THE WOOD ON DELPH LANE – WATERCOLOUR PAINTING

P1020500(1)Some time ago I reported, after painting the plein air Downholland Farm I posted, that I had left my portable palette behind. When I came back to search for it I came in my car and had to park on some waste land and the easiest  way was to cut through this small copse. I loved the evening light coming in through the trees and the branches and trunks cutting across the scene  making an almost stained glass effect. When I came out of hospital last week I thought that I could do this in pastel and sat down and cracked on and produced this pastel below:

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I thought that the pastel would allow me to get the criss-crossing branches easier and also allow me to work up the foliage catching the light in the shadows. I was unhappy with the results and decided to have another go in watercolour. I tried a  splattering approach  with the foliage on the watercolour and got some wonderful textures, but had to go over a lot of it in order to get the tonal contrast I was after. In the end the result was better but still it lacked the impact that I was after.

Other landscapes are available on my website: grahammcquadefineart.com

DOWNHOLLAND HALL – WATERCOLOUR SKETCH

P1020442(1)With some better weather of late I at last got out to do some painting last night. I cycled inland a little way and painted this 17th century hall and farm which stands by the Leeds Liverpool Canal. The canal is hidden between the foreground – a field of broad beans – and the first row of trees/bushes. I sat on a mound of stinging nettles where I think I left my palette and to round it off I got another puncture. The joys of painting plein air.

Other landscapes are available on my website grahammcquadefineart.com