This may have a ring of familiarity. I did a similar painting en plein air and posted it a few weeks ago and decided it would make a good subject for a long format painting. I liked the lane on the left leading into the cluster of buildings in this hamlet and the long fingers of shadow extending into the sprouting barley.
Back on the bike and into the morning sunshine. This is a cottage on Plex Moss Lane. Further down the lane I stopped on a grass verge and did these farm buildings across the fields,
They had an incongruousness about them – a ramshackle collection of buildings.
A few days later I ventured down another, parallel, lane that crosses the moss and here are (above) some of the same buildings I painted in the previous image: the two buildings on the right of the painting of the farm across the fields.
And finally I love this cluster of buildings, half in and half out of the shadows with posts and cables sprinkled about – although the barn on the right looks like it could be subsiding.
There might be some things worth working up into a proper painting. It’s certainly good to get out again into the morning sun and the cycle ride gives me some exercise.
Some time ago I reported, after painting the plein air Downholland Farm I posted, that I had left my portable palette behind. When I came back to search for it I came in my car and had to park on some waste land and the easiest way was to cut through this small copse. I loved the evening light coming in through the trees and the branches and trunks cutting across the scene making an almost stained glass effect. When I came out of hospital last week I thought that I could do this in pastel and sat down and cracked on and produced this pastel below:
I thought that the pastel would allow me to get the criss-crossing branches easier and also allow me to work up the foliage catching the light in the shadows. I was unhappy with the results and decided to have another go in watercolour. I tried a splattering approach with the foliage on the watercolour and got some wonderful textures, but had to go over a lot of it in order to get the tonal contrast I was after. In the end the result was better but still it lacked the impact that I was after.
With some better weather of late I at last got out to do some painting last night. I cycled inland a little way and painted this 17th century hall and farm which stands by the Leeds Liverpool Canal. The canal is hidden between the foreground – a field of broad beans – and the first row of trees/bushes. I sat on a mound of stinging nettles where I think I left my palette and to round it off I got another puncture. The joys of painting plein air.