BACK ON CLIEVES’ HILLS – ACRYLIC PAINTING

I am in the middle of a few incomplete projects at the moment, so here is another acrylic painting. It is a return to an old subject, with an old painting – the view from Clieves’ Hills. I did it in 2012, before I started blogging. It looks from the low hill across a summery view of Halsall and the Moss, towards the coast and Southport where I live.

I like the richness of colour in the foreground that helps create the aerial perspective which is driven further with the smokey blue background. Somebody else obviously liked this and purchased it.

I still like this area for sources of subjects and hopefully will be heading out there again when the weather gets warmer.

Other landscapes – and paintings from Clieves’ Hills – are still available for sale on my website: grahammcquadefineart.com

CANAL SCENE AND LANDSCAPE – WATERCOLOUR PAINTINGS

I have just realised that it will soon be February, when I have two painting demonstrations to do. One request is for a canal scene, and this is what I intend to demonstrate. It is a painting I did in 2008 and at the moment I am working out how to best complete the painting in an hour and half. For me, it is a question of getting the order right, so the audience isnt sitting around whilst you mix colours, and there is quite a bit of mixing here to get the water effects. I also need to ensure to emphasise the points I want to raise.

The second demonstration was picked for me by the art club that engaged me. It is of a field of poppies I did more recently.

It isnt a painting I would select if I had a choice. There is a lot of texture in the foreground field that I did in a very haphazard manner, at the time – feeling my way through. I used masking fluid in the painting. Again I want to avoid delays, so I may need to get the hair dryer out to avoid waiting for the masking fluid to dry. Other techniques are a little faster – I did some scraping back and and finally resorted to gouache when all my options were used up. Again, I am working through this to find the best order needed to present it in a coherent way.

After all this I’ll need a holiday and yesterday I ordered some Egyptian pounds for a two week cruise down the Nile at the end of February. Hopefully we will get to go this time – this is the second attempt.

I will be taking my sketch book.

Other landscapes and canal scenes are available for sale on my website: grahammcquadefineart.com

MORNING’S WALK BY THE SARACEN’S HEAD – WATERCOLOUR PAINTING

Back to the Leeds to Liverpool Canal at Halsall for my subject. The view from the bridge over the canal by the old pub, The Saracen’s Head – which is out of sight, directly to the left.

With the light coming in from the left it almost silhouettes the narrowboats and other craft moored close to the pub.

I have posted views of this scene painted further along the canal from where the man is taking his morning constitutional. I did a sketch on the spot and then worked it up into a painting. I posted this painting in early 2020: Approaching the Saracen’s Head – Watercolour Painting In this view you can see the bridge peeping from behind the foliage in the background, along with the roof of the pub.

Other canal scenes are available for sale on my website: grahammcquadefineart.com

A MISTY START ON CLIEVES’ HILLS – WATERCOLOUR PAINTING

I have an exhibition planned at my framers in December and so I have been going through my sketchbooks for scenes of local interest that I can show. Here is one I sketched back in the summer which I worked up into a painting. The colours were very muted given the mistiness that prevailed, and I have added more to the foreground to push the background back. I might darken the clouds slightly to bring out the sun breaking through the mirk. It certainly did that, as by the time I finished painting that morning, the sun was out and there wasnt a cloud in the sky.

Landscapes atre available for sale on my website: grahammcquadefineart.com

THE SHORT-CUT TO GREGORY LANE – WATERCOLOUR PAINTING

You can be forgiven for thinking you’ve see this before. I put a sketch of this track on my blog a while ago. Recently, I have been going over sketchbooks looking for topics to show at my Christmas exhibition and this was one of the first that popped up.

It’s a track – I think called The Runnel – I used to cycle along, to and from work. Despite it having a cobbled surface it has been submerged in mud which is then churned up by the farm vehicles. So cycling down it after a wet spell, like you can see here, ends up with your bike getting covered in grit and mud. the only advantage is that it keeps you away from traffic.

As a subject though, it contains a favourite topic of mine – puddles. I might even try it out at the group exhibition I am in at present. I am minding the shop tomorrow, so I could see if there is a space for it there.

Other landscapes are available for sale on my website: grahammcquadefineart.com

HALSALL SKETCHES – WATERCOLOUR

Warm autumn sunshine is too good to waste and yesterday morning I got up, rather later than normal, and went to a place I had spotted when returning from my last local plein air trip. It is of a cluster of farmhouses I have passed many times, but the newly mown field and an opening onto it gave me a different view and the crows also thought the same, between eating what the mowers had missed.

And then turning around, and looking in the opposite direction. I got a contre jour view of some cottages I have painted before, though, this time, with the hedge obscuring most of the view. There was still a slight mistiness which, earlier, may have completely obscured both views, this being a low lying marshy area. So it was a productive lie-in – As I’ve heard say, it’s not the done thing to arrive too early.

Other landscapes are available for sale on my website: grahammcquadefineart.com

MORNING SKETCHES – WATERCOLOUR

We are having a spell of good weather, which for August in the UK is unusual. Unfortunately, with a few commitments, I havent been able to take advantage. One exception was last Wednesday when I dawn broke without a cloud and I was awake enough to get out. These scenes are from the village of Halsall, close to where I live. I have seen this view many times as I cycled to work, but I noticed a gate had been cut into a field which allowed me space to sit away from the road. This was the first view I painted and the dampness and coolness prevented the paint from drying quickly and there is a softness in the image which I quite like.

The next painting was done as the morning started to warm and the edges are much sharper due to the quicker drying. I only had to move a few feet from where I painted the first painting to get this view. I had just set up when two tractors and a wagon waited to go through the gate. The driver who unlocked the gate wanted me to paint him, though his enthusiasm seemed to drain when I told him he needed to take off his clothes.

With the rush hour over and the vehicles away and out of sight down the track you can see, I did this final painting – about 180 degrees from my first painting. Again the edges are much harsher and I can detect a tiredness creeping in.

It was a great way to spend the early morning, sitting contemplating the views, meditating and painting in the quietness of a still, sunny dawn ( well, apart from the brief disturbance of the tractors ) made better by the fact that I had only to move a few feet to get three good views. Then, as an added bonus, I saw a potential scene for another painting on my way home. Hopefully, some good weather will allow me to explore that one fairly soon..

Other landscapes are available for sale on my website: grahammcquadefinearts.com

SMALL LANE SOUTH, HALSALL, AGAIN – WATERCOLOUR PAINTING

Those who read the text in my last blog may recall I had little hope regarding sales at our latest exhibition, which is now running. Well, the very day I put out the blog this painting sold. I must admit I was pleased with it when I put it out on the blog in October last year, and am still pleased with it. Certainly, enough to give it a second airing.

Here it was, by the chair, but no longer.

I had put it in a solo exhibition around Christmas, but no one seemed interested – despite other sales – and the painting followed me home. I thought that perhaps muddy puddles and broken roads were not what other people wanted, but they certainly interest me, and obviously, someone else.

Other landscapes are available for sale on my website: grahammcquadefineart.com

MORNING ON CLIEVES’ HILLS – WATERCOLOUR SKETCHES.

It has been a busy weekend, a life session and the weather was good enough to get out painting. With the plein air painting, I had decided on the canal, but despite it being bright where I live by the sea, there was thick fog at the canal. So, I headed for the hills, but even up here the fog was clinging on. I was deciding to head back to the coast when I spotted this view and decided to stay on the hill and persevere. I loved the way the layers of background were being revealed as I painted. Maybe one to work up as a larger piece.

As you can see the mist cleared as I worked and was pretty much gone on this second piece. This is an old favourite subject – Aughton church – seen from a different angle as I explored a new path, down between some farmhouses.

Just turning on my stool from the last sketch I saw this intriguing view of a farmhouse obscured by foliage and barley. I was taken by the tonal interchange.

So despite the the shaky start chasing around, avoiding the fog, I got some pleasing sketches. I’ll show the life painting on my next post – bet you cant wait. Anyway, the fine weather’s set for a few days so I might get out some more.

Other landscapes are available for sale on my website: grahammcquadefineart.com

AROUND HASKAYNE – WATERCOLOUR SKETCHES

With a fine morning forecast for Tuesday I checked the maps and headed for some lanes I had not visited before. They were behind the small village of Haskayne around six miles from where I live in Southport. I had no idea what I was going to find to sketch. The first subject was a rickety footbridge over a drainage ditch. I liked the way it was partially in shadow and the intriguing view between the branches into another field. Nothing much, but it was a pleasant way to sit on a sunny morning, listening to birdsong between the silence – this time without the passing crowds.

I eventually found a second subject – a magnificent tree standing serenely alone in a wheat field with the morning sun illuminating its trunk and leaves. It had the shape of an oak, but the leaves seemed to be fine like an ash, I couldnt get near as the foreground grass and plants covered a deep ditch.

I had to get back early as the plumber was coming to sort my boiler out – but it was pleasant few hours on a sunny June morning.

Landscapes area available for sale on my website: grahammcquadefineart.com