Still messing about with pastels. I cut down a sheet into 3 long formats and did a few sketches on each portion. This, above, is a spring scene looking away from the Leeds to Liverpool canal in Burscough Lancashire. The Lancashire plane spread out before you and the new growth pushing upward into the warm, still, morning air.
At the other end of the seasons – harvest time and more of the Lancashire plane, but this time around Little Crosby which is on the northern outskirts of Liverpool, for the second painting in the series.
And finally, one regulars might recognise. I posted a watercolour of this a few weeks back with the sun momentarily glimpsing the rain sodden fields. I must admit the tonal contrasts were easier with the pastel.
Other landscapes are available for sale on my new website ( getting there -though still under construction) grahammcquadefineart.com
This painting recalls summer days when I saw these horses beside the canal. I like drawing and painting horses, just for their shapes – rather like boats and the challenge they give when they are at different angles or huddled together.
I gathered up the images I had of the day and arranged the horses to get a selection of orientations and hopefully provide a pleasing arrangement.
Its good to get back painting with the first one of the year, though I am still moving materials back to the studio and at the same time doing a bit of sorting out and culling as I go – it all takes time.
I wasnt going to post, but this morning I worked up a sketch from a walk we went on yesterday. We explored Beacon Hill country park in the hills above Skelmersdale and in the distance, over to the Wirrel, the steam coming out of the cooling towers of Fiddlers Ferry power station caught the afternoon sun and attracted my attention.
The power station is coal fired and is due for decommission, so this sight will soon be a thing of the past.
This was inspired by a recent walk that many in these northern climes might recognise. I like the way forms grow and dissolve in the gloom and a patch of light grabs attention.
I was hoping for smoother transitions in the sky but found the very necessary break of light made that difficult. Now, having had a go I can see another way of approaching the subject so that could mean version two – I apologise in advance .
Anyway, a merry xmzzz to all my reader. Have a great time.
With the exhibitions coming I have been looking at my stock and making adjustments. All these paintings have been shown before on this blog, albeit in their earlier form. These are updates.
This pastel view of Formby beach needed a bit of toning down in the mid ground.
In this watercolour I wanted to make the left hand figure more dynamic as he was originally looking like he was glued to the spot – not good in Liverpool traffic. Also the car needed a bit of reshaping
And in this acrylic of autumn on Clieves’ Hills near Ormskirk, I wanted to pull the foreground nearer and sharpen bits of the middle ground.
Back in July last year I was sitting in a gallery, doing my stint; looking after the shop and trying to sell some paintings. It can be pretty slow around here, so I set up my easel and started painting the picture below. It was based on photos I had taken on a day walking in the Yorkshire Dales.
I used acrylics and square brushes and painted it during the day.
I was quite pleased with the result. I felt that the subject matter suited the style of painting. Unfortunately the punters dont agree. The painting stayed at my side, despite many attempts to shake it off. So the other day I decided to change the subject matter around and have the people walking towards me.