Now all the planned exhibitions have either finished or are currently running I can stop painting local scenes and start playing around a bit more. This is a half imperial size (56x76cm) watercolour – so double the size of watercolour I’ve been painting of late.
I’m not sure of its commercial value, but working into light is something I love doing. In this case it was a low evening sun washing a golden glow over the subject and casting long violet shadows. Not to forget the transparent feather tips of the gulls which seemed to carry their own illumination, particularly when set against the shadows. So I got a great deal of satisfaction doing it.
I’m not sure of the sentiment of feeding gulls and pigeons; as all you end up doing is increasing the population and teaching them to rely on people for food. But I did like the guy struggling with his plastic bag full of breadcrumbs, perilously close to having the bag being whipped from his hands by an impatient gull.
Having had to rebook a holiday for the second time this week I thought that I would recall one from a more carefree time. This is on the Italian Lake Garda, a little hamlet near Salo. It was out of the way and frequented, it seemed, by locals. I saw quite a few small gatherings passing away the evening around the quay and a small promenade, putting the world to rights and greeting friends. Some even brought their own chair and when done would fold it up and carry it back to their house.
Other seaside paintings are available for sale on my website: grahammcquadefineart.com
I suppose this could be worked on a little more, but I took a photo of it to see how it was looking and decided to post it. Apposite as they are opening up shops and other non essential outlets tomorrow in our neck of the woods. However, cafes and pubs can only serve customers outside – so those inside on this painting are mere reflections., and with our weather, those on the outside will soon be wrapping their coats around them – but for now it’s sunny – it could be France – but it’s Parbold.
Well, summer seems to be peeping around the corner around here, so why not paint another beach scene. This is a subject I tackled a long time ago, but the figures were just part of a bigger beachscape. I love this grouping and thought that it might be worth focussing in on the four of them walking along the wet sand in the morning.
And whilst I am the subject of repeats, here is another version of a painting I did post a few weeks ago. Breakout, though in that version not all the figures were breaking out – one seemed to be very occupied with their phone.
So I got rid of the texting man and added a running female. I also pushed her and the dog closer to the smaller boy and reduced the size of the painting from 52x35cm to 35x25cm and in doing so, got closer to the action. Hopefully I’ve got more of the exuberance of a summer’s day than I first had – days to come.
The main square in San Pedro de Atacama and in the afternoon heat everyone heads for the shade. We had come down from the Bolivian Altiplano descending thousands of feet onto the desert plateau and still this place is nearly 2500 metres above sea level.
The other thing I couldnt get my head around was the small river that runs through the town – in the driest place on earth. I thought it was some man-made confection designed to impress the visitors. We walked a few miles out of town, along the river valley and on the sides of a steep hill, by the river, were the remains of an Inca settlement. So it seems that it was entirely natural.
I did a sketch of this last year and posted it. On this more considered piece at least I got the tracks not looking like something from a model railway and inserting the man with his briefcase adds a touch of anticipation.
Another sketch just to get the feel of the subject. I had come out of a life session and was getting the train home. The sunshine was bright and the figures were set in deep contrast making me get my camera out. If I do it again I must get the tracks right – it looks like a model railway and there isnt a conductor rail but the use of masking fluid to get the glinting tracks worked better than I thought it would.