Another one from last week’s cycle rides. This is part of the Leeds Liverpool Canal. I liked the light coming in through the trees on the left and dappling the bridge.
Following my half imperial painting I showed two posts back, I used the other half of the sheet for this painting. I was really taken with the light coming in through the plane trees on the left and the coda of the building on the far left – see below.
But with it I had a foreground expanse with little going on. I threw a quarter imperial mount on the finished painting it and discovered a much more succinct image.
Now it’s cut for a quarter imperial mount – so there’s no going back.
One to stir up the Troll. Its snide, anonymous comments continue – well I presume that they do, as for the last few weeks I have found a way of discarding without viewing their content. I assume this will continue as canal scenes seem to trigger a bigger tirade of ire than most other topics.
Perhaps this tactic may result in discarding a comment from someone who has a serious point to make, but in my eyes the risk is worth it.
So here is a calming winter scene by the Leeds to Liverpool Canal – well it calms me.
The Saracen’s Head is the name of the pub and restaurant you can just see on the right. Using a zoom lens I was able to stand on a bend and get a view of the canal as if you were approaching in a narrow boat.
The pub is quite a good place to eat and, according to my mate, the fishing isnt too bad around here also, as he is often to be seen on the other side of the bridge that you can see up ahead, sitting with his rod as he passes the hours.
When we went for a walk along the canal the other week I looked over the bridge at the start and saw that there was a fishing competition going on in one direction. In the other direction there wasnt anyone, so we headed off on the deserted tow-path. As soon as we rounded the first bend, there they were. It was almost as if they had prepared a trap for the unwary.
The trouble with walking along the canal with a fishing competition, apart from losing the sense of solitude, is the fact that their long poles, which stretch right across the canal, can block your path when they pull them back and put more bait on the hook. Fortunately this branch only spread a mile down the canal and after that all was clear, quiet and unimpeded.
On the way back they repaid me for their intrusion with this view into the low winter sun. Let’s call it quits.
I decided to return to watercolours and build up some canal paintings. This was a contra jour scene I spotted recently. I loved the weeds and rushes at the canal edge in the foreground. I decided to add a narrowboat, mainly to upset troll. Then, dropping some white gouache onto the wet paper gives the satisfying illusion of smoke. I’m easily pleased.
The exhibition looms and I was unhappy with some of my canal scenes and decided to add a few more and make a decision from a wider field. This is another version of one I did plein air last May/June and posted. I really liked the light on the tarpaulin and the weeds growing around the boat.
More paintings for the exhibition. I thought one of the canal might be worth a punt, so I need to chose between these two.
Though I may do a series of canal scenes for later in the year so I could always use the one left over, but – and here’s the good news – I will need a few more to make up a series. That’ll cheer the troll up if nothing else.
I wanted to continue with my local paintings but had nothing ready and being out of sorts with a persistent cough, I thought I’d take a break, have an easy time, and try this scene. I find these vertical extended paintings sell well. Perhaps they fill awkward spaces and this view, with a bit of juggling, seemed to fit a long format well. It also helps me in adding to the selection of canal scenes I am also working on for an exhibition later in the year. I liked the different layers of interest in this with the background landscape, the canal and narrowboats and then the dogwalker – who came in from another couple of photos.
I decided to work up a couple of my sketches into paintings. I used three colours again for this one of the Leeds Liverpool canal at Haskayne. I feel I could make it more dramatic and may well have another go at this one.
I do like the long format and took a sketch I published earlier and narrowed it out and gave the man a dog. He was actually walking along bare chested – but I gave him a red shirt ( I cant stand nudity at such an early hour). Again it was done with three primary colours and again it was of the Leeds Liverpool Canal between Burscough and Parbold.