The coastal path from Southport to Crosby takes you along sandy beaches, through Pinewoods and skirts an army rifle range before depositing you in front of Anthony Gormley’s Another Place. Here, in the painting, the path leaves Formby as the morning sun breaks the scrubby, wind sculpted trees and dances over the long grass.
This is another repeat of a painting I have posted before. I hope I have got the light in the grasses better and improved both the contrasts on the pathway and the textures in the bracken and brush.
I did a sketch of this last year and posted it. On this more considered piece at least I got the tracks not looking like something from a model railway and inserting the man with his briefcase adds a touch of anticipation.
Another sketch just to get the feel of the subject. I had come out of a life session and was getting the train home. The sunshine was bright and the figures were set in deep contrast making me get my camera out. If I do it again I must get the tracks right – it looks like a model railway and there isnt a conductor rail but the use of masking fluid to get the glinting tracks worked better than I thought it would.
I apologise for another version of sunlight through trees on consecutive blogs, but in mitigation they are in different media.
I mentioned in previous blogs about walking with a group of French visitors who had come to Southport. On the Saturday we had a sunny walk, taking lunch on the beach at Formby. I posted a painting I did of the scene on 24th October. This is another painting based on views I saw, that day, on our way to lunch, walking through the woods to Formby and then on to the beach. I have done another, very different version of these woods. I’ll post that in my next blog.
I tried to keep this painting very loose; spraying the paper with water and then throwing paint into the dampened area after which I then drew into and painted with a brush. As I was building up layers of paint I spayed in masking fluid both on dry and damp paper at differing times of painting, so the masking fluid covered different colours and tones.
The other week when I went to get some reference material for an upcoming show, low morning sun-light exploded in between the leaves and branches of the willow trees which sat in the drainage ditches along the road I travelled on. Fortunately I had my camera beside me and I was able to snatch a few snaps. Even better was the fact that I managed to keep the car on the road at the same time and no passing motorists were harmed in the taking of these images.
I have been assembling and framing the paintings for the show and will be taking them in next week for hanging. I had forgotten about these images until I came across them the other day when I thought that I might make something out of them.
We had some French people staying with us at the weekend and on Saturday we all set off for a walk along the woodlands, dunes and coastline to the north of Liverpool. It was a warm, glorious day and at lunch time we descended the dunes and had a picnic on Formby beach. Probably the last opportunity this year to do such a thing. This was the view as we searched for somewhere to settle down to eat.
The next day the weather was markedly different as we walked along the Mersey in south Liverpool. We had to find shelter from the rain and had our lunch in the car. Though later in the day, as we were leaving, the sun broke the clouds and the exposed Mersey mud glistened, allowing the Oystercatchers to find their evening meal. I might have a go at that view in the coming days.
Yes, you’ve seen it before but not quite like this. Someone wanted to buy the original, but then wanted it bigger and whilst I was at it could I put their parents in – along with the dog. So anything to oblige… I also took the opportunity to work out how to do it as a demo as a local group want a landscape demo in watercolour, so all in all, hopefully it was time well spent.