This is the last of a recent clutch of commissions: the village church at Halsall. On the right is what was the village pub – with its old sign, but is now a financial consultancy – how times have changed – and the war memorial is just visible in front of the church.
I originally did this plein air, tucked on a bank out the way, hoping not to slip into the stream as I worked, early one morning. I then turned that sketch into a painting which sold and now someone else has asked for a version. So you may have seen this before as I posted both the other versions.
On the original version I realised I had the church spire slightly out of proportion and by shortening the spire to the correct size meant I could include more of the foreground and shadows, which gives a better lead in. I was taken by the light creeping in from the right – just starting to illuminate the church and gravestones and allows for some nice tonal interchanges. I’ll keep this for a few days and see if I need to do any further adjustments
Those who read my last blog will be aware that I am painting a couple of commission pieces. Here is the second – part of the front of the house. Some of the house is presently under scaffolding and boarded up, so I had to use some old photos to complete this painting. Anyway, I’ve just finished it and I need a while to look at it and see if there are any adjustments to be made. Putting it out on my blog will help, as I will see it every time I go in.
I posted the buyer a copy of the first painting and he seemed happy. Hopefully I’ll get a similar reaction when I send him the final copy.
Then, as I was painting this, I got another enquiry for a painting which had been sold, so I’ve been asked to do a copy of that. Its like the old story – you wait ages for a bus and then three come along at once – well four in this case. So I’d better crack on and start it…
I mentioned in my previous blog a number of commissions I have been asked to do. This is one of a local fee paying school. It shows the rear of the hall, a later addition, around 1900, I think. In this view it has the air of an Oxbridge college. The style of the house is mock Gothic and includes a tower which was designed by Augustus Pugin as a dry run for the one he built for the houses of parliament. At the time of my visit it was clad in scaffolding – but it bears a striking resemblance.
Inside the house are some incredible wood carvings. I was told some came out of Buckingham Palace – and the quality certainly bears that out. I am working on a second view at present and will show that on this blog later.
Hopefully the owners will be happy with the views.
This was an image I was playing with sometime ago from a distant trip to the English Lake District. At present, my time is taken up with commissions.
Before Christmas I had a small exhibition at my framers and I sold three paintings prior to the holiday. Since Christmas the paintings have been locked in his shop window. Latterly, non essential shops, like picture framers, were allowed to open again and a couple more paintings sold before we ended the exhibition on Monday. However, from the exhibition I have acquired three commissions and so I am working my way through those. The first one was of someone’s house and cat which I thought inappropriate to show, but the other two might make the blog – when I complete them. For me, commissions take longer than a normal painting because you need to be sure of details personal to the recipient and I also allow the recipient to be part of the planning which doesnt speed things up.
So for now, here is a view over Lake Windermere, before the next shower of rain comes in to dampen the walker. Hopefully we will be getting back there soon.
I have been continuing to play with acrylic inks. I completed a painting on canvas using inks and acrylic paint which I was pleased with. It had a floral connotations so have I have been searching for other themes for a new painting.
So I started to look at dance and movement which the ink lines can evoke. So this was the idea behind the top two – though the top one did take on a life of it’s own.
Continuing the movement theme, above, I tried to run the watercolour washes counter to the movements of the acrylic inks.
Another potential theme was the urban environment. The straight lines that the droppers of ink can easily produce convey man made objects.
And of course, I looked at the landscape, but this time I added the ink to watercolour washes rather than the other way around as I had done on the first four above.
Finally another landscape theme on a preprepared watercolour wash, but along with the acrylic inks I added some pastel as well.
I wasnt prepared for Thursday dawning without a cloud in the sky and by lunchtime it was still cloudless so I decided to get out and do some painting. Unfortunately I hadnt made any plans, so I headed off on a well worn route, hoping to spot something new of interest. This, above, was a view across to farms on the moss with the remains of last year`s bramble and undergrowth in the foreground.
I continued up Clieves`s Hills – the only bump in the Lancahire Plain around here and close to the top, I took the opportunity to get off the bike and sit down to paint this house. I liked theinterchange of light and shade on the walls and the tree just coming into leaf, all set off against the recently tilled soil.
And finally another drainage ditch. Again I liked the light and shade and the way the banks zig-zagged like teeth of interlocking cogs. In hindsight, there is room to play more on the light and shade of banks and I think the water close to the bottom of the painting was wider then I have it which would add to the contrasts. But by then I had cycled twenty miles and was on my third painting – concentration was beginning to sag – but a great afternoon, nevertheless.
Having had to rebook a holiday for the second time this week I thought that I would recall one from a more carefree time. This is on the Italian Lake Garda, a little hamlet near Salo. It was out of the way and frequented, it seemed, by locals. I saw quite a few small gatherings passing away the evening around the quay and a small promenade, putting the world to rights and greeting friends. Some even brought their own chair and when done would fold it up and carry it back to their house.
Other seaside paintings are available for sale on my website: grahammcquadefineart.com
I suppose this could be worked on a little more, but I took a photo of it to see how it was looking and decided to post it. Apposite as they are opening up shops and other non essential outlets tomorrow in our neck of the woods. However, cafes and pubs can only serve customers outside – so those inside on this painting are mere reflections., and with our weather, those on the outside will soon be wrapping their coats around them – but for now it’s sunny – it could be France – but it’s Parbold.
This is a scene from my hometown of Hastings, on the south coast of England. Here the fishing boats are hauled up the shingle beach and then launched into the sea by tractors. Even the local Lifeboat is treated similarly. There is a harbour arm, but I dont think it would afford much protection. So you can walk amongst the beached boats with all the paraphernalia of a fishing port strewn across the shingle. I saw this fellow sitting out of the wind behind two boats eating his lunch and there was one gull jealously eyeing his fish dinner.
So I added a few more – to up the tension – for as you know, there aren`t many things hungrier than a gull, unless, that is, it`s a man who has just lost his lunch.