The tour continues moving inland to the Brandberg Mountains which contains the highest peak in Namibia. This basalt plug, the remains of an extinct volcano glows red in the morning sunshine giving the impression of it being alight. This was painted in the afternoon in the manicured grounds of the lodge.
Still further inland towards the Etosha salt flats in the evening light as the distant hills constantly changed colour in the decaying light.
Yes, you’ve seen it before but not quite like this. Someone wanted to buy the original, but then wanted it bigger and whilst I was at it could I put their parents in – along with the dog. So anything to oblige… I also took the opportunity to work out how to do it as a demo as a local group want a landscape demo in watercolour, so all in all, hopefully it was time well spent.
I have noticed that there is less of an appetite for landscape these days. This has come about by observing other people’s superb work languishing in exhibitions. It seems that unless there is a connection with a particular view there is no interest. But I must say I love painting them. This is based on a view I saw looking over a fence in Berkshire the other week. I love the lush foliage and the shocks of light and shade – so I’ll go on painting them even if no one is too bothered.
Other landscapes are available for sale on my website: grahammcquadefineart.com or get one commissioned – I have very reasonable rates.
Another painting done whilst on gallery duty on Thursday. It was from a walk I did last Tuesday in an area north of Settle in god’s own county of Yorkshire. We were returning to Settle along the River Ribble when we had to do a detour as the landowner didnt like the riff-raff on their land and we walked along a country lane to the wall in front of the farm ahead and then through the gap in the wall by the barn on the left and then onwards beside the river again. I liked the way the walls and road curved ahead to reveal the farm and way forward.
I’ve done scene before and posted it, but I came across it the other day and wondered if I could try it in the three cool colours I use, following on from the previous post where I used three warm colours. So this was done with lemon yellow, alizarin red and winsor blue. I have tried this combination before and found it quite difficult, when compared to using the warm colours – maybe it’s the more staining effect of the winsor blue and alizarin which can quickly overpower the painting . I must try a few more to see if you get a different feel to the paintings with the cooler colours.
I wasn’t completely happy with the original painting which you can see below and applied the paints on this one in a much looser way.
I suppose it was the early morning mistiness and recession past the trees which interested me as much as the horses. This was done with three colours cad. red, cad. yellow and ultramarine and mixing a lot of them on the paper.
Temperature inversions on the low lying land behind Southport causes mist to hover in the morning. The fields drop because of the drainage, but the buildings and roads remain at their original height on their foundations – well most of the time – so you see buildings and roadside trees popping up like figures in a mirage surrounded by haziness.