A GLIMPSE OF THE SEA – WATERCOLOUR PAINTING

A view from my recent walking holiday in Portugal. We had been on the top of the sea cliffs for most of the day when the path turned inland, into a wooded area. It twisted and turned and came out along the edge of a field with the trees on one side. Walking along, I spotted this gap in the trees, revealing the coastline and sea.

I was well ahead of the group and contemplated the opportunity for a quick painting. So I entered the half lit glade looking for a spot to settle down. As I dropped my rucksack I heard rustling off to the left. There was a guy in the wood moving around. Not sure what he was up to, I took a few photos, picked up my bag and headed on my way on the path alongside the field.

The path dropped down the high ridge towards a river which I knew we had to traverse. As I sat on the banks waiting for the rest of the group, the man in the woods came down and waded the shallow river. Perhaps I had spooked him as much as he had done me.

Other paintings of woodland are available for sale on my website: grahammcquadefineart.com

SUMMER IN AINSDALE WOODS – WATERCOLOUR PAINTING

I continued my search for a woodland scene for an upcoming exhibition and painted this yesterday. I will probably submit this painting rather than the one I posted on my last post. Both are from the same woods.

You can see the path disappearing right, down what becomes a sharp hill, which quickly bottoms out and then rises sharply again. Great for cycling down until you meet another cyclist coming the other way doing the same thing – trying to get enough speed to get up the hill in front.

Fortunately on that day I didnt meet anyone coming the other way.

Anyway, I have now submitted my exhibition entry form, so that’s one less job. We start another exhibition in town on Sunday, so I need to label up another set of paintings.

Other woodland scenes are available for sale on my website: grahammcquadefineart.com

ISLAND LIFE – WATERCOLOUR PAINTING

Watching the TV the other day I saw a scene which reminded me of an image I have in a book on the Algonquin National Park in Canada. I thought I might combine aspects of the images. The sense of stillness and isolation appealed to me – perhaps something I might see in our Lake District in England: maybe it’s my age or situation.

Other landscapes are available on my website: grahammcquadefineart.com

SOME LIGHT IN THE FOREST – WATERCOLOUR PAINTING

I was in the middle of an acrylic painting and had an impulse to paint this in watercolours. It is of another favourite subject of mine: Ainsdale Woods which sit on the edge of the sandunes on the coast. I loved the purples, blues and greens, which I have enhanced here, and how they collide with the yellows of the sunlit leaves.

I tried to be sparing in my washes and brushwork to keep a freshness and may have left areas underworked as a consequence. Anyway, there`s plenty of colour for a gloomy pine forest.

Other forest scenes are available for sale on my website: grahammcquadefineart.com

BLUEBELL GLADE – WATERCOLOUR PAINTING

I had a bit of trouble with this painting – well I have trouble with most of my paintings – but this time it forced me to start again.At the outset I was caught by the light through the trees illuminating the flowers and reflecting off the petals and leaves. I think I caught that with this version – though it was quite tedious painting the bluebells -because I needed to reserve a lot of the white of the paper for these reflections.

The first one below lost the effect of the illuminated flowers and became disunited – though it has some qualities which eluded me in the second version.

The venue is an old, disused, railway line coming from Maghull, in the north of Liverpool, to Southport, where I live, called the Cheshire Lines. I think around this wood was a branch line linking to the main line.

I stumbled on this during a cycle ride a couple of weeks back. The bluebells are now fading away fast around here.

Other woodland scenes are available for sale on my website: grahammcquadefineart.com

DANCING LIGHT, FLEETING SHADOWS – WATERCOLOUR PAINTINGS

Another view from Ainsdale pine woods near to my home, where the firs and bracken have populated the old sand dunes down to the beach.

You can understand, in a more credulous age, the belief in sprites and fairies as the morning light bristles or crepuscular darks grow.

And another go at the view of the woods and path I posted a few weeks ago. The first one was quickly done on the back of an old painting and I loved the glow I achieved. Unfortunately some of the old painting had been cut down so it didnt fit my frames and mounts. Hence this second attempt on a fresh sheet.

Other paintings of the Sefton coast are available for sale at great prices on my website: grahammcquadefineart.com

SUNLIT CLEARING – WATERCOLOUR PAINTING

Another reprise. A more finished version of our pinewoods in autumn with their mix of conifer and birch. I am not sure of the shaft of light – that might get amended before I frame it.

Other woodland scenes are available on my website: grahammcquadefineart.com

SUNSHINE IN THE PINEWOODS – WATERCOLOUR PAINTING

Regular readers may sense groundhog day, but this is a more finished version of an offering I produced a few weeks ago as part of a set of woodland scenes. As I scratch around for suitable work for a couple of upcoming exhibitions, there may be more of that set coming – so those of an unforgiving disposition should switch off now…

Other woodland scenes are available for sale on my website: grahammcquadefineart.com

BACK TO THE WOODS – WATERCOLOUR SKETCHES

I had a bit of time to play around with some forest scenes I had collected from recent visits to our local Ainsdale and Formby woods. On the top painting I did the colour mixing on the paper adding water to push colour away from the top right and then push and reinforce the dark mixtures on to the bottom right to get contrast and mystery.

This, above, was my first try. I like some of it, but feel that I need some colour contrasts to highlight the point of interest and break the monotony.

This got a bit obvious with streams of light, but has the area of interest I needed in the painting above. Again, with a few tweaks it could be worth another try. I think if I push the bottom area up into the `middle it might enliven it a little.

There may be more if I get some spare time.

Other forest scenes are available for sale on my website: grahammcquadefineart.com

SECOND TIME AROUND – WATERCOLOUR PAINTING

I posted this painting, An Autumn Morning in Ainsdale Woods, in 2014 and it was around this time that I sold the original. A week ago a gentleman from Stockholm in Sweden wanted an electronic copy for a wall image in an office complex that they were rennovating. So for a small fee I am sending him a file of this image. I always keep a reasonable sized file of all my work as, in the past, I have had had people rejecting small files for publication and if you have sold the original there isnt much you can do to supply an image that meets their needs. I did think that the size of this file was too small for his purpose, but he was happy that the 5Mbyte file was large enough. He will send me an image of the layout when the project is complete. It will be interesting to see the work in another context.

Other woodland scenes and landscapes are available for sale on my website: grahammcquadefineart.com