The exhibition looms and I was unhappy with some of my canal scenes and decided to add a few more and make a decision from a wider field. This is another version of one I did plein air last May/June and posted. I really liked the light on the tarpaulin and the weeds growing around the boat.
More paintings for the exhibition. I thought one of the canal might be worth a punt, so I need to chose between these two.
Though I may do a series of canal scenes for later in the year so I could always use the one left over, but – and here’s the good news – I will need a few more to make up a series. That’ll cheer the troll up if nothing else.
I wanted to continue with my local paintings but had nothing ready and being out of sorts with a persistent cough, I thought I’d take a break, have an easy time, and try this scene. I find these vertical extended paintings sell well. Perhaps they fill awkward spaces and this view, with a bit of juggling, seemed to fit a long format well. It also helps me in adding to the selection of canal scenes I am also working on for an exhibition later in the year. I liked the different layers of interest in this with the background landscape, the canal and narrowboats and then the dogwalker – who came in from another couple of photos.
I decided to work up a couple of my sketches into paintings. I used three colours again for this one of the Leeds Liverpool canal at Haskayne. I feel I could make it more dramatic and may well have another go at this one.
I do like the long format and took a sketch I published earlier and narrowed it out and gave the man a dog. He was actually walking along bare chested – but I gave him a red shirt ( I cant stand nudity at such an early hour). Again it was done with three primary colours and again it was of the Leeds Liverpool Canal between Burscough and Parbold.
A troll has landed on my site like some bird-droppings on my shoulder. Making oblique, sarcastic comments, they clearly dont like my paintings and repetitively parrot this distaste. It seems that they particularly dislike canals and narrowboats – or barges, as they put it. So I thought I’d post another one – just for them.
I dont like some of the stuff either and the last one they commented on had a glaring error which seems to have gone right over their head whilst they focused on their superior taste – yeah they seem to have some hierarchy reverberating in their empty head at which they naturally place themselves at the top and me squarely at the bottom. Its sad to hear the poor onanist on full sneer, unable to discern between objectivity and subjectivity. They may grow out of it, though I doubt it.
I dont know whether any other bloggers have the tedium of these style fascists, but you wonder about their mentality and why, when they see something they dislike, they dont just move on. I mean, I dont mind criticism, and deserve it, but haranguing someone because they dont match your tastes is bewildering at the least.
Anyway enough of this. If you like what you see I have a website of paintings for sale on grahammcquadefineart.com, though you’ll have to form an orderly queue behind the style fascist who will be placing an extensive order.
I sat and painted here the other week, though this view is an amalgam of a number of photos. There is a hill behind this village and I was drawn to the smokey early morning light against the fresh early summer greens.
These sketches of the Leeds Liverpool Canal were done a few days ago as the weather has now taken a turn for the worse, or returned to the norm, depending on your level of pessimism.
The sketches are of each side of the bridge, by the Ship Inn at Haskayne, although on the first one the bridge is just out of view on the left. It was when I was well into this second sketch that I realised something was missing. Here is a painting of the same site which I sold a few years ago.
Admittedly the second one was painted in the evening light whilst my top sketch is done in the morning, but I must say that the willow and the ivy on the bridge do add some character and interest to the image, not quite balanced by the reeds now growing on the canal bank.