Another painting for the upcoming exhibition and one worked up from a sketch made on site, along with photographs. This scene is from further down the same lane that I showed in my previous post, but it wasnt done on the same day. The day here was much brighter and showed off the emerging leaves in their spring colour. I loved the reflections and shadows in the ditch water, and the winter skeletons of the trees before they get clothed in dense summer greenery.
Also, there was a good place to sit off the lane. The road is only wide enough for one car and sitting painting on the verge risks you having to move all your gear when a tractor comes bouncing along, normally pulling an even wider trailer.
It maybe isnt the kind of thing for many people, but it was something I enjoyed doing.
Another painting worked up from my sketchbook and photos in readiness for an exhibition at my framer’s shop. I posted the sketch earlier in the year after doing it. This lane is so typical of the roads which crisscross the moss behind Southport where I live. Rich agricultural land is divided up between deep ditches. I’ve seen a few cars in them, due to driver inattention or intoxication. You dont get out without a crane – always assuming you survive.
The roads – one of which you see here – tend to sink over the years resulting in roller-coaster ride as you drive along them. As I worked on the original sketch a couple of fellows came along on their bikes, past the houses you see, and up towards me. They were also taking advantage of the first good day of spring we had this year. They paused to see what I was up to and I showed them what I was working on. Apparently they had spotted me earlier on a similar lane, as I was painting another view. Now they were now on their way home when our paths crossed again.
I have an exhibition planned at my framers in December and so I have been going through my sketchbooks for scenes of local interest that I can show. Here is one I sketched back in the summer which I worked up into a painting. The colours were very muted given the mistiness that prevailed, and I have added more to the foreground to push the background back. I might darken the clouds slightly to bring out the sun breaking through the mirk. It certainly did that, as by the time I finished painting that morning, the sun was out and there wasnt a cloud in the sky.
Being on holiday at the moment I dont have much to show, so here’s an old painting I havent posted before. I was on a painting holiday in Scotland years ago. It was in the fishing port of Crail. Crail is in the Kingdom of Fife, just south of St Andrews.
One evening, after a days painting, I took a walk along the coastal path from the old fishing port of Crail to Anstruther, another small fishing port. The low golden sun threw long shadows across the grassland and tinted everything in an orange glow.
Later I did this pastel painting of the walk and I eventually gave it to a friend. In fact I am shortly going to visit him at the end of a walking holiday in Portugal, planned for the end of September. He lives not far from Faro. Well. that is if the borders aren’t shut down again.
Nothing for a month and then two commissions turn up in quick succession. So I’m a bit busy at present. This is the first one which I am handing over today. It is of a local church close to where the customer lives. He had seen something like this view as he travelled home and asked me to look at it. I’ve painted this church a few times, but not from this angle and distance.
Last week I went over to reacquaint myself with the view. Sitting down the bank by the roadside, with passing cars whizzing past my head, I produced this watercolour.
This is a fairly faithful version of the view. The trouble is the hedge from the road runs right across the base of the church and there were no decent trees or hedges to break the vertical plane. The customer specifically didnt want a watercolour, so I then produced two acrylic sketches which introduced some hedges and created zig-zags to inject energy. The customer had seen another painting of mine and wanted the stylised wheatfield in the foreground, which I had used.
I did one version in a landscape format.
And another in portrait format. The customer originally wanted it in landscape, but I managed to persuade him into a portrait format, which allowed for a greater depth of field and allowed me to increase the size of the church without losing the context.
I must admit that I am pleased with the final piece, as is the customer, and the series of sketches helped in getting to this resolution.
It has been a busy weekend, a life session and the weather was good enough to get out painting. With the plein air painting, I had decided on the canal, but despite it being bright where I live by the sea, there was thick fog at the canal. So, I headed for the hills, but even up here the fog was clinging on. I was deciding to head back to the coast when I spotted this view and decided to stay on the hill and persevere. I loved the way the layers of background were being revealed as I painted. Maybe one to work up as a larger piece.
As you can see the mist cleared as I worked and was pretty much gone on this second piece. This is an old favourite subject – Aughton church – seen from a different angle as I explored a new path, down between some farmhouses.
Just turning on my stool from the last sketch I saw this intriguing view of a farmhouse obscured by foliage and barley. I was taken by the tonal interchange.
So despite the the shaky start chasing around, avoiding the fog, I got some pleasing sketches. I’ll show the life painting on my next post – bet you cant wait. Anyway, the fine weather’s set for a few days so I might get out some more.
I took the opportunity to play around with colour on this painting of a country lane close to Little Crosby. Blocks of discrete colour arranged according to tone. In the shadows it allowed some quite diverse and strange selections which added punch and when completed, surprisingly, looked quite natural.
I was also pleased with the feeling of light I achieved which reflected the the bright summer’s evening with the wheat ripening in the field beyond.
The process is quite time consuming. Normally I can cover big areas with quick brushstokes – but not on this one. The methodology slowed me down and made me consider the placement of colour more analytically.
I added the dogwalker at the end as an afterthought, subsuming them into the landscape as I had been that day, painting in the evening light.
I have been continuing to play with acrylic inks. I completed a painting on canvas using inks and acrylic paint which I was pleased with. It had a floral connotations so have I have been searching for other themes for a new painting.
So I started to look at dance and movement which the ink lines can evoke. So this was the idea behind the top two – though the top one did take on a life of it’s own.
Continuing the movement theme, above, I tried to run the watercolour washes counter to the movements of the acrylic inks.
Another potential theme was the urban environment. The straight lines that the droppers of ink can easily produce convey man made objects.
And of course, I looked at the landscape, but this time I added the ink to watercolour washes rather than the other way around as I had done on the first four above.
Finally another landscape theme on a preprepared watercolour wash, but along with the acrylic inks I added some pastel as well.
This is the third painting from a recent local walk. The two others I posted were watercolours, but I decided to do this in a stylised way with acrylics. I was taken by the illumination of the ivy on the tree trunks and thought that the potency of the saturation of the acrylic paint would better show this off and the bright reflections off the leaves had the feeling of a mosaic. The ivy clad trunks were in conflict with the bare winter branches which added more incongruity. So here it is – on our way back to the car.
The other two were the Boatyard at Banks and Afternoon Stroll. So in the end it proved a fruitful afternoon`s stroll.
We have been having some unseasonal weather of late in the UK with high pressure bringing plenty of sun and also sweeping up southerly air to warm us all. So on Sunday we went for a walk along the river in the bright warm sunshine. Returning to the car I noticed the hazy blueness of the trees and decided to set this off against oranges and yellows of the fields – exaggerating the colours and putting a toe into the surreal. It reminded me of a recent sketch I blogged of a puddle filled lane.
With great contrast coming from the strong, low sun other possibilities for paintings also offered themselves – so there may be more on the way.