming into leaf, all set off against the recently tilled soil.

And finally another drainage ditch. Again I liked the light and shade and the way the banks zig-zagged like teeth of interlocking cogs. In hindsight, there is room to play more on the light and shade of banks and I think the water close to the bottom of the painting was wider then I have it which would add to the contrasts. But by then I had cycled twenty miles and was on my third painting – concentration was beginning to sag – but a great afternoon, nevertheless.

Other landscapes are available for sale on my website: grahammcquadefineart.com

THE VIEW FROM CLIEVES’ HILLS – ACRYLIC PAINTING

There has been much uncertainty and quite a few false starts of late with my painting. I have been wanting to produce some stylised landscapes in acrylic alongside developing the ink and wash paintings I have shown recently. Not much progress has been made.

With the landscape, I couldnt settle on a subject. Then I recalled a wonderful morning I had spent on Cleives’ Hills this summer, with my watercolours, painting some cottages on the edge of the hill. I put the painting I did that day on the blog some time ago and I enclose it below.

I thought I might try this scene both in watercolour and acrylics. So here is the first one, in acrylics, with the cottages and the view of Liverpool in the morning haze in the distance. Fresh off the easel. There may be some more changes to be made, though I think I ‘ve got the punchiness I was after.

Other landscapes are available for sale on my website: grahammcquadefineart.com

UNDER THE HILL – ACRYLIC PAINTING

I’ve used this motif before as part of other paintings, but decided to make it a painting in it’s own right. I roughly covered over an old painting to inject some energy and mystery to the final piece and then let both the underpaintings come through all over the image.

I love this half shadowed cluster of farm buildings at the foot of Clieve’s Hills, near Ormskirk in Lancashire, and this was mainly from photos I took when I painted the same scene outdoors in May this year. Like some other landscapes I have done recently, I have distorted the colour range and heightened saturations. Though I hope to have imparted a bit more edginess into this one with the underpainting and rough handling of the foreground.

Other landscapes are available for sale on my website: grahammcquadefineart.com

CHRIST CHURCH, AUGHTON 2 – ACRYLIC PAINTING

I posted the first version of this a little while ago and it has since sat in my studio in a tray frame I made for it, but I became aware that the foreground looked a bit timid and tentative and so I decided something had to change.

Out came the brushes and I started scumbling, getting rid of the prissy field break in the lower part and giving the foreground texture. I am happier with this version and having just had an invite to join a mixed exhibition in December ( Covid permitting) along with a solo show at my framers, I have now got a small collection of these stylised landscapes to show.

This, and other landscapes are available for sale on my website: grahammcquadefineart.com

FIRST LIGHT OVER CLIEVES’ HILLS – WATERCOLOUR PAINTING

The post before last I showed 3 morning sketches, the first one of a single cottage. This was the view behind me, as I painted – one of the many drainage ditches that crisscross this marshy land, surrounded by flattened reeds and grasses.

I loved the myriad of warm colours picked out and accentuated by the rising sun. A new day and the crows descend to squabble over the remaining grains of cereal.

Other landscapes are available for sale on my website: grahammcquadefineart.com