A little more extensive use of charcoal with the pastel though still not getting the grittiness or directness I am after.
In the one above I used even more charcoal, though probably too much and not to its greatest effect.
And finally a portrait of the child of a child of the sixties, but with the lighting so poor in the studio the features are flattened by the glaring light. Another of life’s little challenges, I expect some of you have shared.
This is a painting of a guy I was at art college with and who occasionally models. He stepped in last week when the original model pulled out. I was pleased with the face as it captured him really well, the trouble is with the hands, which I could have tidied up later, but as I gave him the painting at the end of the session, it’s too late.
These two paintings were started on a ground of grey undercoat to which I added some blue and white. They were done on different days but the grounding seems to have driven similar styles and colour choices without me being conscious of the fact. I bought a big tin of undercoat so I must try and alter my approach on the next one.
I also must try and get both feet in -I’m always trying to maximise the form and invariably miscalculate.
It’s not that I’ve been idle of late. I actually have two paintings on the go and painted a birthday card as well, but all I have to show is todays painting from the life session -very similar to the last one but the sex is different in case you hadn’t noticed..
Well, back to the Liver Sketching Club last Saturday. They have a great studio on the seventh floor with a window the full length of one wall. This allows for great tonal contrasts. Pity that the owner is selling to a developer and they will have to vacate shortly.
I don’t have much of a selection of paintings to show as I started on another version of the camellias, I put up the last time. Here is the result. I think that that is enough.