DEJA VU IN THE LIFEROOM – MIXED MEDIA

On Saturday I attended one of my, now rare, life sessions. I did the above painting in acrylic. I wasnt firing on all cylinders having had little sleep the night before. My sleep badly disturbed by the effects of two glasses of wine – and they werent big ones at that. Another of the displeasures of getting old.

Roy, who runs the session – mainly for pupils of his – announced the day before that we were going to have two models. My heart sank. I think this format rarely works, especially when you have quite tight posing times.

So I started the session with these pencil sketches. They were all I could manage in the 12 minutes allowed for each pose. The hurry in their completion didnt help my jangling, sleep deprived nerves and set me in the opposite direction to the calm meditative state I need to to paint and draw.

The acrylic painting at the top was done after the pencil sketches, in a longer session before lunch. The fellah, Ian, disappeared and started doing some drawing himself. The reason for him posing was never explained and we were left with Emma, which was a small step in the right direction.

After lunch I decided to stick with acrylics and found myself struggling, despite the almost identical pose. Perhaps my tiredness was getting the upperhand. The pose was set purportedly to allow some of the group to try their hand at portraits.

I asked Roy to get Emma to twist a little, but, later, looking back over the poses I realised she is sat in almost the same way for all of the poses – even her legs are set identically.

Well, it was a bit of practice and having a time limit does force you into working differently and focuses your mind , though on Saturday most of my mind had taken the day off.

Other figurative work is available for sale on my website: grahammcquadefineart.com

A VISIT TO THE LIFE ROOM – ACRYLIC/PENCIL/PASTEL

Yesterday I went to a life session organised by a friend of mine. He runs it once a month. Despite the stiff poses it was good practice to work under a time constraint and here I managed to get around behind the model to catch him dozing off and paint this in acrylics.

The early poses had some life in them and got me back into the swing of things. Another weekly life session started up when I was on holiday the other week, but they decided to fold after two meetings. Such a shame, I was looking forward to restarting with the group on my return. The only other sessions around here are in small, crowded venues and with the level of contagion we have at present I am reluctant to join them. So it is a self inflicted exile.

The stiff pose did me no favours on this pastel. In hindsight I should have opted for a more focussed image, but I perversely wanted to draw the full figure and it suffers because of it. Still, I suppose that is what these sessions are for – making mistakes and learning from them.

Still, it was good to get back to something that I did two or three times a week before covid, though the way things are, my next session wont be for another month.

Other life paintings are available for sale on my website: grahammcquadefineart.com

LIFE ROOM – PASTEL AND GRAPHITE

The life session at the weekend brought back the memories of poor lighting and stiff poses though I was glad of the practise.

I should actively seek other venues, but working in confined spaces for long periods with lots of people doesnt fill me with a great deal of joy at present. Our model was Eve who last time I saw her did a more interesting set of poses. The quick sketch of one of them, below, I converted into a pastel study during lockdown, though I think the pastel lost a bit of vitality in translation. Maybe one to try again as it has some interesting angles.

Other life painting is available for sale on my website: grahammcquadefineart.com

RETURN TO THE LIFE ROOM – ACRYLIC, PASTEL AND PENCIL

On Saturday a friend of mine organised a life session and I took the opportunity to get back into the life room. It must be 15 or 16 months since I’ve done a live session with a model and despite the stolid poses it was good to get back. There is something about working under a time pressure – trying to get finished before the session moves on.

You can see the yellow throw served a number of purposes.

In the lockdown I have tried to develop drawings from sketchbooks, but I find that quick sketches lack information that a more developed painting requires, so I did try to focus on key shadow forms in some of my pencil sketches on the day so that I could take them further in the future.

I must see if other local groups have started up as despite all the angst I suffer with poor poses and indifferent lighting the sessions help to speed you up and get an image down quickly and the human form is a great measure of drawing accuracy.

Other life paintings are available for sale on my website: grahammcquadefineart.com

PORTRAIT -WATERCOLOUR SKETCH

It started as a landscape. I was working out different ways to get texture for a beach scene. I normally work at an angle, occasionally vertically, but to increase granulation I had the paper flat and applied the paint unevenly with various warm and cool colours.

When I paint in life sessions I like to work on toned paper – often I prepare it myself. Now, looking at the paper when it had dried, I saw that it had areas of varying tone which could be orientated differently to capture the tonal contrasts of a figure.

I cut out and keep interesting images of figures and faces, with good tonal contrast, to sketch in my sketchbook. So, from the folder I put them in, I plucked out this contemplative soul. So here is an exploratory sketch, keeping the paper flat as I worked. Perhaps I am missing the life groups. I normally work in anything but watercolour at these sessions, but when and if they do restart here, I might prepare some watercolour paper to take along.

Meanwhile, back to the beach…

Other life drawing is available for sale on my website: grahammcquadefineart.com

DAYS INTO DAZE – ACRYLIC PAINTINGS

Going through photos of family members I inherited from my mother I was saddened because there were many people I didnt recognise. The few remaining relatives were unable or unwilling to help and I was left with a sea of faces I couldnt fit a story to. This made me ponder on the fickleness of memory and how the solidity of the present so quickly crumbles.

I suppose this feeling was heightened by the fact that my father (my parents were divorced) had annotated most of his photos and so, when I inherited these, I had a rich narrative of the life of family members on his side of the family.

I decided to explore ways to express this feeling of loss and the attrition of memory in painting. The painting above was my first go and I do like the feeling of the palimpsest that this painting creates – the image is caged behind bars of paint – receding into obscurity.

This second painting isnt as successful, I feel.

This self portrait expressing the same idea uses a technique I have tried in life paintings before. I feel that it lacks the visual impact of the first.

I will try out further versions when I can work out how to proceed, though I wanted to show these, if nothing else, but to ponder on possible ways forward.

Other life drawings and figurative paintings are available for sale on my website: grahammcquadefineart.com

LOOKING UP – ACRYLIC PAINTING

I suppose this is an essay on optimism and was taken from a trip we recently made and which I documented in an earlier blog. Someone had brought a kite along and we sat on a hill and in the breeze a few of the group had a go at flying the stunt kite.

I had left my sketchbook in the car so I took a few photos, and this is of Rob having a go. I actually liked the movement and arching in his body as he fought to keep the kite aloft – a triumph on this blustery day. I painted it in a blocky expressive way to convey the energy of the scene.

It reminded me of a statue on the canal close to where I live to commemorate the cutting of the first sods of the Leeds to Liverpool Canal and shows a Navvy bursting out the ground into the sunlight as if he was coming up for air.

Other figurative work is available for sale on my website: grahammcquadefineart.com

UPS AND DOWNS – ACRYLIC PAINTING

Influenced by some bloggers resuming their life sessions I have resorted to flicking through my sketchbooks and playing around with the old drawings. This painting is derived from one such sketchbook page – see below. It looks like these were a set of 3 or 5 minute sketches. I show 2 of the 3 sketches below, along with an image by Crawfurd Adamson, on my sketchbook page. These sketches were done fast without any measurement so don’t stand up to too close inspection when you come to enlarging and combining as I have done here.

However, I do like the main pose and I must have been sitting on the floor to get this angle.

Other life painting can be found on my website: grahammcquadefineart.com

SPRING – ACRYLIC PAINTING

I didnt have a clue what I was doing when I started this except the notion of attempting a figurative piece. I had a photo of the top part of the figure and I liked the compact pose; the rest just sprung from there.

Playing with washes and colour, with a bit of drawing, and who knows where I have landed. Out of the proverbial and into the fire. Well, having said that, there are aspects I could take and use to better effect. You build up this thing intuitively and then you stand back and think that would be better there, and if only I had used a redder blue here, or lost that line there.

I do miss the life sessions I used to go to, as it was painting on the fly – no time to really think things through – just crash on, and this painting was similar in that respect. I do have sketchbooks full of figures that might be worth developing and applying some of these approaches to. We’ll see. I did have plans to do some life drawing at the start of this shutdown and apart from some sketches this is only the second figurative painting I have managed – I get sidetracked too easily.

Other life drawings are available for sale on my website: grahammcquadefineart.com

FALLING FOR YOU – PASTEL PAINTING

A change of pace here. With not much life drawing going on, I had to make do with the materials I had at my disposal. Apologies to any startled horses.

Though here in the UK, the BBC presented a life session last week – a few hours of models posing on live TV, though drawing time was curtailed by presenters adding their bit and analysis of studio participants work – including the mandatory celebrity. I suppose it was trying to get people to take up life drawing, rather than pander to my needs, but it was also hindered by the small images they presented – panning back from the model to take in the surrounds. On my TV it looked like the model was in another room, which is another barrier to success. At least they tried and I got a few loose sketches.

Other life painting is available on my website: grahammcquadefineart.com