THROUGH WOODS AND FIELDS TO HALSALL CHURCH – WATERCOLOUR PAINTING

Another old favourite – Halsall Church, the village church, which is a few miles across the Moss from where I live in Southport. I did a similar view ages ago which sold. In spring, summer and autumn the church is obscured by foliage and it was only in December that I spotted the view again as I cycled around on a sunny day. The sandstone of the church in sunlight blends well with the winter coats of trees, and in this view I focussed more on the Church. The painting now sits in the window of my framer, hopefully awaiting purchase.

Other painting of churches and landscapes are available for sale on my website: grahammcquadefineart.com

LOOKING UP, AGAIN – ACRYLIC PAINTING

I posted a version of this before, but on further reflection, felt I had pulled back too far from the subject and allowed other distractions into the first version. This time I have focussed on the figure – getting him to fill the frame and even truncating the legs to fully take in the twisting of the upper body. I like the movement of the pose and the sense of optimism it suggests – which for this glass half empty person is a feat in itself.

Coupled with the English announcement of the start of the lifting of Covid restrictions then this may have a further resonance – though as every kite flyer knows, a change of wind and the kite is soon back down around your feet – leopards and spots…

Other figurative paintings are available for sale on my website: grahammcquadefineart.com

HEADED BACK HOME – WATERCOLOUR PAINTING

I did this a couple of weeks ago, but it got forgotten in the pile. I was after the smoky blues you get in the still early mornings and did resort to a glaze of blue tinted gouache. Perhaps more foliage detail in the foreground might add to the depth, but there is an understated calm about it which is what I was after.

Other landscapes are available for sale on my website: grahammcquadefineart.com

BREAKOUT – ACRYLIC PAINTING

For us in northern climes, a taste of what`s to come – that is, if they let us out the house .or we stage a breakout.

At this moment we should be cruising down the Nile – a holiday booked well over a year ago and I have been looking forward to seeing the sights of ancient Egypt that seem to be constantly on the television here. I was also eager for some time on deck, in the sun, painting the passing countryside as we cruised down river. So hopefully next year.

With this painting I liked the movement of the front child in the water and the gambolling dog. It looked a bit unconnected so I introduced a second child and pulled the dog into the man, who appears to be texting or reading his emails. In that format I have created a diagonal that hopefully reinforces the energy of waves and bathers.

Other seaside paintings are available for sale on my website: grahammcquadefineart.com

TWO PORTRAITS – PASTEL SKETCHES

Just for figurative practice I took some newspaper images and played around with my pastels, imagining that I was back in the life room and trying to work at pace – as if I had the time limit of a session. I liked the way this figure gripped their cane, with his bottom hand facing upwards, presumably, around the bulb of the cane.

On this, the melancholic gaze of the subject looking down drew my attention. This pose is accentuated by the top of the eyelid and the underside of the eye socket being illuminated from an elevated light from their left. The right side of her face is completely black in the photo, but I hinted at her eye and the edge of her nose and also put a bit more colour in, to lift the mood perhaps.

Other figurative work is available for sale on my website: grahammcquadefineart.com

SLOW GLIDE INTO A SUMMER’S DAY – WATERCOLOUR PAINTING

Another canal painting. I liked the dark form of the narrowboat melding into the bridge in shadow. There was also a lot of foliage and I tried applying paint to sprayed water to get lost and found edges. It took a few goes to build up the volume. Because of all the green I introduced some warms to break the monotony, though not too much as the subdued colour range pulls out the central figure and hopefully focusses the eye on the detail.

Just another day on the canal.

Other canal scenes are available on my website for sale: grahammcquadefineart.com

PASSING PLACES 2 – ACRYLIC PAINTING

I posted a version of this painting in early January. At the time someone commented on the bottom portion of the painting; that it needed reducing. I had to agree with this useful suggestion and decide to extend and expand the narrative of the passing places down the canvas.

In the end I reworked two thirds of it, making it look like a collection of snapshots along this single track lane close to where I live – a record of a journey perhaps. The passing places, emblematic of how we have to compromise and defer on our journey through life – well, most of us anyway.

I certainly like the idea behind this painting and how the greys characterise the place and the vibrancy generated by this colour against the oranges and yellows in the sky and fields.

Other landscapes are available for sale on my website: grahammcquadefineart.com

WOULD, FOR THE TREES … – PASTEL SKETCHES

THERE’D BE BLIGHTS OF THE CITY.

I was playing with my pastels, looking at options for an abstract, and turned this pair into something else. Though all the time fighting to keep to the spirit of abstract and not being too descriptive with a view to painting a bigger piece. With the first one I did a similar painting in acrylics some time ago and was pleased with it. The second one, I feel, could be developed by deconstructing it a little and playing the large areas of grey off with the smaller and more intense patches of colour.

I might do a few more, as it happily occupied an hour without any pressure of a result.

Other abstracts, including a version of the top sketch, are available for sale on my website: grahammcquadefine art.com

A PLEASANT PLACE TO PAUSE – WATERCOLOUR PAINTING

Having recently sold a couple of canal scenes I thought that I would paint a view of the Leeds to Liverpool Canal at Parbold. Another reason was to rattle the Troll’s cage – it gets agitated when it sees a canal – though never reading its rants, it might have changed for all I know or care.

I liked the boat tucked into the sunny mooring though I changed it to a narrowboat and the figures I borrowed from another photo. I saw some guys in a narrowboat when I was painting along the canal in the summer. They didnt look your usual barge folk. When I packed up to leave I walked past them and heard them speak in a foreign language. Later, it occurred to me that perhaps they were using narrowboats to house foreign workers – or perhaps illegal immigrants, who knows. There are quite a few craft well past their prime moored along the canal so that might be an easy way to raise some income. Though once you`ve handed the keys over your asset might disappear off into the sunset, never to be seen again.

Other canal scenes are available on my website for sale. Hurry, they are going fast. Check out grahammcquadefineart.com

GLIMMERS ON WATER STREET – WATERCOLOUR PAINTING

A view of Liverpool city towards the Mersey with the tall commercial buildings blocking out the bright sunlight until the sun’s persistence starts to break through and tear open the gloom. On the right, towering above the street, is the Liver Building with its clock tower and the Liver Birds balanced on the cupolas above.

I think I had just come out of a life drawing session and crossed the road to spot this. The life drawing group had been forced to move here from a decrepit but lovely light building to one on the right, There wasnt much natural light on the model down at the bottom of this valley and added to that the room was smaller.

Other Liverpool paintings are available on my website: grahammcquadefineart,com