LIVERPOOL SLICE 2 – ACRYLIC PAINTING

Having got the exhibition up and running on Wednesday I tidied up my studio and got myself back together and decided on what to do next. This painting, below, had been hanging around and I felt it needed changing. I posted it in November and had misgivings about the left hand side.

I am certainly happier with it now and may exhibit it later.

As for the exhibition: I took 30 paintings for the show with 3 for reserves. I was able to breathe a sigh of relief after getting everything sorted out.

Then, yesterday, as I was quietly working on the painting above, I got a call to say one lady had just purchased 9 paintings. It made a bit of a hole in the exhibition as they are allowed to take them away with them. So I have been scrambling around finding more paintings and frames. I went around to my framer, but he’s got to order more wood. Anyway I was able to replace 6 paintings , so the hole isnt quite so large now. It’s a problem, but a good one to have.

Below are some snaps after I set it up, and before the shopping spree.

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NEVER SECOND GUESS A JUDGING PANEL – WATERCOLOUR AND PASTEL PAINTINGS

Before Christmas there was a call for paintings of Liverpool for a book entitled The Liverpool Art Book. The authors have done a number of other cities starting with the Cambridge Art Book. They use quirky media such as CAD, collage and screen print etc so I thought my images might be a little staid. I also thought that they would want images of major landmarks.

This week they got back to me and said that they wanted copies of two of my paintings. One was a watercolour that could be of anywhere. I called it Shopping Can Create a Thirst and it was from images taken in Liverpool One (the main shopping area in Liverpool). I was pleased with the painting – but I actually threw it in the entry by accident.

I suppose the second one was more what I thought that they might want – it was a pastel of the area close to the waterfront

It is called Crossing the Strand and shows the Liver Building in the Background.

I have posted both these paintings in the past, but I must admit their selection was a bit of a surprise. Still at least I got two in. The book is supposed to come out later in the year.

Other, more unsurprising paintings of Liverpool can be found on my website: grahammcquadefineart.com

THE TRAFFIC PAUSES ON THE STRAND AGAIN – WATERCOLOUR PAINTING

The repeat season continues with this offering. I posted a sketch of this before Christmas and now a more considered attempt. At least I got the buildings upright this time and achieved the smokiness you see in this contra-jour view. This is the waterfront at Liverpool and The Liver Building casts a shadow over the procedings.

Other scenes of Liverpool are available on my website: grahammcquadefineart.com

THE TRAFFIC PAUSES ON THE STRAND, LIVERPOOL – WATERCOLOUR SKETCH

The sun shone brightly when I emerged from a Saturday life session and I decided to have a look around and take a few photos before boarding the train home. In front of the Liver building the light came from the direction of the Mersey. I decided to do this sketch from a few of the photos, getting a view down The Strand with  people crossing the road.

In hindsight I could put more detail and colour into the people in the road and have the person walking away, coming at the viewer, maybe with a companion instead. Then, if I manage to get the buildings upright and get rid of the orangutan scaling the ventilation shaft on the right, maybe we’re in business.

Other paintings of Liverpool are available for sale on my website: grahammcquadefineart.com

LIVERPOOL SLICE – ACRYLIC PAINTING

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I used my liquid acrylics to start this off and am quite pleased with some of it. Other parts are a bit more pedestrian than I would have liked – and I dont mean the figures crossing the road.

I did a similar thing last year, which I posted,  even using a few of the same motifs, as you can see below, and got similarly bogged down with an illustrative approach. The liquid acrylics helped liven up proceedings in the latest  painting and, I feel,  opened up some options. Every time I see the painting, I add or  change bits of it, so maybe it isnt finished yet.

I need to try developing the approach on another image and see if I can avoid some of the pitfalls that beset me.

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Other paintings of Liverpool, Formby and Southport are available for sale on my website: grahammcquaefineart.com

THE LANE TO LITTLE CROSBY – PASTEL PAINTING

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The other week when I went to get some reference material for an upcoming show, low morning sun-light exploded in between the leaves and branches of the willow trees which sat in the drainage ditches along the road I travelled on. Fortunately I had my camera beside me and I was able to snatch a few snaps. Even better was the fact that I managed to keep the car on the road at the same time and no passing motorists were harmed in the taking of these images.

I have been assembling and framing the paintings for the show and will be taking them in next week for hanging. I had forgotten about these images until I came across them the other day when I thought that I might make something out of them.

Other paintings of Little Crosby and Formby are available for sale on my website: grahammcquadefineart.com

LOW TIDE AND A LOW LIGHT ON THE MERSEY – PASTEL PAINTING

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Well, I did say I might do it. A couple of blogs ago I showed the mouth of the Mersey from Formby where last weekend we sat in the sun and ate our sandwiches with our French friends. This was the next day, in south Liverpool, looking across the river ( as opposed to the estuary, the day before). The weather was also different: the rain forcing us to eat our sandwiches in the car. Still, we had a walk and returning to the car the sun was breaking through the clouds in the late afternoon, highlighting the tops of the water’s ripples and contours of the exposed mud.

Other scenes of Liverpool  are available on my website: grahammcquadefineart.com