EARLY MORNING AT HASKAYNE – WATERCOLOUR PAINTING

Well, my last post brought out the incisive, measured and constructive criticism I have come to expect from troll:

Onsnist@hotmail.com March 15, 2019 at 19:48 Edit

Yeah…the usual “bhaji” shite

So spurred on by their encouragement here is another canal-side offering which could feature in my upcoming exhibition. I have done this scene before, but wasnt satisfied with the result. This time I washed in three primary colours onto wet paper and mixed them with water from a spray. You get some lovely misty colour mixes. When dry, I worked specific areas in a similar fashion but without the spray, gradually building up the colours by mixing them on the paper and also increasing the detail.

In the past I stuck to just 3 primary colours, mainly to get cohesion. I was a bit dissatisfied with the results. This time I added other colours in the later stages and I am much happier with the result.

I really like the ethereal early morning quality I have achieved here and may be putting this up next week.

I opened up the local paper today and there was a big spread put out by the venue advertising my exhibition. So just a little pressure.

… and troll will think it’s their birthday.

Other canal scenes are available on my website: grahammcquadefineart.com

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EARLY MORNING SKETCHES – WATERCOLOUR PAINTINGS

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With the light not  as good of late and other commitments, I havent been out early morning  painting recently, though this Friday I woke to a glorious morning, but I was unprepared as the weather forecast hadnt been that good and  I had to let that slip by.

Here is what I have in my new sketchbook, done earlier in the month. The one above was painted  with my back to the canal, taking in the country around Downholland in Lancashire.

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Another one looking away from the bridge over the Leeds Liverpool Canal onto one of the many barn conversions.

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But I couldnt resist the canal for long, not in this early morning light.

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This was a barley field, looking over to Clieves’ Hills. When I completed this I had a ride around on my bike and saw the path cut into the barley and the view was more into the sun. It was this that was the subject of the pastel painting I put on the blog a week ago.

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Finally, this was a view of a field I painted that I found when I discovered a footpath on my map I had never tried before. It gave me some other views I might paint later. It started to cloud over as I painted so I returned home, only to find the cloud gone by the time I got back.

Other landscapes are available on my website: grahammcquadefineart.com  

or grahammcquadefineart.co.uk

 

 

PATH BETWEEN THE BARLEY – PASTEL PAINTING

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Out one morning painting,  I spotted this footpath across a field that the farmer had preserved. If I had come across  it earlier I would have used that as my subject, but I had just completed two watercolours, so I took a few photos instead. On the other side of the lane I  I discovered a cherry tree and got a bagful of cherries to supplement the morello cherries on my tree at home. I made three pots of cherry jam yesterday. I love cherry jam on toast – particularly after a tough morning with the paintbrush..

Other landsscapes in pastel, watercolour and  acrylics are available for sale on my website: grahammcquadefineart.com 

CANAL SIDE AGAIN – WATERCOLOUR PAINTINGS

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I decided to work up a couple of my sketches into paintings. I used three colours again for this one of the Leeds Liverpool canal at Haskayne. I feel I could make it more dramatic and may well have another go at this one.

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I do like the long format and took a sketch I published earlier and narrowed it out and gave the man a dog. He was actually walking along bare chested – but I gave him a red shirt ( I cant stand nudity at such an early hour). Again it was done with three primary colours and again it was of the Leeds Liverpool Canal between Burscough and Parbold.

Other canal scenes  are available on my website: grahammcquadefineart.com

SPOT THE DIFFERENCE AT THE CANAL – WATERCOLOUR SKETCHES

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These sketches of the Leeds Liverpool Canal were done a few days ago as the weather has now taken a turn for the worse, or returned to the norm, depending on your level of pessimism.

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The sketches are of each side of the bridge, by the Ship Inn at Haskayne, although on the first one the bridge is just out of view on the left. It was when I was well into this second sketch that I realised something was missing. Here is a painting of the same site which I sold a few years ago.

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Admittedly the second one was painted in the evening light whilst my top sketch is done in the morning, but I must say that  the willow and the ivy on the bridge do add some character and interest to the image, not quite balanced by the reeds now growing on the canal bank.

Other canal scenes are available for sale on my website: grahammcquadefineart.com

THE WOOD ON DELPH LANE – WATERCOLOUR PAINTING

P1020500(1)Some time ago I reported, after painting the plein air Downholland Farm I posted, that I had left my portable palette behind. When I came back to search for it I came in my car and had to park on some waste land and the easiest  way was to cut through this small copse. I loved the evening light coming in through the trees and the branches and trunks cutting across the scene  making an almost stained glass effect. When I came out of hospital last week I thought that I could do this in pastel and sat down and cracked on and produced this pastel below:

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I thought that the pastel would allow me to get the criss-crossing branches easier and also allow me to work up the foliage catching the light in the shadows. I was unhappy with the results and decided to have another go in watercolour. I tried a  splattering approach  with the foliage on the watercolour and got some wonderful textures, but had to go over a lot of it in order to get the tonal contrast I was after. In the end the result was better but still it lacked the impact that I was after.

Other landscapes are available on my website: grahammcquadefineart.com

TWO PAINTINGS OF THE VICINITY – WATERCOLOUR PAINTINGS

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I decided to work up a couple of paintings I did as plein air sketches and posted a few weeks ago. I was a bit disappointed with the results and am trying to work out why I feel this way.  I think this one could have been done with more textured  foreground and less of the ploughed field although I  do have a problem with  the large amounts of green that that might produce.

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This second one might do with increasing the contrasts but again I am concerned with masses of green. I will leave both in the studio and mull over them whilst I get on with something new.

Other landscape paintings are available for sale on my website: grahammcquadefineart.com