The post before last I showed 3 morning sketches, the first one of a single cottage. This was the view behind me, as I painted – one of the many drainage ditches that crisscross this marshy land, surrounded by flattened reeds and grasses.
I loved the myriad of warm colours picked out and accentuated by the rising sun. A new day and the crows descend to squabble over the remaining grains of cereal.
With the sun shining I got up early on Monday morning and headed to Clieves Hills on my bike. On my last painting trip I spotted this cottage at the foot of the hills from another angle and made a mental note, but returning on Monday, I was more taken with this view, with sweeps of stubble leading the eye. Comparing it to the other sketches I did on the day I feel I have captured a dose of morning freshness under the sun’s first rays.
I then headed up the hill and, from across the field, spotted this group of buildings nestling under a tree. This is the kind of light I want, crisply defining shape and form and keeping me warm as I paint.
Then I shuffled a good hundred yards along the ridge and set my stool down to paint these cottages that almost hang in the air looking out to Liverpool and the Welsh hills beyond. I have been reluctant to paint these before as it is at a well frequented viewpoint. Casting shyness aside, no-one even noticed me as I painted away.
The grasses, plants and flowers in the foreground were a picture in themselves and I might turn this into a painting in the near future.
Back in June this year, I published a post where I displayed 3 paintings all done from the same spot, my sketching stool, just looking in different directions on Clieves’ Hills. This latest offering is based upon one of them. It is brassy, stretched out and made to look like an old steam train destination poster, but the essential elements have been retained, including the Church.
This is another in the graphic style I was exploring, using the local vicinity as my reference point. It may have got a bit fussy in the foreground, but I like its boldness and colour and it complements the others paintings in the series.
I may be tempted to get out and gather some more reference material for the dark winter nights ahead.
Well, we are presently experiencing our normal summer; high winds and rain, which I am told is set for the week, but last week there was a brief taste of sunshine. I had the last couple of pages in my old sketchbook to fill and a new one was waiting to get started on – so I needed to take the opportunity..
For the first painting, I chanced upon a little path off the road as I cycled along. I liked the sweep of the path and the tonal range of deep shadows against the ripening barley. As I got cracking a tractor came bouncing down the path, so I had to collect all my belongings and head for the long grass. Anyway, he didnt return and calm returned.
This second one was at the top of Clieves hills and again I liked the deep tonal contrast – and the incongruous speed signs. Just off left are the trees I painted and posted on 18th June.
For this one, above, of the cottages on Cut lane I had to wedge myself into the hedgerow on a busy road. I may have spooked a few cyclists as they caught me in the corner of their eye on passing.
And finally, sat on the verge of a quiet country lane, painting the fields and farm, I was surprised by the number of walkers, cyclists and the odd car or two which passed. These days no-one miders you and they hurry past. I didnt even need to cough.
Well, the weather has broken around here and my early morning outings have stopped. Here is the result of my last foray on the first day of this month.
It took me a while to find a suitable subject that day and eventually I selected the view on Clieves hills across the fields to Aughton Church which is just outside Ormskirk, With the cottage in the foreground it might be one worth working up in the future.
As I painted I noticed another view to my left with the far hills shrouded in mist.
So when I completed the Aughton Church view I turned in my seat, replenished my water, had another cup of tea and started the view over the valley to the far hills. On this one I think I went a bit too dark too soon but again it could be one to work on later.
And then, as I was thinking that one more painting might round off the morning well, I turned to look up the hill and saw the weather blown trees. I decided to select just a few of these trees which stand high on the ridge and with a second twist of my stool and another cup of tea I started on the final painting of the morning.
Three paintings without moving – so it was a good morning and the cycle ride home was helped by a following wind – what more could you want?
This image was developed from a plien air painting I posted at the start of June.
I wanted a bit more colour and punch and also thought that a graphic style could enhance the saturated colours so I gessoed over an old painting on canvas and set to work. I had been influenced by work by Fred Ingrams amongst others and although I havent achieved his brave use of colour it is an early step.
It might be worth producing a small set of paintings in this style and see if they develop. I have plenty of raw material both photos and sketches to draw from.
Well today the rain came and not soon enough for my lawn. It also gives me a rest as I have been madly cycling around the local area in the good weather looking for subjects to paint. The first of this set of sketches is a complex called Dicconsons farm. I sat on the edge of the field and painted the bend in the lane. When I completed this one I shuffled 90 degrees on my stool and did the view looking across the field and up Clieves Hills, just outside of Ormskirk.
I then had to pack up and get on the bike again and rode around until I saw Dicconsons Farm from across the fields. I was attracted by the way the light was reflected off the roofs. As you can see lemon yellow was a particular favourite that day.
I don’t know what fascinates me about these cottages, just off the road at the foot of Clieve’s Hills as you approach Ormskirk having travelled across the moss, inland from Southport. I did them as a watercolour (shown on this blog on September 24th) and have previously painted them plein air by the roadside, although the best view point is in the middle of the road, which isn’t much good.
Perhaps the middle bale needs a bit of tidying up as I look at is as I write.
A painting from a couple of sketches I did the other day when I was out on the bike. I was pleased with the texture of the wheat in the foreground. The background lacks the mystery of my previous Clieves’ Hills paintings, but I’ve tried to keep it together with a limited palette.
This is from a photo from last year. I wanted to have a go at foreground texture. I have posted views from these hills before. They are the biggest feature for miles and I do like painting them. I did post a plein air painting from these hills here a week or so ago. Not sure about the middle distance before the dwellings.