Still playing around with the inks and washes. I am trying to get something to work up onto a canvas. So far I feel the simplicity of the pieces just fail to maintain interest on a bigger scale. I am applying the ink with a pipette but get much more interesting lines with my broken pipettes rather than the ones supplied with the acrylic inks. The one on the right, above, was done with my broken pipette as opposed to the one supplied with the ink on the left. Although I did like the effect of mixing the different coloured inks in the lines on the image on the left , the blue is certainly a less strident colour than the black..
The style and orientation of the lines also bring their own images, such as the grid giving an urban feel on the right above.
So with another difference in orientation of the lines, a more nautical feel emerges which is then reinforced with colour.
Here, above, I`ve tried to add further textures though I dont feel that it has moved the image on much and made it more messy. So I will keep on playing. Fortunately I have a lot of discarded paintings I can work on the back of.
With the lifting of the complete lockdown I went into Liverpool and got myself some acrylic inks this week. I am thinking of putting some of these line and wash style images onto canvas. Up until now I have been using standard inks for the line and watercolours to add washes and I feel I need acrylic inks to apply to canvas. This one above is done in acrylics on paper with acrylic ink, liquid acrylic and heavy body acrylic. I am happier keeping it simple than adding layers of complexity as I did in the one below.
In this one I used black and white inks to create the lines and I feel that has some mileage for developing.
I am still playing around with standard ink and watercolours as they are quick to do and here are a few more below.
The one above is a more complex version of the first painting and I dont think the complexity adds much value.
Putting ink onto a wet surface can give an overpowering effect especially with black ink, so it needs to be done sparingly. I did buy some red, yellow and blue inks and havent yet started using these. They look more potent than the liquid acrylics I use.
Since returning from my trip I’ve attended two or three life drawing sessions. The ones I’ve been to prefer the fast and furious so I just took a pen, some writing ink and a brush. Drawing with a pen shows all the hesitations and mistakes, but the ink washes means you can get a great tonal range which, if the lighting is any good, means you can exploit fully.
I had a number of sketches in my book done as tonal work in various media. The first one is ink and wash. I use Quink ink which is permanent. As soon as its down it stays, so you need to think about mark making before you proceed. The next one is watercolour, with a drawing in pencil. I have loads of Paynes Gray which I now never use. So I thought this would be a suitable outlet. It doesn’t have the power of the ink, but you can correct and manipulate it more.
The third is charcoal which is a media I have never got to grips with despite many tries. The fourth is pastel on a slightly toned paper. The pastel allows me to use both back and white and I find the depth of tone you can achieve very exciting.
The final painting is back to the paynes grey watercolour.
All were done in under an hour in the life sessions I go to.