I have just completed this small commission for someone who has bought paintings from me before. His sister hit a hole in one and he wanted a momento of it for her birthday. He supplied me with some dark and very green photos of the hole in question.
I had the idea of her walking to the green to see her good fortune and asked for a photo of her after explaining my thoughts. I got a family photo with her looking directly at the camera. Also, the mass of greens filled me with apprehension. Fortunately the photo showed her in a red top and I thought that if I made the figure bigger it might pacify all the raging greens. So I decided to have her right in the foreground, teeing off.
Another slight problem was that I was asked to put more in detail of the putting green and show the otherwise concealed bunkers, but as if the viewer was stood at the tee. This put some strain on the depth of field, but in the end it seems ok – I was told it was a short hole.
So here it is: my client is happy with it ( after asking me to change her driver for an iron) and he even thinks it looks like her – a good estimation of her side profile from the photo. Now we can only hope his sister likes it too – if it goes over the mantlepiece we know it’s a winner.
Other landscapes are available for sale or golfing commissions undertaken. See my website for details: grahammcquadefineart.com
Getting ready to go on holiday, I got an email from someone wanting a painting of a local golf course for a present. Unfortunately I had sold it some time ago, but suggested I could do another version. The client seemed to be happy with the result above.
And the pressure continued as I also agreed to change my small exhibition at the framers. It’s only a few paintings but you need to reframe and sort out labels etc. The photo I took is marred by reflections, unfortunately.
When I get back from holiday I have quite a big exhibition at the back end of March so I was putting paintings in what frames I had left, though I will need the frames from this exhibition and some that I have ordered to put on the exhibition – 30 paintings in all. With all the running around at least I am fairly well sorted and have sold a couple of paintings this year to boot – so we are off to a reasonable start. Now Thailand beckons – hopefully I will be able to paint a few pictures to put on the blog.
The final painting of my local series on Birkdale is of the main golf course ( one of many around here). It had to be included in a series on Birkdale. I had painted it before, but from the outside and the 1920’s modernist style with its angular shapes is really set off in the morning light. This time I did it from the ‘playing’ side – so it had to be from photos – they dont allow riff-raff like me to trample over their lush greens. I wanted a long format to complement the previous painting I did of New Cut Lane, I posted last week and thought that the long clubhouse would fit the bill, but as you can see below, halfway through I didnt feel it was working and turned to a landscape format. Not too sure about this even, but that completes the series. I now have 14 paintings – so that should be enough. The exhibition isnt until December, so I have time to reconsider and change. Now on to the next project…
Over the last few days we’ve had some good weather so I’ve been out on my bike. This first one is Formby Golf Club from the rough. I had gone out to do a woodland scene, but a dogwalker was nearby when I wanted to suss out the scene and she might have thought me predatory, so I went on and found this instead.
Another dog walker came by when I was doing this near Hesketh Bank and was concerned that I was doing a drainage course which is officially called the River Douglas and flows into the Ribble Estuary. He offered to pose for me, but it got withdrawn when I demanded he remove his clothes – perhaps another time.
This is from the old railway bridge of the dismantled Cheshire lines which is now a cyclepath between Southport and Maghull. I don’t think I got the mood of the evening. There were more variations in the greens and the low evening light gave some great tonal contrasts which have eluded me here. I was having to work quick as the light was going and I had quite a long ride to get home without any lights. I might have another go at this.
A view of the old Clieves’ Hills into the morning light.