CANAL SCENE AND LANDSCAPE – WATERCOLOUR PAINTINGS

I have just realised that it will soon be February, when I have two painting demonstrations to do. One request is for a canal scene, and this is what I intend to demonstrate. It is a painting I did in 2008 and at the moment I am working out how to best complete the painting in an hour and half. For me, it is a question of getting the order right, so the audience isnt sitting around whilst you mix colours, and there is quite a bit of mixing here to get the water effects. I also need to ensure to emphasise the points I want to raise.

The second demonstration was picked for me by the art club that engaged me. It is of a field of poppies I did more recently.

It isnt a painting I would select if I had a choice. There is a lot of texture in the foreground field that I did in a very haphazard manner, at the time – feeling my way through. I used masking fluid in the painting. Again I want to avoid delays, so I may need to get the hair dryer out to avoid waiting for the masking fluid to dry. Other techniques are a little faster – I did some scraping back and and finally resorted to gouache when all my options were used up. Again, I am working through this to find the best order needed to present it in a coherent way.

After all this I’ll need a holiday and yesterday I ordered some Egyptian pounds for a two week cruise down the Nile at the end of February. Hopefully we will get to go this time – this is the second attempt.

I will be taking my sketch book.

Other landscapes and canal scenes are available for sale on my website: grahammcquadefineart.com

WALK, PART 3 – PASTEL PAINTING

Here is the final part of our post Christmas walk that I have been describing recently. The muddy, last, stretch along the canal and back to the car. This is a scene I have painted before as the light on the moored boats sings against the surrounding shadows.

When a painting requires such tight detail I would naturally reach for the watercolour or acrylic. I havent the patience finding or making slivers with which to place small, precise marks. Here. I used some conte pencils for the really fine details, though I tried to keep this to a minimum and just hint at the shapes of the boats.

I love the branch which hangs over the canal.

I wasnt as pleased with the other pastel I did of the fields over the moss that we passed. Initially it was the patchwork of greens, interspersed with the winter trees that attracted me, but in the end I found the result a little disappointing. Perhaps I should have made more of the sky and pushed the fields into a tighter mass.

Other landscapes and canal scenes are available for sale on my website: grahammcquadefineart.com

CHRISTMAS WALK PART 2 – PASTEL PAINTING

In my last post I showed a painting taken from our post Christmas walk. Here is another one from earlier in that same walk. It shows the route of a long defunct railway track called the Cheshire Lines which served Manchester, Liverpool, Chester and this line ran out to Southport, where I live.

Now it’s a walking and cycling path which crosses the moss from Southport to Maghull, north Liverpool.

I thought it might be worth doing in pastel. The greens were vivid in the low winter sun and the passing rainclouds in the background heightened this effect – and, of course, there are some puddles.

Now I have the pastels out I have started a couple more from the same walk, so there will be a small series from the same day – I give you fair warning.

I like this area and have done quite a few plein air paintings and studio paintings from around this path. Here are some of the watercolours I have posted in the past of scenes from the Cheshire Lines:

Other landscapes are available for sale on my website: grahammcquadefineart.com

FLOODED FIELDS – WATERCOLOUR PAINTING

After the Christmas indolence, a walk was proposed. Organising a walk in our family can require diplomatic skills far beyond my capabilities. My wife wanted to walk by the canal which meant we wouldnt get lost and me get angry at the lack of signage. She also reckoned that it wouldnt be too muddy. My daughter didnt want to go too far to get to the walk and I wanted to go somewhere to see some different scenery. I think my daughter’s partner would have preferred to stay put.

I selected a route which, I hoped, met all the specifications. After an early lunch, waiting for the rain to subside, we set off. There was a low winter light which gave great contrasts and shadows and suited me well.

We came up a low hill to a wooded area where there is a derelict Chapel, originally built in the 1500s. The farmland surrounding the site was waterlogged and had lovely glistening puddles made by tractor ruts. With the light illuminating the grass of our footpath and the puddle reflecting the post and trees I thought it might make a great subject to paint even though it is a bit on the dark side.

We completed the walk without getting lost, though the canal tow-path did prove to be the muddiest part of it.

Landscapes are available for sale on my website: grahammcquadefineart.com

GLIMPSE 2 – PASTEL PAINTING

It’s a subject I’ve tackled before – those fleeting moments before the land appears to be subsumed into the atmosphere – you glimpse the striking form of a field, building or tree in the corner of your eye. Then as you check the detail the view dissolves into memory.

This is one of those moments. The subject to tackle in a quiet hiatus, amid the Christmas melee. The pastel lends itself to getting a rapid image; handy as I didnt have too long before my absence was noted. At least I’m left with some accomplishment, with a painting done almost as fast as this pause in the weather.

Other landscapes are available for sale on my website: grahammcquadefineart.com

MORNING’S WALK BY THE SARACEN’S HEAD – WATERCOLOUR PAINTING

Back to the Leeds to Liverpool Canal at Halsall for my subject. The view from the bridge over the canal by the old pub, The Saracen’s Head – which is out of sight, directly to the left.

With the light coming in from the left it almost silhouettes the narrowboats and other craft moored close to the pub.

I have posted views of this scene painted further along the canal from where the man is taking his morning constitutional. I did a sketch on the spot and then worked it up into a painting. I posted this painting in early 2020: Approaching the Saracen’s Head – Watercolour Painting In this view you can see the bridge peeping from behind the foliage in the background, along with the roof of the pub.

Other canal scenes are available for sale on my website: grahammcquadefineart.com

SUN SPRINKLED CLEARING IN AINSDALE WOODS – WATERCOLOUR PAINTING

A familiar scene in my local woods which run behind the beach. Instead of pushing the tonal range, as I normally do, I wasn’t as aggressive with the darks, particularly the background. I also restricted the palette to a violet/yellow scheme and nearly succeeded, before dropping in muted reds to further enliven the foreground.

I did this painting sitting in our pop-up gallery in the arcade last Friday. The shopping arcade now has few operating shops and footfall is low. I wonder how long we will have the opportunity to exhibit here. We sold a few cards and , I’m glad to say, one painting, though not one of mine. I was also in another exhibition as well, last weekend, but sold nothing. It dampens your enthusiasm when you see little return from your efforts.

Last Sunday was the final day for our exhibition in the arcade, but suddenly the group who were due to take over from us have apparently found greener pastures, in the local art gallery. I’m not sure if they are that green as I am about to retrieve two paintings from this gallery which have done nothing for the past couple of months. I will be collecting them on Monday – presumably to make way for this group. So the upshot is, we can remain in our venue until Christmas which means I will be sitting painting in the gallery for a while longer.

Other woodland scenes are available for sale on my website: grahammcquadefineart.com

THE BRIDGE ON PLEX MOSS LANE – WATERCOLOUR PAINTING

Another painting for the upcoming exhibition and one worked up from a sketch made on site, along with photographs. This scene is from further down the same lane that I showed in my previous post, but it wasnt done on the same day. The day here was much brighter and showed off the emerging leaves in their spring colour. I loved the reflections and shadows in the ditch water, and the winter skeletons of the trees before they get clothed in dense summer greenery.

Also, there was a good place to sit off the lane. The road is only wide enough for one car and sitting painting on the verge risks you having to move all your gear when a tractor comes bouncing along, normally pulling an even wider trailer.

It maybe isnt the kind of thing for many people, but it was something I enjoyed doing.

Other landscapes are available for sale on my website: grahammcquadefineart.com

SPRING ON PLEX MOSS LANE – WATERCOLOUR PAINTING

Another painting worked up from my sketchbook and photos in readiness for an exhibition at my framer’s shop. I posted the sketch earlier in the year after doing it. This lane is so typical of the roads which crisscross the moss behind Southport where I live. Rich agricultural land is divided up between deep ditches. I’ve seen a few cars in them, due to driver inattention or intoxication. You dont get out without a crane – always assuming you survive.

The roads – one of which you see here – tend to sink over the years resulting in roller-coaster ride as you drive along them. As I worked on the original sketch a couple of fellows came along on their bikes, past the houses you see, and up towards me. They were also taking advantage of the first good day of spring we had this year. They paused to see what I was up to and I showed them what I was working on. Apparently they had spotted me earlier on a similar lane, as I was painting another view. Now they were now on their way home when our paths crossed again.

Other landscapes are available for sale on my website: grahammcquadefineart.com

THE FOOTPATH TO HASKAYNE – WATERCOLOUR PAINTING

Another in the series for an upcoming exhibition. I’m not sure of the painting’s commercial potential, though I love the subject. Again it was worked up from my sketchbook and some photos and I took the opportunity to rotate the footbridge to reveal the opening at the far end. When I originally painted it, the view was more side on.

These splayed bridges are designed to prevent livestock moving out of the field , but give free passage to walkers. I like the light and shade on the footbridge. I used tinted gouache, dry brushed onto the foreground grasses to imitate seedheads.

Other landscapes are available for sale on my website: grahammcquadefineart.com