I havent been doing much life drawing of late, but last week I turned up to a session taking my acrylics and square brushes.
These sketches were done fairly rapidly. I was after a loose blocky style.
I am still uncertain as to how I proceed with life drawing. As you can see here the poses are very stilted and the subjects flooded with light from all angles.
I do like the pressure and demands these sessions provide, though they give little time for consideration and development. There’s too much focus on speed and I wonder the effect it has on some of the attendees including myself.
Admin seems to get in the way of painting of late. I have a joint exhibition today in Formby along with a demo near Blackpool – so have been getting pictures ready and preparing the demo. Next week I need to gather another 8 painting for a second exhibition later in the month.
So the cupboard is getting a bit bare regarding paintings to display – anyway, here are a couple of paintings from recent life sessions. I was fairly happy with this effort, above, though I think I could be introducing more of the background colours into the figure.
Here I managed to get more interplay with the colours. The guy had the look of Lenin about him, so perhaps I should have used more red than I did.
It’s getting a bit busy here with visitors and exhibitions. I did a group exhibition last weekend and there are three more coming up, the last one being a solo show. I have been tweeking a few of the paintings that have been up on this blog over the last few months in readiness for the shows and was considering reblogging those, but went instead with a couple of life studies from last week.
Today I have to do a floral demo a a club north of Blackpool, so I have also have been preparing for that. I will be demonstrating the geraniums painting I posted a few weeks ago.
Anyway, once I get everything prepared I can start to calm down.
I havent been doing so much life drawing recently. I feel I have lost my way a little and the unimaginative poses and lighting have contributed. I was going to do this pose as a fore-shortened view from the feet but was pretty uninspired by it. I wandered around the model and from this angle the interplay of light and shade made for a really interesting image.
The teal was out on this painting as well and with her orange hair and fingernails it didnt take much for the oranges to follow.
Some more images from recent life sessions. I have cut down my attendance to these lately as I feel am getting into a bit of a rut- though the sessions always test your observational skills and the restricted timeline pushes your workrate.
I have intended to use a few of the sketches at home to develop some fresh approaches. Not much progress on this at the moment.
Though I did get my old sketch books out and had a look through the other day. Every journey starts with a single step…
I’ve been staying away from life drawing of late. It started after coming back from holiday and then through putting on my solo exhibition and just continued. I am certainly underwhelmed by the lack of thought applied by the people who run them. which results in stiff poses and poor lighting and demotivates me further. But this week I took a deep breath and launched myself into a couple of sessions. I’m not sure how long this will last.
The above model got so relaxed that she nodded off – so I started adding watery effects.
I initially had a notion of this painting from a side view incorporating the steam from the soup against a dark background. Looking for suitable images to use I came across one of my dad, but a frontal view. Unfortunately he was wearing a hat and had no shirt which was a step too far for me, so I changed that, and added a book.
The real problem came in filling the 50x65cm sheet. I rescoped the head a couple of times, to try to ensure that sheet was filled, but despite all this I only managed 2/3 of the paper and with all the chopping and changing I lost the likeness – well, it’s a bit like him, but I’ve done better – perhaps a candidate for another attempt.
Compared to that the reworking of the Cambodian woman (an image I posted a couple of weeks ago as a smaller sketch) came out so much easier on this larger format – perhaps there was more to squeeze in so I was struggling to include rather than fill it out.
I might do a bit of tweaking to this yet, but in the main I am happy with it. Perhaps this larger format allows more detail and nuance giving it, for me, more authority.
I had planned to look at developing a more forceful and abstract style to my life paintings. I wanted to experiment with the many sketches that I have and explore possibilities and new approaches away from the constraints and distractions a life session imposes, such as finding a viewpoint, contending with poor lighting or being herded into quick sketches – things that drive you into resorting to the same old approach in order to get something down in the time that’s left.
As you can see so far I havent had that time to make such leap and have drifted back into life groups after my holiday. Here are a couple of recent studies. Hopefully I will make some progress in the weeks ahead – well I have a plan anyway.
After posting a long string of watercolours I have accumulated some life work done at various sessions in the new year.
I am a little dissatisfied with my life output particularly after my session with Crawfurd Adamson just before Christmas.
The lighting in many of our local sessions is absysmal and the poses are staid. Trying to get input is difficult as the people running the sessions do not really want or understand the options possible.
I even gave two of the session leaders at different groups a book of poses to help stimulate some variety, but neither was interested.
So all you get is people sitting stiffly on chairs – which is ok, but not everytime.
I am about to go on holiday and have decided that when I return I am going to take some time away from the life studio and work from photographs and sketches and experiment with different styles and techniques. I find this approach difficult in live sessions as you go into them not knowing the model or the pose and because of overcrowding most times you cant even select a viewpoint – on Saturday I was even restricted from sitting or standing, because it affected those behind me.
Anyway enough of this – you can see I need a holiday!
With a houseful of visitors I haven’t done much work over the past few days. I did this one last Saturday when I slipped out early whilst the house was asleep and got a morning’s drawing in. I used larger paper than I normally use – this one is on a 85x65cm sheet. I have been using 75x50cm sheets. Frequently I have trouble getting all the figure on the paper as I am trying to maximise the head as I do like working on the facial features – a larger sheet should reduce the incidence of chopped off feet – well that’s the theory anyway.
I am still overworking the application of the pastel and not getting the effects I am after, and on reflection I realised that Crawfurd Adamson, whose course I recently went on, recommended working on a paper covered board to help with the smooth application of the pastel.
Saul, the model in the top painting, allowed me to take a photo from the other side and I have a few other life photos, so I might practise at home on the pastel application as when you are working against time in a studio it is hard to reflect on the details of pastel application and colour combinations .