You may have picked up a certain dissatisfaction with my previous post and I did manage to find the gesso – so here is another version. I wanted colour and it is needed on this, our shortest day. A blast of summer.
The flattening of the perspective gets the viewer closer to the action of the switchback road that can even make the sedate cyclist queasy. It also clears space for a rush of colour for the sheer sake of it. Even if it isnt the finished article, I am closing in.
I’ve used this motif before as part of other paintings, but decided to make it a painting in it’s own right. I roughly covered over an old painting to inject some energy and mystery to the final piece and then let both the underpaintings come through all over the image.
I love this half shadowed cluster of farm buildings at the foot of Clieve’s Hills, near Ormskirk in Lancashire, and this was mainly from photos I took when I painted the same scene outdoors in May this year. Like some other landscapes I have done recently, I have distorted the colour range and heightened saturations. Though I hope to have imparted a bit more edginess into this one with the underpainting and rough handling of the foreground.
This image was developed from a plien air painting I posted at the start of June.
I wanted a bit more colour and punch and also thought that a graphic style could enhance the saturated colours so I gessoed over an old painting on canvas and set to work. I had been influenced by work by Fred Ingrams amongst others and although I havent achieved his brave use of colour it is an early step.
It might be worth producing a small set of paintings in this style and see if they develop. I have plenty of raw material both photos and sketches to draw from.
Out of necessity, perhaps, there have been a lot of watercolours on my blog of late. Here is a pastel of a long distant holiday and a view over morning still fields as I cycled on my way to collect some baguettes, oh, and a pain au chocolat…
With a recent spell of bright sunshine we went for a walk along the canal a couple of days ago. It was the fields nearby that caught my attention. This one with the light on the top of the hill and the deep blue of the sky setting off what remains of the autumn leaves captured the day for me. I was thinking of putting some crows in it – but so far have resisted.
With having our own visitors and visiting others, things have been busy of late. We are with friends in the Cotswolds and this morning I got up early and ventured into the fields to do some painting.
It was a dullish morning and generally I would turn over and go back to sleep, but I needed some paintings and it was a new place to explore – so I gave it a try.
Without sun, objects were a bit flat and washes took ages to dry. But despite the problems I wasnt too displeased with the results and came home with wet feet to a well earned breakfast. I can relax for the rest of the day.
Another corner of a field and another repeat. In my last post it was a restrained approach to a similar subject. This was more about pouring and spraying and trying to make something of it after the deluge.
I certainly liked my last version of this, but it stayed on the shelf after many outings. So it was back to the easel and this time I have removed some of the darks and put in more foreground colour. I have emphasised the light through the trees and introduced a fence post to redress the compositional balance – anything for a sale.
I was intending on doing this in watercolour, but I enjoyed working on the pastel I did for the previous post and the pastels were still out on my workplace – so why not. I hear many times from bloggers that the photo doesnt do justice to their work. Well here it’s the reverse. This shot flatters the actual painting. It makes it almost presentable.
I’ll leave it alone and see how I feel about it in a week or so. In the meantime it’s back to watercolours.
Out one morning painting, I spotted this footpath across a field that the farmer had preserved. If I had come across it earlier I would have used that as my subject, but I had just completed two watercolours, so I took a few photos instead. On the other side of the lane I I discovered a cherry tree and got a bagful of cherries to supplement the morello cherries on my tree at home. I made three pots of cherry jam yesterday. I love cherry jam on toast – particularly after a tough morning with the paintbrush..
I have noticed that there is less of an appetite for landscape these days. This has come about by observing other people’s superb work languishing in exhibitions. It seems that unless there is a connection with a particular view there is no interest. But I must say I love painting them. This is based on a view I saw looking over a fence in Berkshire the other week. I love the lush foliage and the shocks of light and shade – so I’ll go on painting them even if no one is too bothered.
Other landscapes are available for sale on my website: grahammcquadefineart.com or get one commissioned – I have very reasonable rates.