On holiday the other week I took to sketching people sat on benches. I worked a couple up to see what they looked like with the idea of doing a small set of work. Here are the first two. I liked this view of mother and daughter? with the girl sitting in a casual pose and the pair in deep conversation.
This one was of a couple in Manor Gardens, in Bexhill – the subject of a couple of paintings I posted recently. It looked like they made a habit of having their lunch in a shady spot in the gardens and looked well at home there. They observed the comings and goings and commented on them as they ate.
I tried to keep these painting loose, using a palette knife in parts. I am looking to do about four of them.
The life session at the weekend brought back the memories of poor lighting and stiff poses though I was glad of the practise.
I should actively seek other venues, but working in confined spaces for long periods with lots of people doesnt fill me with a great deal of joy at present. Our model was Eve who last time I saw her did a more interesting set of poses. The quick sketch of one of them, below, I converted into a pastel study during lockdown, though I think the pastel lost a bit of vitality in translation. Maybe one to try again as it has some interesting angles.
On Saturday a friend of mine organised a life session and I took the opportunity to get back into the life room. It must be 15 or 16 months since I’ve done a live session with a model and despite the stolid poses it was good to get back. There is something about working under a time pressure – trying to get finished before the session moves on.
You can see the yellow throw served a number of purposes.
In the lockdown I have tried to develop drawings from sketchbooks, but I find that quick sketches lack information that a more developed painting requires, so I did try to focus on key shadow forms in some of my pencil sketches on the day so that I could take them further in the future.
I must see if other local groups have started up as despite all the angst I suffer with poor poses and indifferent lighting the sessions help to speed you up and get an image down quickly and the human form is a great measure of drawing accuracy.
Influenced by some bloggers resuming their life sessions I have resorted to flicking through my sketchbooks and playing around with the old drawings. This painting is derived from one such sketchbook page – see below. It looks like these were a set of 3 or 5 minute sketches. I show 2 of the 3 sketches below, along with an image by Crawfurd Adamson, on my sketchbook page. These sketches were done fast without any measurement so don’t stand up to too close inspection when you come to enlarging and combining as I have done here.
However, I do like the main pose and I must have been sitting on the floor to get this angle.
I didnt have a clue what I was doing when I started this except the notion of attempting a figurative piece. I had a photo of the top part of the figure and I liked the compact pose; the rest just sprung from there.
Playing with washes and colour, with a bit of drawing, and who knows where I have landed. Out of the proverbial and into the fire. Well, having said that, there are aspects I could take and use to better effect. You build up this thing intuitively and then you stand back and think that would be better there, and if only I had used a redder blue here, or lost that line there.
I do miss the life sessions I used to go to, as it was painting on the fly – no time to really think things through – just crash on, and this painting was similar in that respect. I do have sketchbooks full of figures that might be worth developing and applying some of these approaches to. We’ll see. I did have plans to do some life drawing at the start of this shutdown and apart from some sketches this is only the second figurative painting I have managed – I get sidetracked too easily.
A change of pace here. With not much life drawing going on, I had to make do with the materials I had at my disposal. Apologies to any startled horses.
Though here in the UK, the BBC presented a life session last week – a few hours of models posing on live TV, though drawing time was curtailed by presenters adding their bit and analysis of studio participants work – including the mandatory celebrity. I suppose it was trying to get people to take up life drawing, rather than pander to my needs, but it was also hindered by the small images they presented – panning back from the model to take in the surrounds. On my TV it looked like the model was in another room, which is another barrier to success. At least they tried and I got a few loose sketches.
The final life session finished last week, so here are my last live figurative paintings for a while.
I have been alternating between pastel and acrylic of late rather than sticking to one medium and have ground to a halt developmentally. This imposed hiatus might give me time to work up some of these images.
Developing images I have produced at these sessions is something I have always meant to do, but never got around to doing. It might also allow me to explore some different styles as the fast pace at these sessions doesnt leave much time to ponder and I would like to try other approaches to figure painting.
The closing down of these sessions will also leave many of the models without this source of income and some are quite economically vulnerable. There are a number of life groups around where I live so the good models can do two or three sessions a week. The girl depicted in the first sketch, Eve, even runs a group herself, as well as modelling.
Over the last couple of weeks I have been doing a bit of life drawing with pastels. This is of Eve. She liked the painting and at the end of the session wanted to photograph it. I said she could have it if she sent me an back an image.
Arthur, a model in his sixties still runs, though he has stopped the marathons
An interesting angle, though I think I could have made more of this and the highlighting is a bit harsh.
Though dozing off with your mouth open just brings out the worst in me. Again I could have made more of this as the shapes were quite interesting.
I was asked to paint the portrait of a lady, who loves reading, as a birthday present. As she is someone I`ve never met good photos are very important. Fortunately one image had some decent lighting on it. The other was flat and featureless. One issue is that the lady had changed hair styles between photos and I subsequently found out she had lost some weight. All making life interesting.
We are getting there, but slowly, as other members of the family are viewing the image and adding their imput.
My painting has been disrupted by moving all my stuff to accommodate Christmas guests. I am in the process of moving back, but taking the opportunity to clear stuff out. So painting is a bit slow and this isnt helped by trying to update my website at the same time.
In the process of sorting and binning, I came across these sketches done at various life sessions during last year, so I thought I might post a few.
As you can see most are people sat in chairs – the favoured pose in these parts. Looking through the work has made me resolving to do more pen and ink. Once the mark is down theres no going back, so you paint by the seat of your pants, whereas charcoal can be corrected.